Louisa Rogers
Biographic Data
| ID | 6740988 |
|---|---|
| NAME | Louisa Rogers |
| GIVEN NAMES | Louisa |
| FAMILY NAME | Rogers |
| SIGNATURE | ROGERS L |
| AFFILIATIONS | Northumbria University |
| ORCID | 0000-0003-4460-6197 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2024 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Styling the Surveillance Self in Fashion Media
The burgeoning market for wearable technologies with surveillance capabilities is reorienting our relationship with our bodies, privacy, and digital data. This expanding sector has prompted an exploration into how the surveillance of the individual body has been normalized more broadly in the fashion sphere through its visual communications practice. To this end, a multimodal critical discourse analysis following an adapted framework examined a s…
Fashioning Frankenstein
The deathly aesthetic of Heroin Chic caused a moral panic in the late 1990s for its aestheticization of cadaverously pale and skeletally thin models. Subsequent photographers have experimented with the female body as a prop, staging high-fashion crime scenes and mimicking the passivity of corpses in prone posture. Fashion photography offers an arena to explore daily life and the national imagination by materializing concepts through a focus on co…
No prominent works on this page.
Fashioning Frankenstein
The deathly aesthetic of Heroin Chic caused a moral panic in the late 1990s for its aestheticization of cadaverously pale and skeletally thin models. Subsequent photographers have experimented with the female body as a prop, staging high-fashion crime scenes and mimicking the passivity of corpses in prone posture. Fashion photography offers an arena to explore daily life and the national imagination by materializing concepts through a focus on co…
Styling the Surveillance Self in Fashion Media
The burgeoning market for wearable technologies with surveillance capabilities is reorienting our relationship with our bodies, privacy, and digital data. This expanding sector has prompted an exploration into how the surveillance of the individual body has been normalized more broadly in the fashion sphere through its visual communications practice. To this end, a multimodal critical discourse analysis following an adapted framework examined a s…
Aesthetics (2 works) · Art (2 works) · Fashion and Cultural Textiles (2 works) · Advertising (1 work) · Art history (1 work) · Art, Politics, and Modernism (1 work) · Asian Culture and Media Studies (1 work) · Business (1 work) · Gender Studies (1 work) · Gender Studies (1 work)