Ali Ghanbari Barzian
Biographic Data
| ID | 6813336 |
|---|---|
| NAME | Ali Ghanbari Barzian |
| GIVEN NAMES | Ali Ghanbari |
| FAMILY NAME | Barzian |
| SIGNATURE | BARZIAN A G |
| AFFILIATIONS | University of Isfahan |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
The Collective Construction of the Hijab Controversy in Iran through the Agency of the Instagram Camera
The present study aims to investigate the hijab controversy in Iran based on new materialism approaches and focusing on Bruno Latour’s Actor-Network Theory. It seeks to identify the role of Instagram, especially the Instagram camera, as an active participant in the controversy. The findings of this research, which utilized a “methodological collage” and three-dimensions—observations, document analysis, and interviews—demonstrate that Instagram ha…
A medicine called art: A narrative analysis of women with multiple sclerosis’ perceptions of art classes in Iran
This research demonstrates the potential of incorporating art into treatment programmes for women with MS. The findings support the integration of art as a complementary therapy to promote physical and psychological well-being
Film and ideology: Narrative analysis of the student movement in Iranian Cinema (2001–2004)
Cinema has a complex relation with the state and social reality in Iran. Between 2001 and 2004, Iranian cinema was under the control of the ideology of the Islamic Left. Students who played a crucial role in the Islamic Left’s restoration to power in the mid-1990s became frustrated and depoliticised as advocates of the democratic movement in the early 2000s. Iranian cinema depicted this movement during that time, however to date there is a lack o…
No prominent works on this page.
Film and ideology: Narrative analysis of the student movement in Iranian Cinema (2001–2004)
Cinema has a complex relation with the state and social reality in Iran. Between 2001 and 2004, Iranian cinema was under the control of the ideology of the Islamic Left. Students who played a crucial role in the Islamic Left’s restoration to power in the mid-1990s became frustrated and depoliticised as advocates of the democratic movement in the early 2000s. Iranian cinema depicted this movement during that time, however to date there is a lack o…
The Collective Construction of the Hijab Controversy in Iran through the Agency of the Instagram Camera
The present study aims to investigate the hijab controversy in Iran based on new materialism approaches and focusing on Bruno Latour’s Actor-Network Theory. It seeks to identify the role of Instagram, especially the Instagram camera, as an active participant in the controversy. The findings of this research, which utilized a “methodological collage” and three-dimensions—observations, document analysis, and interviews—demonstrate that Instagram ha…
A medicine called art: A narrative analysis of women with multiple sclerosis’ perceptions of art classes in Iran
This research demonstrates the potential of incorporating art into treatment programmes for women with MS. The findings support the integration of art as a complementary therapy to promote physical and psychological well-being
Aesthetics (3 works) · Art (3 works) · Literature (2 works) · Narrative (2 works) · Social science (2 works) · Sociology (2 works) · Art Therapy and Mental Health (1 works) · Cinema and Media Studies (1 works) · Contemporary and Historical Greek Studies (1 works) · Empathy and Medical Education (1 works)