Emily Waller Singeisen
Biographic Data
| ID | 6824897 |
|---|---|
| NAME | Emily Waller Singeisen |
| GIVEN NAMES | Emily Waller |
| FAMILY NAME | Singeisen |
| SIGNATURE | SINGEISEN E W |
| AFFILIATIONS | University of North Carolina at Chapel Hill |
| ORCID | 0009-0008-5093-3171 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2024 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Object/ifying Sappho
Watched men and phallus-wielding women
In 1896, Aubrey Beardsley, the controversial poster child for the Decadent movement in Britain, set to work on a collection of drawings inspired by Juvenal’s Sixth Satire. The resultant works — which depict Bathyllus dancing, Messalina returning unsatisfied from the baths, an ‘impatient adulterer’ spying on his mistress, and a final image (not found in the ancient text) of Juvenal whipping a woman — are composed in Beardsley’s iconic style of sta…
No prominent works on this page.
Watched men and phallus-wielding women
In 1896, Aubrey Beardsley, the controversial poster child for the Decadent movement in Britain, set to work on a collection of drawings inspired by Juvenal’s Sixth Satire. The resultant works — which depict Bathyllus dancing, Messalina returning unsatisfied from the baths, an ‘impatient adulterer’ spying on his mistress, and a final image (not found in the ancient text) of Juvenal whipping a woman — are composed in Beardsley’s iconic style of sta…
Object/ifying Sappho
Art (1 work) · Art history (1 work) · Comics (1 work) · Cultural anthropology (1 work) · Cultural History and Identity Formation (1 work) · Decadence (1 work) · Decadence, Literature, and Society (1 work) · Gender Studies (1 work) · Historical Art and Culture Studies (1 work) · Historical Economic and Social Studies (1 work)