LIUDMYLA SHAPOVALOVA
Biographic Data
| ID | 6826515 |
|---|---|
| NAME | LIUDMYLA SHAPOVALOVA |
| GIVEN NAMES | LIUDMYLA |
| FAMILY NAME | SHAPOVALOVA |
| SIGNATURE | SHAPOVALOVA L |
| AFFILIATIONS | Kharkiv National Kotlyarevsky University of Arts |
| ORCID | 0000-0002-9407-7337 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Poetics of Musical Baroque
The purpose of the article is to identify performance strategies in contemporary musical culture that are related to the interpretation of ancient styles and genres as authentic examples of the cultural process in the age of globalization, based on the comprehension of the components of the poetics of the musical baroque. The research methodology is based on the cognitive, interpretive, historical and stylistic approaches necessary for a comprehe…
Performance Poetics as an Imalogical Vision of a Contemporary Musical Work
The article considers features of musical performance in the context of imalogical vision. It is emphasized that in the process of performance, musical work can acquire extensively new meanings and functions. On the basis of contemporary examples, it is shown how imalogical vision of a musical work, shaped within performance poetics can become a tool of cultural diplomacy and soft power. The study employs interdisciplinary approach, combining vec…
Genre in the music communication system and the artist's mission
The concept of the genre in the creative practice of the 20th century is defined as a complete historical cycle. The purpose of the study is to review theoretical ideas about the role of genre in the communicative system of musical culture of the 20th century through the criterion of cooperation of the composer and performer. A. Sokhor, V. Zuckerman, Ye. Nazaikinsky, I. Kohanyk et al. explained the essence of the genre from different standpoints,…
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Genre in the music communication system and the artist's mission
The concept of the genre in the creative practice of the 20th century is defined as a complete historical cycle. The purpose of the study is to review theoretical ideas about the role of genre in the communicative system of musical culture of the 20th century through the criterion of cooperation of the composer and performer. A. Sokhor, V. Zuckerman, Ye. Nazaikinsky, I. Kohanyk et al. explained the essence of the genre from different standpoints,…
Poetics of Musical Baroque
The purpose of the article is to identify performance strategies in contemporary musical culture that are related to the interpretation of ancient styles and genres as authentic examples of the cultural process in the age of globalization, based on the comprehension of the components of the poetics of the musical baroque. The research methodology is based on the cognitive, interpretive, historical and stylistic approaches necessary for a comprehe…
Performance Poetics as an Imalogical Vision of a Contemporary Musical Work
The article considers features of musical performance in the context of imalogical vision. It is emphasized that in the process of performance, musical work can acquire extensively new meanings and functions. On the basis of contemporary examples, it is shown how imalogical vision of a musical work, shaped within performance poetics can become a tool of cultural diplomacy and soft power. The study employs interdisciplinary approach, combining vec…
Art (2 works) · Literature (2 works) · Musical (2 works) · Poetics (2 works) · Poetry (2 works) · Aesthetics (1 works) · Ballad (1 works) · Baroque (1 works) · Digital Media and Visual Art (1 works) · Discourse Analysis and Cultural Communication (1 works)