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Performance Poetics as an Imalogical Vision of a Contemporary Musical Work

Bibliographic Data

ID12940310
AuthorsBohdan Kysliak (Lviv State University of Physical Culture), LIUDMYLA SHAPOVALOVA (0000-0002-9407-7337, Hetman Petro Sahaidachnyi National Army Academy), RUSLANA VAVRYK (Lviv State University of Physical Culture), Dmytro Hub'yak (Kharkiv National Kotlyarevsky University of Arts), DMYTRO HUB’YAK, SERHII DAVYDOV (Lviv State University of Physical Culture)
Year2024
Volume14
Issue1
Pages60-64
Publication date2024-02-29
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueAD ALTA Journal of Interdisciplinary Research (JOURNAL)
Journal identifiersISSN: 1804-7890 • E-ISSN: 2464-6733
PublisherMAGNANIMITAS (PUBLISHER)
DOI10.33543/j.140140.6064
OpenAlexW4392586118
LanguageEN
References cited10

The article considers features of musical performance in the context of imalogical vision. It is emphasized that in the process of performance, musical work can acquire extensively new meanings and functions. On the basis of contemporary examples, it is shown how imalogical vision of a musical work, shaped within performance poetics can become a tool of cultural diplomacy and soft power. The study employs interdisciplinary approach, combining vectors of musicology, philosophy, and political science

Poetics · Music and Audio Processing · Musicology and Musical Analysis · Neuroscience and Music Perception

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  • The Sound of Musical Diplomacy

    Kathryn C Statler•Diplomatic History•2012

  • Post-structuralism and Music Theory

    Open Access•Joseph N Straus, Joseph Straus•Music Theory Online•1995

Citation velocityhistorical
Highly citedNo

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