Gül Mükerrem Öztürk
Biographic Data
| ID | 6884531 |
|---|---|
| NAME | Gül Mükerrem Öztürk |
| GIVEN NAMES | Gül Mükerrem |
| FAMILY NAME | Öztürk |
| SIGNATURE | ÖZTÜRK G M |
| AFFILIATIONS | Recep Tayyip Erdoğan University |
| ORCID | 0000-0003-1875-4954 |
| VERIFIED | Yes |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 10 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Silent Witness as Civic Theology
In post-Soviet Georgia, the renewed visibility of religion in the public sphere has generated ambivalent effects, fostering both social cohesion and identity-based exclusion. This article focuses on the work I Am the Way by Georgian Orthodox thinker Zurab Kiknadze to explore how a non-instrumental, ethics-based conception of public religion can be sociologically conceptualized. Drawing on a qualitative, hermeneutic-narrative method, the analysis …
Translation, adaptation and identity
During the first half of the nineteenth century, Georgia experienced a complex process of Europeanization that reshaped its cultural and literary landscape. In this period, marked by the country’s incorporation into the Russian Empire, Georgian writers engaged with French and Russian literary traditions through translation, adaptation, and rewriting. This article examines how three key figures—Aleksandre Chavchavadze, Grigol Orbeliani, and Grigol…
The Georgian Figure in Dede Korkut Tales
The Dede Korkut Tales are among the fundamental texts that should be regarded not only as literary heritage but also as historical, sociocultural, and ideological memory sites. With their multi-layered structure, these narratives provide significant insights into the value system, cultural codes, and identity construction processes of Turkish society. This study analyzes the figure of the Georgian in Dede Korkut tales from historical, cultural, a…
When Words Become Voice
This article closely examines the Georgian folk tale Master and Pupil, focusing on the intermedial transformation of its sequential narrative structure as an instance of oral storytelling. The tale is analyzed within the broader discourses of performativity, voice, and narrative subjectivity through the lenses of performance theory, media formalism, and the Aarne–Thompson–Uther (ATU) classification system (Type 325). The study reveals a transitio…
The Two Poles of the Romantic Paradigm
Romantic poetry is known to have engendered a potent discursive space in 19th-century Europe, wherein national aspirations, personal tragedies, and mythic narratives coalesced. This study examines the recurring images of the “galloping horse” and the “self-sacrificing cavalryman” in 19th-century Romantic poetry in the context of a common poetic myth shaped around the themes of national identity, spiritual transcendence, and historical destiny. Th…
Translation and Power in Georgia
This study examines the transformation of literary translation practices in Georgia from the Soviet era to the post-Soviet and neoliberal periods, using postcolonial translation theory as the main analytical lens. Translation is treated not merely as a linguistic transfer but as a process shaped by ideological control, cultural representation, and global power hierarchies. In the Soviet era, censorship policies rooted in socialist realism imposed…
From The Demon to the Secret Voice
The first half of the 19th century witnessed the rise of Romantic poetry, which focused in depth on individual consciousness, inner worlds, and metaphysical inquiries. This poetic orientation became particularly evident in works centred on themes such as solitude, alienation, and existential quests. Within this context, the present study aims to examine the archetypal and poetic resonances of the poetic voice in Mihail Lermontov’s poem The Demon,…
Sacred Silence and the Genealogy of the Nation
This article examines how national identity is constructed through religious representations in the poetry of Nikoloz Baratashvili, one of the leading figures of 19th-century Georgian Romanticism. Through a text-centered analysis of four key poems, it explores how a religious memory woven around motifs of sacred silence, divine absence, and sacrificial imagery is transformed into a poetic narrative within a postcolonial context. Drawing on the th…
Gürcü Edebi̇yatinda Di̇li̇n Yeni̇den Şeki̇llenmesi̇
Gürcü edebiyat tarihinde, eserlerinde Gürcistan’ın farklı bölgelerinin kültürel unsurlarını vurgulayan birçok şair ve yazar yer almaktadır. Bu isimler arasında, özellikle Vaja Pşavela, 19. ve 20. yüzyılın başlarında önemli bir rol oynamıştır. Pşavela’nın eserleri, çağdaş Gürcü edebiyat tarihine derinlik katmıştır. Ancak, dil tercihleri bazı eleştirilere yol açmıştır. Örneğin, Pşavela’nın dilinin anlaşılabilirliği ve erişebilirliği, özellikle Pşav…
Değerler Eği̇ti̇mi̇nde Yol Arkadaşim
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Değerler Eği̇ti̇mi̇nde Yol Arkadaşim
Gürcü Edebi̇yatinda Di̇li̇n Yeni̇den Şeki̇llenmesi̇
Gürcü edebiyat tarihinde, eserlerinde Gürcistan’ın farklı bölgelerinin kültürel unsurlarını vurgulayan birçok şair ve yazar yer almaktadır. Bu isimler arasında, özellikle Vaja Pşavela, 19. ve 20. yüzyılın başlarında önemli bir rol oynamıştır. Pşavela’nın eserleri, çağdaş Gürcü edebiyat tarihine derinlik katmıştır. Ancak, dil tercihleri bazı eleştirilere yol açmıştır. Örneğin, Pşavela’nın dilinin anlaşılabilirliği ve erişebilirliği, özellikle Pşav…
Translation, adaptation and identity
During the first half of the nineteenth century, Georgia experienced a complex process of Europeanization that reshaped its cultural and literary landscape. In this period, marked by the country’s incorporation into the Russian Empire, Georgian writers engaged with French and Russian literary traditions through translation, adaptation, and rewriting. This article examines how three key figures—Aleksandre Chavchavadze, Grigol Orbeliani, and Grigol…
The Georgian Figure in Dede Korkut Tales
The Dede Korkut Tales are among the fundamental texts that should be regarded not only as literary heritage but also as historical, sociocultural, and ideological memory sites. With their multi-layered structure, these narratives provide significant insights into the value system, cultural codes, and identity construction processes of Turkish society. This study analyzes the figure of the Georgian in Dede Korkut tales from historical, cultural, a…
When Words Become Voice
This article closely examines the Georgian folk tale Master and Pupil, focusing on the intermedial transformation of its sequential narrative structure as an instance of oral storytelling. The tale is analyzed within the broader discourses of performativity, voice, and narrative subjectivity through the lenses of performance theory, media formalism, and the Aarne–Thompson–Uther (ATU) classification system (Type 325). The study reveals a transitio…
The Two Poles of the Romantic Paradigm
Romantic poetry is known to have engendered a potent discursive space in 19th-century Europe, wherein national aspirations, personal tragedies, and mythic narratives coalesced. This study examines the recurring images of the “galloping horse” and the “self-sacrificing cavalryman” in 19th-century Romantic poetry in the context of a common poetic myth shaped around the themes of national identity, spiritual transcendence, and historical destiny. Th…
Translation and Power in Georgia
This study examines the transformation of literary translation practices in Georgia from the Soviet era to the post-Soviet and neoliberal periods, using postcolonial translation theory as the main analytical lens. Translation is treated not merely as a linguistic transfer but as a process shaped by ideological control, cultural representation, and global power hierarchies. In the Soviet era, censorship policies rooted in socialist realism imposed…
From The Demon to the Secret Voice
The first half of the 19th century witnessed the rise of Romantic poetry, which focused in depth on individual consciousness, inner worlds, and metaphysical inquiries. This poetic orientation became particularly evident in works centred on themes such as solitude, alienation, and existential quests. Within this context, the present study aims to examine the archetypal and poetic resonances of the poetic voice in Mihail Lermontov’s poem The Demon,…
Sacred Silence and the Genealogy of the Nation
This article examines how national identity is constructed through religious representations in the poetry of Nikoloz Baratashvili, one of the leading figures of 19th-century Georgian Romanticism. Through a text-centered analysis of four key poems, it explores how a religious memory woven around motifs of sacred silence, divine absence, and sacrificial imagery is transformed into a poetic narrative within a postcolonial context. Drawing on the th…
Silent Witness as Civic Theology
In post-Soviet Georgia, the renewed visibility of religion in the public sphere has generated ambivalent effects, fostering both social cohesion and identity-based exclusion. This article focuses on the work I Am the Way by Georgian Orthodox thinker Zurab Kiknadze to explore how a non-instrumental, ethics-based conception of public religion can be sociologically conceptualized. Drawing on a qualitative, hermeneutic-narrative method, the analysis …
Art (5 works) · Philosophy (5 works) · Georgian (4 works) · Literature (4 works) · Narrative (4 works) · Aesthetics (3 works) · Cultural and Sociopolitical Studies (3 works) · Folklore, Mythology, and Literature Studies (3 works) · History (3 works) · Poetry (3 works)