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Ana Paula Höfling

Biographic Data

ID688605
NAMEAna Paula Höfling
GIVEN NAMESAna Paula
FAMILY NAMEHöfling
SIGNATUREHÖFLING A P
AFFILIATIONSUniversity of North Carolina at Greensboro
ORCID0000-0002-5629-8657
VERIFIEDYes
TOTAL WORKS3
TOTAL CITATIONS1
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2020
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Historicizing the Aesthetic of the Cool

    Ana Paula Höfling•ARTICLE•Dance Chronicle•2025

    This article historicizes the ubiquitous analytic rubric of identifying Africanist commonalities, tracing it back to "the Aesthetic of the Cool" proposed by U.S. art historian Robert Farris Thompson in the late 1960s and early 1970s. In my argument, I draw on my own research trajectory, reflecting on why I initially used this analytic lens but later decided to focus instead on specific people, places, and time periods. Looking at Thompson’s work …

  • Dancing Latinidad

    Open Access•Ana Paula Höfling•ARTICLE•Latin American Research Review•2022

    This essay reviews the following works: Salsa Crossings: Dancing Latinidad in Los Angeles. By Cindy García. Durham, NC: Duke University Press, 2013. Pp. xxv + 181. $23.95 paperback. ISBN: 9780822354970. Salsa World: A Global Dance in Local Contexts. Edited by Sydney Hutchinson. Philadelphia: Temple University Press, 2014. Pp. viii + 229. $30.95 paperback. ISBN: 9781439910078. Spinning Mambo into Salsa: Caribbean Dance in Global Commerce. By Julie…

  • Dancing Mestiçagem, Embodying Whiteness

    Open Access•Ana Paula Höfling•ARTICLE•Dance Research Journal•2020•Cited by: 1•References: 9

    This article analyzes the processes of branqueamento (whitening) contained within the ideology of mestiçagem (racial miscegenation) through the work of Brazilian dancer, choreographer, and dance pedagogue Eros Volúsia (1914–2004) in the context of the establishment of the myth of racial democracy in early twentieth-century Brazil. I argue that Eros Volúsia not only embodied Brazil's allegedly harmonious racial mixture through her stylized “folk” …

  • Dancing Mestiçagem, Embodying Whiteness

    Open Access•Ana Paula Höfling•ARTICLE•Dance Research Journal•2020•Cited by: 1•References: 9

    This article analyzes the processes of branqueamento (whitening) contained within the ideology of mestiçagem (racial miscegenation) through the work of Brazilian dancer, choreographer, and dance pedagogue Eros Volúsia (1914–2004) in the context of the establishment of the myth of racial democracy in early twentieth-century Brazil. I argue that Eros Volúsia not only embodied Brazil's allegedly harmonious racial mixture through her stylized “folk” …

  • Dancing Mestiçagem, Embodying Whiteness

    Open Access•Ana Paula Höfling•ARTICLE•Dance Research Journal•2020•Cited by: 1•References: 9

    This article analyzes the processes of branqueamento (whitening) contained within the ideology of mestiçagem (racial miscegenation) through the work of Brazilian dancer, choreographer, and dance pedagogue Eros Volúsia (1914–2004) in the context of the establishment of the myth of racial democracy in early twentieth-century Brazil. I argue that Eros Volúsia not only embodied Brazil's allegedly harmonious racial mixture through her stylized “folk” …

  • Dancing Latinidad

    Open Access•Ana Paula Höfling•ARTICLE•Latin American Research Review•2022

    This essay reviews the following works: Salsa Crossings: Dancing Latinidad in Los Angeles. By Cindy García. Durham, NC: Duke University Press, 2013. Pp. xxv + 181. $23.95 paperback. ISBN: 9780822354970. Salsa World: A Global Dance in Local Contexts. Edited by Sydney Hutchinson. Philadelphia: Temple University Press, 2014. Pp. viii + 229. $30.95 paperback. ISBN: 9781439910078. Spinning Mambo into Salsa: Caribbean Dance in Global Commerce. By Julie…

  • Historicizing the Aesthetic of the Cool

    Ana Paula Höfling•ARTICLE•Dance Chronicle•2025

    This article historicizes the ubiquitous analytic rubric of identifying Africanist commonalities, tracing it back to "the Aesthetic of the Cool" proposed by U.S. art historian Robert Farris Thompson in the late 1960s and early 1970s. In my argument, I draw on my own research trajectory, reflecting on why I initially used this analytic lens but later decided to focus instead on specific people, places, and time periods. Looking at Thompson’s work …

Art (3 works) · Art history (3 works) · Visual arts (3 works) · Context (archaeology) (2 works) · Dance (2 works) · Diversity and Impact of Dance (2 works) · History (2 works) · Humanities (2 works) · Sociology (2 works) · Aesthetics (1 work)

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