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Antonio Scuderi

Biographic Data

ID688728
NAMEAntonio Scuderi
GIVEN NAMESAntonio
FAMILY NAMEScuderi
SIGNATURESCUDERI A
AFFILIATIONSThe Ohio State University
VERIFIEDNo
TOTAL WORKS14
TOTAL CITATIONS5
AUTHOR COUNT14
EDITOR COUNT0
FIRST PUBLICATION YEAR1992
LATEST PUBLICATION YEAR2006
H-INDEX2
  • Performance and Text in the Italian Carolingian Tradition

    Open Access•Antonio Scuderi•ARTICLE•Oral tradition•2006•Cited by: 2•References: 1

    Performance and Text in the Italian Carolingian Tradition Antonio Scuderi Truman State University [*eCompanion at www.oraltradition.org 1 ] One of the most fascinating aspects of the chivalric-epic tradition of Italy is the historical dialectic between its manifestations as oral performance and written text. Based primarily on Carolingian lore, the oral and written traditions influenced each other in a symbiotic dialogue across the centuries. Joh…

  • Unmasking the Holy Jester Dario Fo

    Antonio Scuderi•ARTICLE•Theatre Journal•2003•Cited by: 1•References: 1

    Throughout his long and successful career, Dario Fo has based his theater on popular theatrical forms and the oral tradition. In many ways, this was at the heart of the controversy surrounding the decision to award him the Nobel Prize in Literature in 1997. Influenced by the writings of Antonio Gramsci, Fo's mission has been to give dignity back to folk culture. A close look at his 1999 giullarata (one-man show) about Saint Francis of Assisi, The…

  • Il segreto del giullare

    Antonio Scuderi, Elena de Pasquale•ARTICLE•Italica•2000

  • Morte accidentale di un anarchico

    Antonio Scuderi, Dario Fo et al.•ARTICLE•Italica•1999

    Now part of the canon of Italian plays, Morte accidentale di un anarchico, in its original form, was a subversive piece of political theatre. It is based on the events of December 1969 when Guiseppe Pinelli, the anarchist of the title, fell to his death from a fourth floor window of the police headquarters in Milan, where he was being held for questioning in connection with the bomb in Pialla Fontana. This edition sets the play in its historical …

  • La disputa del metodo nel Rinascimento

    Alberto Tenenti, Antonio Scuderi•ARTICLE•Sixteenth Century Journal•1998

  • Contemporary Italian Filmmaking

    Antonio Scuderi, Manuela Gieri•ARTICLE•Italica•1997

  • Subverting religious authority

    Antonio Scuderi•ARTICLE•Text and Performance Quarterly•1996•References: 3

    In his role as a modem‐day giullare, Dario Fo has made a point of questioning and subverting the authority of the Catholic Church. His criticism has focused on the concept of cosmic terror and the image of the severe paternal god as means of asserting and enforcing the dominion of official cultures. In performances such as Mistero buffo, The Pope and the Witch, and, more recently, Johan Padan, he continues the satumalian traditions of parodic, ic…

  • Toto

    Antonio Scuderi, Dario Fo et al.•ARTICLE•Italica•1995

  • Dario Fo and Performance Theory

    Antonio Scuderi•ARTICLE•Italian Culture•1994•References: 1

  • Dario Fo and Performance Theory

    Antonio Scuderi•ARTICLE•Italian Culture•1994

  • The Dialect Poetry of Nino Martoglio

    Hermann W Haller, Antonio Scuderi et al.•ARTICLE•Italica•1994

  • Theatrical and Cinematographic Elements in the Dialect Poetry of Nino Martoglio

    Open Access•Antonio Scuderi•ARTICLE•Forum Italicum A Journal of…•1993•References: 1

  • Code Interaction in Nino Martoglio's I Civitoti in Pretura

    Antonio Scuderi•ARTICLE•Italica•1992•Cited by: 2

    In recent years, with the publication of books such as Hermann Haller's The Hidden Italy (1986), more attention is being given to Italian literature. In the introduction to his book, Haller makes us aware that dialect literature is composed largely by cultivated writers who also write in the koine (1986, 32). This bilingual/ bicultural vantage point of the writers signifies that much of what they have to offer may be sociolinguistic in nature, an…

  • Malidittu la lingua

    Antonio Scuderi, Vincenzo Ancona et al.•ARTICLE•Italica•1992

  • Performance and Text in the Italian Carolingian Tradition

    Open Access•Antonio Scuderi•ARTICLE•Oral tradition•2006•Cited by: 2•References: 1

    Performance and Text in the Italian Carolingian Tradition Antonio Scuderi Truman State University [*eCompanion at www.oraltradition.org 1 ] One of the most fascinating aspects of the chivalric-epic tradition of Italy is the historical dialectic between its manifestations as oral performance and written text. Based primarily on Carolingian lore, the oral and written traditions influenced each other in a symbiotic dialogue across the centuries. Joh…

  • Code Interaction in Nino Martoglio's I Civitoti in Pretura

    Antonio Scuderi•ARTICLE•Italica•1992•Cited by: 2

    In recent years, with the publication of books such as Hermann Haller's The Hidden Italy (1986), more attention is being given to Italian literature. In the introduction to his book, Haller makes us aware that dialect literature is composed largely by cultivated writers who also write in the koine (1986, 32). This bilingual/ bicultural vantage point of the writers signifies that much of what they have to offer may be sociolinguistic in nature, an…

  • Unmasking the Holy Jester Dario Fo

    Antonio Scuderi•ARTICLE•Theatre Journal•2003•Cited by: 1•References: 1

    Throughout his long and successful career, Dario Fo has based his theater on popular theatrical forms and the oral tradition. In many ways, this was at the heart of the controversy surrounding the decision to award him the Nobel Prize in Literature in 1997. Influenced by the writings of Antonio Gramsci, Fo's mission has been to give dignity back to folk culture. A close look at his 1999 giullarata (one-man show) about Saint Francis of Assisi, The…

  • Code Interaction in Nino Martoglio's I Civitoti in Pretura

    Antonio Scuderi•ARTICLE•Italica•1992•Cited by: 2

    In recent years, with the publication of books such as Hermann Haller's The Hidden Italy (1986), more attention is being given to Italian literature. In the introduction to his book, Haller makes us aware that dialect literature is composed largely by cultivated writers who also write in the koine (1986, 32). This bilingual/ bicultural vantage point of the writers signifies that much of what they have to offer may be sociolinguistic in nature, an…

  • Malidittu la lingua

    Antonio Scuderi, Vincenzo Ancona et al.•ARTICLE•Italica•1992

  • Theatrical and Cinematographic Elements in the Dialect Poetry of Nino Martoglio

    Open Access•Antonio Scuderi•ARTICLE•Forum Italicum A Journal of…•1993•References: 1

  • Dario Fo and Performance Theory

    Antonio Scuderi•ARTICLE•Italian Culture•1994•References: 1

  • Dario Fo and Performance Theory

    Antonio Scuderi•ARTICLE•Italian Culture•1994

  • The Dialect Poetry of Nino Martoglio

    Hermann W Haller, Antonio Scuderi et al.•ARTICLE•Italica•1994

  • Toto

    Antonio Scuderi, Dario Fo et al.•ARTICLE•Italica•1995

  • Subverting religious authority

    Antonio Scuderi•ARTICLE•Text and Performance Quarterly•1996•References: 3

    In his role as a modem‐day giullare, Dario Fo has made a point of questioning and subverting the authority of the Catholic Church. His criticism has focused on the concept of cosmic terror and the image of the severe paternal god as means of asserting and enforcing the dominion of official cultures. In performances such as Mistero buffo, The Pope and the Witch, and, more recently, Johan Padan, he continues the satumalian traditions of parodic, ic…

  • Contemporary Italian Filmmaking

    Antonio Scuderi, Manuela Gieri•ARTICLE•Italica•1997

  • La disputa del metodo nel Rinascimento

    Alberto Tenenti, Antonio Scuderi•ARTICLE•Sixteenth Century Journal•1998

  • Morte accidentale di un anarchico

    Antonio Scuderi, Dario Fo et al.•ARTICLE•Italica•1999

    Now part of the canon of Italian plays, Morte accidentale di un anarchico, in its original form, was a subversive piece of political theatre. It is based on the events of December 1969 when Guiseppe Pinelli, the anarchist of the title, fell to his death from a fourth floor window of the police headquarters in Milan, where he was being held for questioning in connection with the bomb in Pialla Fontana. This edition sets the play in its historical …

  • Il segreto del giullare

    Antonio Scuderi, Elena de Pasquale•ARTICLE•Italica•2000

  • Unmasking the Holy Jester Dario Fo

    Antonio Scuderi•ARTICLE•Theatre Journal•2003•Cited by: 1•References: 1

    Throughout his long and successful career, Dario Fo has based his theater on popular theatrical forms and the oral tradition. In many ways, this was at the heart of the controversy surrounding the decision to award him the Nobel Prize in Literature in 1997. Influenced by the writings of Antonio Gramsci, Fo's mission has been to give dignity back to folk culture. A close look at his 1999 giullarata (one-man show) about Saint Francis of Assisi, The…

  • Performance and Text in the Italian Carolingian Tradition

    Open Access•Antonio Scuderi•ARTICLE•Oral tradition•2006•Cited by: 2•References: 1

    Performance and Text in the Italian Carolingian Tradition Antonio Scuderi Truman State University [*eCompanion at www.oraltradition.org 1 ] One of the most fascinating aspects of the chivalric-epic tradition of Italy is the historical dialectic between its manifestations as oral performance and written text. Based primarily on Carolingian lore, the oral and written traditions influenced each other in a symbiotic dialogue across the centuries. Joh…

Art (10 works) · Linguistic Studies and Language Acquisition (6 works) · Italian Literature and Culture (5 works) · Philosophy (5 works) · History (4 works) · Italian Fascism and Post-war Society (4 works) · Linguistics (4 works) · Literature (4 works) · Law (3 works) · Political science (3 works)

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