Jean-Claude Lebensztejn
Biographic Data
| ID | 691639 |
|---|---|
| NAME | Jean-Claude Lebensztejn |
| GIVEN NAMES | Jean-Claude |
| FAMILY NAME | Lebensztejn |
| SIGNATURE | LEBENSZTEJN J |
| VERIFIED | No |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 11 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1976 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
From the underground to the unthinkable
Douane-Zoll
O autor analisa as clivagens nacionalistas que favoreceram a associação do expressionismo ao caráter trans-histórico da arte alemã, questionando a tendência a considerar, sem exame prévio, o expressionismo como designação da vanguarda alemã entre 1905 e 1920-1923. O próprio do expressionismo, englobando diferentes tendências sem fronteiras geográficas precisas, caracteriza-se pelo distanciamento formal, espacial e temporal de arte e natureza, opo…
Entretien avec Jean-Claude Lebensztejn
Jean-Claude Lebensztejn au Japon On aurait tort de croire pouvoir localiser Jean-Claude Lebensztejn en quelque lieu terrestre que ce soit, au Japon ou ailleurs, peu importe. Ce Doctor Angelicus déjoue, déplace les frontières en tout genre, tout en interrogeant avec une vigilance extrêmement aiguë les échos et les répercussions que les distances produisent, et qui prêtent, nécessairement, pour le pire ou le meilleur, au malentendu. Textuellement p…
Relearning from Las Vegas
Note sur Diderot et la magie de l'art
Jacopo da Pontormo
Chahut
Photorealism, Kitsch and Venturi
(In all former alimentary systems, flavor was considered as an emanation of the food, just as indissociable from its substance as can be the sound from the violin which emits it. From this time forth, in the likeness of synthesized sounds, food was decomposed in ingredients capable of being recomposed artificially, here including flavor (and color), added as extras, as the last and next-to-last components, the additives necessary to your palates …
Ground Part 2
In 'Ground: I', published in OLR Volume 3 Number 1, Jean-Claude Leben sztejn introduces the critique of historico-aesthetic categories which is con cluded here. Art history rests on the same faulty system of taxonomy which characterizes classical science. Fauvism, for instance, is identified by a reliance on dating and loosely descriptive adjectives — neither is conclusive and neither can be made to extend to cover graphics or sculpture. A simi…
Ground
Star
No prominent works on this page.
Star
Ground
Ground Part 2
In 'Ground: I', published in OLR Volume 3 Number 1, Jean-Claude Leben sztejn introduces the critique of historico-aesthetic categories which is con cluded here. Art history rests on the same faulty system of taxonomy which characterizes classical science. Fauvism, for instance, is identified by a reliance on dating and loosely descriptive adjectives — neither is conclusive and neither can be made to extend to cover graphics or sculpture. A simi…
Photorealism, Kitsch and Venturi
(In all former alimentary systems, flavor was considered as an emanation of the food, just as indissociable from its substance as can be the sound from the violin which emits it. From this time forth, in the likeness of synthesized sounds, food was decomposed in ingredients capable of being recomposed artificially, here including flavor (and color), added as extras, as the last and next-to-last components, the additives necessary to your palates …
Chahut
Jacopo da Pontormo
Note sur Diderot et la magie de l'art
Relearning from Las Vegas
Entretien avec Jean-Claude Lebensztejn
Jean-Claude Lebensztejn au Japon On aurait tort de croire pouvoir localiser Jean-Claude Lebensztejn en quelque lieu terrestre que ce soit, au Japon ou ailleurs, peu importe. Ce Doctor Angelicus déjoue, déplace les frontières en tout genre, tout en interrogeant avec une vigilance extrêmement aiguë les échos et les répercussions que les distances produisent, et qui prêtent, nécessairement, pour le pire ou le meilleur, au malentendu. Textuellement p…
Douane-Zoll
O autor analisa as clivagens nacionalistas que favoreceram a associação do expressionismo ao caráter trans-histórico da arte alemã, questionando a tendência a considerar, sem exame prévio, o expressionismo como designação da vanguarda alemã entre 1905 e 1920-1923. O próprio do expressionismo, englobando diferentes tendências sem fronteiras geográficas precisas, caracteriza-se pelo distanciamento formal, espacial e temporal de arte e natureza, opo…
From the underground to the unthinkable
Art (6 works) · Computer Science (3 works) · Geology (2 works) · History (2 works) · Humanities (2 works) · Philosophy (2 works) · 1925-2018 (1 work) · 20th century (1 work) · Aesthetics (1 work) · Ancient Mediterranean Archaeology and History (1 work)