Miloš Živković
Biographic Data
| ID | 6930609 |
|---|---|
| NAME | Miloš Živković |
| GIVEN NAMES | Miloš |
| FAMILY NAME | Živković |
| SIGNATURE | ŽIVKOVIĆ M |
| AFFILIATIONS | University of Belgrade |
| ORCID | 0000-0001-5298-7722 |
| VERIFIED | Yes |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 9 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
Revisiting the Veljusa frescoes
The paper discusses the iconographic program of the frescoes in the south parekklesion of the Church of the Virgin Eleousa at the Veljusa Monastery, the foundation of Manuel, Bishop of Strumitza, built in 1080. It focuses on the figure of St. Niphon or, more specifically, the cult and iconography of this saint, whose representations in art are quite uncommon. It considers several images of St. Niphon in Serbian medieval painting that previous res…
Warrior saints at Nerezi - the selection of figures and other remarks on their iconography
The paper deals with the figures of warrior saints in the nave of the Church of St. Panteleimon in Nerezi. Within this group of saints, in addition to the most famous, easily recognizable ones, there are also those warriors on the identity of which scholars have expressed different opinions. Based on the iconographic analysis, the depictions of the saints in question are identified in the article. The figures of some military saints in Nerezi are…
Rethinking land registration in XXI century Serbia
In the late XX century, Serbia changed its system of land registration from the land books, that were outdated and neglected during the socialist era, to unified cadaster, the REC. Due to historical circumstances and construction of the REC system, lawmakers had to resort to unorthodox solutions to achieve the desired level of legal security. Because of unifying records of different nature (factual and legal), the REC needed to rethink the princi…
Triptych from Saint Catherine’s monastery at Sinai – an unknown work of old Serbian icon painting
A triptych with Slavic inscriptions from the monastery of St. Catherine in Sinai, composed of icons depicting St. Stephen, the Mother of God and St. Nicholas, is published in the paper. Based on the stylistic analysis and consideration of iconographic features, the opinion is expressed that it is a work of Serbian medieval painting. In addition, such an attribution is explained through the light of intensive and continuous contacts between the me…
Depictions of St. Mark of Ephesus in post-Byzantine art
The paper discusses the visual representations of St. Mark of Ephesus, under-researched in previous scholarship, which have survived in several monuments of post-Byzantine wall painting in the Balkans. These depictions are analyzed as visual testimonies of the veneration of Mark of Ephesus in the period under consideration, i.e. as important indicators of the presence, continuity and dissemination of his cult a long time before his official canon…
The earthly and the heavenly Jerusalem in the Serbian Alexander Romance
The motif of Alexander?s visit to Jerusalem in the Serbian Alexander Romance is distinctive in the context of Classical, Byzantine and Hebrew literature. The role of Jerusalem as a sacred space is analyzed in accordance with A. Lidov?s theory of hierotopy, and the symbols of the Heavenly and the Earthly Jerusalem in the Serbian Alexander Romance are considered in relation to the various theological and ideological points of view
Contributions to the study of the images of hierarchs in the catholicon of Studenica Monastery
The paper is devoted to selected images of the saint hierarchs in the Church of the Virgin in Studenica Monastery. The attention is first of all focused on the figures of four bishops who were partially covered by the high iconostasis from the XIX century. These are standing figures of St. Achillius and an unidentified saint, and busts of St. Parthenius and St. Charalambos. In adittion to mentioned, some other figures are also analyzed - three sa…
Saint Sisoes above the grave of Alexander the Great. A monastic theme of post-Byzantine art and its examples from the 17th century Serbian painting
The depiction of St. Sisoes above the grave of Alexander the Great was formulated at the end of the 15th century. The image in question is a visual interpretation of a short song (?I see you, grave?), and it was often painted in the churches throughout the Balkans during the next two centuries. With references to the textual basis of this iconographic theme, as well as its meaning, the article is devoted to insufficiently studied Serbian examples…
On the quality of recent civil law legislation in Serbia
As Serbia does not have a civil law codification, one of the specific challenges in adoption of civil law legislation, especially in parts of civil law which are not regulated by specific codifications, is to preserve a systemic approach to civil law legislation. A systemic approach stands for insistence on all civil law legislation being mutually and internally compliant and, other than in absolutely necessary, no exemptions from certain general…
Rethinking land registration in XXI century Serbia
In the late XX century, Serbia changed its system of land registration from the land books, that were outdated and neglected during the socialist era, to unified cadaster, the REC. Due to historical circumstances and construction of the REC system, lawmakers had to resort to unorthodox solutions to achieve the desired level of legal security. Because of unifying records of different nature (factual and legal), the REC needed to rethink the princi…
On the quality of recent civil law legislation in Serbia
As Serbia does not have a civil law codification, one of the specific challenges in adoption of civil law legislation, especially in parts of civil law which are not regulated by specific codifications, is to preserve a systemic approach to civil law legislation. A systemic approach stands for insistence on all civil law legislation being mutually and internally compliant and, other than in absolutely necessary, no exemptions from certain general…
Saint Sisoes above the grave of Alexander the Great. A monastic theme of post-Byzantine art and its examples from the 17th century Serbian painting
The depiction of St. Sisoes above the grave of Alexander the Great was formulated at the end of the 15th century. The image in question is a visual interpretation of a short song (?I see you, grave?), and it was often painted in the churches throughout the Balkans during the next two centuries. With references to the textual basis of this iconographic theme, as well as its meaning, the article is devoted to insufficiently studied Serbian examples…
Contributions to the study of the images of hierarchs in the catholicon of Studenica Monastery
The paper is devoted to selected images of the saint hierarchs in the Church of the Virgin in Studenica Monastery. The attention is first of all focused on the figures of four bishops who were partially covered by the high iconostasis from the XIX century. These are standing figures of St. Achillius and an unidentified saint, and busts of St. Parthenius and St. Charalambos. In adittion to mentioned, some other figures are also analyzed - three sa…
The earthly and the heavenly Jerusalem in the Serbian Alexander Romance
The motif of Alexander?s visit to Jerusalem in the Serbian Alexander Romance is distinctive in the context of Classical, Byzantine and Hebrew literature. The role of Jerusalem as a sacred space is analyzed in accordance with A. Lidov?s theory of hierotopy, and the symbols of the Heavenly and the Earthly Jerusalem in the Serbian Alexander Romance are considered in relation to the various theological and ideological points of view
Depictions of St. Mark of Ephesus in post-Byzantine art
The paper discusses the visual representations of St. Mark of Ephesus, under-researched in previous scholarship, which have survived in several monuments of post-Byzantine wall painting in the Balkans. These depictions are analyzed as visual testimonies of the veneration of Mark of Ephesus in the period under consideration, i.e. as important indicators of the presence, continuity and dissemination of his cult a long time before his official canon…
Triptych from Saint Catherine’s monastery at Sinai – an unknown work of old Serbian icon painting
A triptych with Slavic inscriptions from the monastery of St. Catherine in Sinai, composed of icons depicting St. Stephen, the Mother of God and St. Nicholas, is published in the paper. Based on the stylistic analysis and consideration of iconographic features, the opinion is expressed that it is a work of Serbian medieval painting. In addition, such an attribution is explained through the light of intensive and continuous contacts between the me…
Warrior saints at Nerezi - the selection of figures and other remarks on their iconography
The paper deals with the figures of warrior saints in the nave of the Church of St. Panteleimon in Nerezi. Within this group of saints, in addition to the most famous, easily recognizable ones, there are also those warriors on the identity of which scholars have expressed different opinions. Based on the iconographic analysis, the depictions of the saints in question are identified in the article. The figures of some military saints in Nerezi are…
Rethinking land registration in XXI century Serbia
In the late XX century, Serbia changed its system of land registration from the land books, that were outdated and neglected during the socialist era, to unified cadaster, the REC. Due to historical circumstances and construction of the REC system, lawmakers had to resort to unorthodox solutions to achieve the desired level of legal security. Because of unifying records of different nature (factual and legal), the REC needed to rethink the princi…
Revisiting the Veljusa frescoes
The paper discusses the iconographic program of the frescoes in the south parekklesion of the Church of the Virgin Eleousa at the Veljusa Monastery, the foundation of Manuel, Bishop of Strumitza, built in 1080. It focuses on the figure of St. Niphon or, more specifically, the cult and iconography of this saint, whose representations in art are quite uncommon. It considers several images of St. Niphon in Serbian medieval painting that previous res…
Art (7 works) · Byzantine Studies and History (7 works) · History (7 works) · Art history (6 works) · Classics (6 works) · Ancient history (5 works) · Archaeology (5 works) · Law (5 works) · Byzantine architecture (4 works) · Literature (4 works)