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Depictions of St. Mark of Ephesus in post-Byzantine art

Bibliographic Data

ID20477818
AuthorsMiloš Živković (0000-0001-5298-7722, Institute for Byzantine Studies, SASA, Belgrade, corresponding author)
Year2020
Issue57
Pages143-174
Publication date2020-01-01
Open AccessYes
TypeARTICLE
VenueZbornik radova Vizantoloskog instituta (JOURNAL)
Journal identifiersISSN: 0584-9888 • E-ISSN: 2406-0917
PublisherNational Library of Serbia (PUBLISHER • RS)
DOI10.2298/zrvi2057143z
OpenAlexW3119417643
LanguageEN

The paper discusses the visual representations of St. Mark of Ephesus, under-researched in previous scholarship, which have survived in several monuments of post-Byzantine wall painting in the Balkans. These depictions are analyzed as visual testimonies of the veneration of Mark of Ephesus in the period under consideration, i.e. as important indicators of the presence, continuity and dissemination of his cult a long time before his official canonization in the 18th century. The paper also offers an overview of the different iconographic versions of the images of St. Mark of Ephesus. Finally, it examines the possible reasons for the emergence of images representing this famed anti-Unionist metropolitan in the discussed monuments. In this context, the images of Mark of Ephesus are considered through the prism of their placement in a given iconographic program; wherever possible, the role of the ktetor and artist in their creation is examined

Aesthetics · Ancient history · Archaeology · Art · Art history · Byzantine architecture · Cult · Painting · Prism · Scholarship · Veneration · Visual arts · Byzantine Studies and History · Classics · History · Law

Highly citedNo

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