Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Anna Dalos

Biographic Data

ID6937894
NAMEAnna Dalos
GIVEN NAMESAnna
FAMILY NAMEDalos
SIGNATUREDALOS A
AFFILIATIONSInstitute for Musicology
ORCID0009-0004-9442-541X
VERIFIEDYes
TOTAL WORKS7
TOTAL CITATIONS0
WORKS AS AUTHOR7
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2001
LATEST PUBLICATION YEAR2025
H-INDEX0
  • György Kurtág at 100

    Anna Dalos, Heidy Zimmermann•ARTICLE•Contemporary Music Review•2025

    The personal voice of Hungarian composer György Kurtág (b. 1926), whose music expresses basic human emotions in a direct way, has captivated those interested in new music for almost seventy years

  • The Compositional Process in Diaries

    Anna Dalos•ARTICLE•Contemporary Music Review•2025

    This paper is focused on a specific feature of György Kurtág’s sketches, namely the textual notes that accompany musical sketches, ideas and memos. The study describes the types of these textual notes and tries to shed light on the psychological functions of these notes during the compositional process. I also seek to explore the role of these notes in shaping the musical form in the planned works. These notes portray Kurtág as a self-critical co…

  • And other cultural traumas. Bence Szabolcsi’s path from the labour camp to Zhdanovshchina

    Open Access•Anna Dalos•ARTICLE•Muzikologija•2024

    My study focuses on a turning point in the career of the influential music historian, Bence Szabolcsi (1899-1973). I argue that the year 1948 brought about a significant change in Szabolcsi?s scholarly work in several regards. Not only because he reached the peak of his career, as evidenced by his election as a member of the Hungarian Academy of Sciences, but also because his scientific interests, his way of speaking, and his methodology changed …

  • The Forgotten Youth of Sándor Veress

    Open Access•Anna Dalos•ARTICLE•Studia musicologica•2022

    Although Sándor Veress achieved his first significant successes in Hungary and abroad at the turn of the 1930s and 1940s, musicological research still remains indebted to the detailed analysis of the composer's career related to the history of Hungarian music and cultural life. Based on press and archival documents, letters and recollections, and the historical literature of the period as well, the present study attempts to explore the socio-cult…

  • Parlando Rubato György Kurtág and Hungarian Folk Music

    Open Access•Anna Dalos•ARTICLE•Studia musicologica•2020

    This study focuses on the use of the parlando rubato style of Hungarian folk music in György Kurtág’s compositions. Kurtág applies the terms parlando, rubato ,and molto rubato several times, and these designations always refer to a clearly defined meaning in his compositions, connected to “Hungarianness” and sexuality. This study aims to reveal these meanings, aided by Kurtág’s compositional sketches and notes preserved in the Paul Sacher Foundat…

  • How to become a Soviet composer? György Kurtág’s experiment with a new cultural identity (1976–1986)

    Open Access•Anna Dalos•ARTICLE•European Journal of Musicology•2016

    s experiment with a new cultural identity (1976-1986)

  • Hidas, Frigyes

    Gyorgy Kroo, Anna Dalos•CHAPTER•The new Grove dictionary of music…•2001

No prominent works on this page.

  • Hidas, Frigyes

    Gyorgy Kroo, Anna Dalos•CHAPTER•The new Grove dictionary of music…•2001

  • How to become a Soviet composer? György Kurtág’s experiment with a new cultural identity (1976–1986)

    Open Access•Anna Dalos•ARTICLE•European Journal of Musicology•2016

    s experiment with a new cultural identity (1976-1986)

  • Parlando Rubato György Kurtág and Hungarian Folk Music

    Open Access•Anna Dalos•ARTICLE•Studia musicologica•2020

    This study focuses on the use of the parlando rubato style of Hungarian folk music in György Kurtág’s compositions. Kurtág applies the terms parlando, rubato ,and molto rubato several times, and these designations always refer to a clearly defined meaning in his compositions, connected to “Hungarianness” and sexuality. This study aims to reveal these meanings, aided by Kurtág’s compositional sketches and notes preserved in the Paul Sacher Foundat…

  • The Forgotten Youth of Sándor Veress

    Open Access•Anna Dalos•ARTICLE•Studia musicologica•2022

    Although Sándor Veress achieved his first significant successes in Hungary and abroad at the turn of the 1930s and 1940s, musicological research still remains indebted to the detailed analysis of the composer's career related to the history of Hungarian music and cultural life. Based on press and archival documents, letters and recollections, and the historical literature of the period as well, the present study attempts to explore the socio-cult…

  • And other cultural traumas. Bence Szabolcsi’s path from the labour camp to Zhdanovshchina

    Open Access•Anna Dalos•ARTICLE•Muzikologija•2024

    My study focuses on a turning point in the career of the influential music historian, Bence Szabolcsi (1899-1973). I argue that the year 1948 brought about a significant change in Szabolcsi?s scholarly work in several regards. Not only because he reached the peak of his career, as evidenced by his election as a member of the Hungarian Academy of Sciences, but also because his scientific interests, his way of speaking, and his methodology changed …

  • György Kurtág at 100

    Anna Dalos, Heidy Zimmermann•ARTICLE•Contemporary Music Review•2025

    The personal voice of Hungarian composer György Kurtág (b. 1926), whose music expresses basic human emotions in a direct way, has captivated those interested in new music for almost seventy years

  • The Compositional Process in Diaries

    Anna Dalos•ARTICLE•Contemporary Music Review•2025

    This paper is focused on a specific feature of György Kurtág’s sketches, namely the textual notes that accompany musical sketches, ideas and memos. The study describes the types of these textual notes and tries to shed light on the psychological functions of these notes during the compositional process. I also seek to explore the role of these notes in shaping the musical form in the planned works. These notes portray Kurtág as a self-critical co…

Art (3 works) · Central European national history (3 works) · Historical Geopolitical and Social Dynamics (3 works) · Aesthetics (2 works) · Computer Science (2 works) · History (2 works) · Medicine (2 works) · Sociology (2 works) · Art history (1 work) · Autobiographical and Biographical Writing (1 work)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae