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The Forgotten Youth of Sándor Veress

Bibliographic Data

ID21803343
AuthorsAnna Dalos (0009-0004-9442-541X, Institute for Musicology, corresponding author)
Year2022
Volume62
Issue3-4
Pages327-349
Publication date2022-06-28
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueStudia musicologica (JOURNAL)
Journal identifiersISSN: 1788-6244 • E-ISSN: 1789-2422
PublisherAkademiai Kiado Zrt. (PUBLISHER • HU)
DOI10.1556/6.2021.00021
OpenAlexW4283654400
LanguageEN

Although Sándor Veress achieved his first significant successes in Hungary and abroad at the turn of the 1930s and 1940s, musicological research still remains indebted to the detailed analysis of the composer's career related to the history of Hungarian music and cultural life. Based on press and archival documents, letters and recollections, and the historical literature of the period as well, the present study attempts to explore the socio-cultural environment that characterized and helped to unfold Veress's development. My study looks at the composer's network of contacts, his family ties and the political-ideological movements and relations with the Reformed Church that promoted his career, and examines their direct influence on Sándor Veress's works composed during this period, especially The Miraculous Flute (1937), the Japanese Symphony (1940) and Térszili Katica (1943)

Aesthetics · Art · Ideology · Political science · Politics · Sociology · Veress needle · Diverse Musicological Studies · Diversity and Impact of Dance · History · Law · Medicine · Musicology and Musical Analysis

Citation velocityhistorical
Highly citedNo

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