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Gavin James Campbell

Biographic Data

ID702770
NAMEGavin James Campbell
GIVEN NAMESGavin James
FAMILY NAMECampbell
SIGNATURECAMPBELL G J
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS0
WORKS AS AUTHOR9
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1997
LATEST PUBLICATION YEAR2021
H-INDEX0
  • Styling Hirohito

    Gavin James Campbell•ARTICLE•Fashion Theory•2021•References: 5

    This paper examines the Japanese crown prince and emperor Hirohito during the 1920s to think more critically about how fashion historians can analyze “western” dress in non-western contexts. In particular, this essay looks at Hirohito’s embrace of new forms of middle-class menswear—particularly sportswear and the lounge suit—to signal fundamental shifts in the relationship between monarch and subject. These innovations rested upon far more than s…

  • To Make the World One in Christ Jesus”

    Gavin James Campbell•ARTICLE•Pacific Historical Review•2018

    Scholarship on nineteenth-century missionary encounters emphasizes either how native converts “indigenized” Christian doctrine and practice, or how missionaries acted as agents of Western imperial expansion. These approaches, however, overlook the ways both missionaries and converts understood Protestant Christianity as a call to transnational community. This essay examines the ways that American Protestants and East Asian Christian converts look…

  • Country Soul

    Gavin James Campbell•ARTICLE•Journal of American History•2016

    Journal Article Country Soul: Making Music and Making Race in the American South Get access By Charles L. Hughes. (Chapel Hill: University of North Carolina Press, 2015. 264 pp. $29.95.) Journal of American History, Volume 103, Issue 1, June 2016, Page 277, https://doi.org/10.1093/jahist/jaw156 Published: 01 June 2016

  • “All Sharers in the Blessed Knowledge”

    Gavin James Campbell•CHAPTER•Varieties of Southern Religious…•2015

  • Music and Making of a New South

    Travis D Stimeling, Gavin James Campbell•ARTICLE•American Music•2005

    Startled by rapid social changes at the turn of the twentieth century, citizens of Atlanta wrestled with fears about the future of race relations, the shape of gender roles, the impact of social class, and the meaning of regional identity in a New South. Gavin James Campbell demonstrates how these anxieties were played out in Atlanta's popular musical entertainment. Examining the period from 1890 to 1925, Campbell focuses on three popular musical…

  • Music and the Making of a New South

    Benjamin Filene, Gavin James Campbell•ARTICLE•The Journal of Southern History•2005

  • Classical Music and the Politics of Gender in America, 1900-1925

    Gavin James Campbell•ARTICLE•American Music•2003

    On April 23, 1913, the Atlanta Georgian's front page roared, OATES REGAINS WIFE; BLAMES LURE OF GRAND OPERA. Just a few days before, the paper reported, H. H. Oates's young and pretty wife had mysteriously vanished, last seen in the company of a decorator with the dashing name of Quinius Delolons. Suspicions and jealousies aroused, the wronged husband immediately contacted police, who began a search for Mrs. Oates' and her miscreant accomplice. H…

  • Wiregrass Country

    Gavin James Campbell, Jerrilyn Mcgregory•ARTICLE•The Journal of Southern History•1999

  • Old Can Be Used Instead of New

    Gavin James Campbell•ARTICLE•Journal of American Folklore•1997

    Shape-note music has often been misperceived as a monolithic and static tradition, isolated from the crises of its cultural context. This article attempts to show how, from 1880 to 1920, the shape-note community held a fractious internal debate about its tradition's future direction that linked itself to a parallel debate in the New South about the benefits and costs of modernity

No prominent works on this page.

  • Old Can Be Used Instead of New

    Gavin James Campbell•ARTICLE•Journal of American Folklore•1997

    Shape-note music has often been misperceived as a monolithic and static tradition, isolated from the crises of its cultural context. This article attempts to show how, from 1880 to 1920, the shape-note community held a fractious internal debate about its tradition's future direction that linked itself to a parallel debate in the New South about the benefits and costs of modernity

  • Wiregrass Country

    Gavin James Campbell, Jerrilyn Mcgregory•ARTICLE•The Journal of Southern History•1999

  • Classical Music and the Politics of Gender in America, 1900-1925

    Gavin James Campbell•ARTICLE•American Music•2003

    On April 23, 1913, the Atlanta Georgian's front page roared, OATES REGAINS WIFE; BLAMES LURE OF GRAND OPERA. Just a few days before, the paper reported, H. H. Oates's young and pretty wife had mysteriously vanished, last seen in the company of a decorator with the dashing name of Quinius Delolons. Suspicions and jealousies aroused, the wronged husband immediately contacted police, who began a search for Mrs. Oates' and her miscreant accomplice. H…

  • Music and Making of a New South

    Travis D Stimeling, Gavin James Campbell•ARTICLE•American Music•2005

    Startled by rapid social changes at the turn of the twentieth century, citizens of Atlanta wrestled with fears about the future of race relations, the shape of gender roles, the impact of social class, and the meaning of regional identity in a New South. Gavin James Campbell demonstrates how these anxieties were played out in Atlanta's popular musical entertainment. Examining the period from 1890 to 1925, Campbell focuses on three popular musical…

  • Music and the Making of a New South

    Benjamin Filene, Gavin James Campbell•ARTICLE•The Journal of Southern History•2005

  • “All Sharers in the Blessed Knowledge”

    Gavin James Campbell•CHAPTER•Varieties of Southern Religious…•2015

  • Country Soul

    Gavin James Campbell•ARTICLE•Journal of American History•2016

    Journal Article Country Soul: Making Music and Making Race in the American South Get access By Charles L. Hughes. (Chapel Hill: University of North Carolina Press, 2015. 264 pp. $29.95.) Journal of American History, Volume 103, Issue 1, June 2016, Page 277, https://doi.org/10.1093/jahist/jaw156 Published: 01 June 2016

  • To Make the World One in Christ Jesus”

    Gavin James Campbell•ARTICLE•Pacific Historical Review•2018

    Scholarship on nineteenth-century missionary encounters emphasizes either how native converts “indigenized” Christian doctrine and practice, or how missionaries acted as agents of Western imperial expansion. These approaches, however, overlook the ways both missionaries and converts understood Protestant Christianity as a call to transnational community. This essay examines the ways that American Protestants and East Asian Christian converts look…

  • Styling Hirohito

    Gavin James Campbell•ARTICLE•Fashion Theory•2021•References: 5

    This paper examines the Japanese crown prince and emperor Hirohito during the 1920s to think more critically about how fashion historians can analyze “western” dress in non-western contexts. In particular, this essay looks at Hirohito’s embrace of new forms of middle-class menswear—particularly sportswear and the lounge suit—to signal fundamental shifts in the relationship between monarch and subject. These innovations rested upon far more than s…

History (7 works) · Art (5 works) · History (4 works) · Law (4 works) · Music History and Culture (4 works) · Political science (4 works) · Sociology (4 works) · Aesthetics (3 works) · Philosophy (3 works) · Philosophy (3 works)

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