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Classical Music and the Politics of Gender in America, 1900-1925

Bibliographic Data

ID14802453
AuthorsGavin James Campbell (corresponding author)
Year2003
Volume21
Issue4
Pages446
Publication date2003-01-01
Open AccessNo
TypeARTICLE
VenueAmerican Music (JOURNAL)
Journal identifiersISSN: 0734-4392 • E-ISSN: 1945-2349
PublisherUniversity of Illinois Press (PUBLISHER • US)
DOI10.2307/3250574
OpenAlexW2332077744
LanguageEN
Citations received2
References cited2

On April 23, 1913, the Atlanta Georgian's front page roared, OATES REGAINS WIFE; BLAMES LURE OF GRAND OPERA. Just a few days before, the paper reported, H. H. Oates's young and pretty wife had mysteriously vanished, last seen in the company of a decorator with the dashing name of Quinius Delolons. Suspicions and jealousies aroused, the wronged husband immediately contacted police, who began a search for Mrs. Oates' and her miscreant accomplice. Hardly had the investigation commenced, however, before it abruptly ended. The paper reported the couple suddenly reconciled and anxious to dismiss the whole incident. Alas, for those hoping Delolons might still have a role in the ruckus, the couple declared him completely innocent. It seemed that music, not men, caused the marital strife. To grand opera, the paper explained, ascribes the greater part of his domestic trouble and the flight of his wife. A talented vocalist herself, Mrs. Oates took a musician's interest in the impending visit of the New York Metropolitan Opera Company. She read every word of the advance notices, her husband complained, raved over the success of Lucrezia Bori and wept that she had not

Aesthetics · Art · Political science · Politics · Sociology · Visual arts · Gender Studies · History · Law · Music History and Culture · Musicology and Musical Analysis · Theater, Performance, and Music History

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  • Separate Spheres, Female Worlds, Woman's Place

    Linda K Kerber•Journal of American History•1988

Citations per year0.22
Citation span2017 - 2023 (7)
Highly citedNo

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