James T Brink
Biographic Data
| ID | 707848 |
|---|---|
| NAME | James T Brink |
| GIVEN NAMES | James T |
| FAMILY NAME | Brink |
| SIGNATURE | BRINK J T |
| AFFILIATIONS | Brooklyn College |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1977 |
| LATEST PUBLICATION YEAR | 1982 |
| H-INDEX | 1 |
Time Consciousness and Growing up in Bamana Folk Drama
LOCAL VILLAGE CELEBRATIONS among the Bamana (Bambara) of Mali are often marked by performances that selectively merge verbal and nonverbal expression with action and mimicry to create conventional representational forms, which may be called folk dramas.1 The most versatile and widely performed of these dramas is produced by the village's youth association, the kamalen ton.2 The young people's drama utilizes the combined talents of persons drawn f…
Invocation of the Theatrical Frame in Bamana Drama Performance
This article argues that an anthropology of art can only be valid as it integrates the art form and the socio‐cultural context, using data from Bamana (peoples from the region of Bamako in Mali) drama performances. It is shown how cultural knowledge and social activity is situationally used to contextualize aesthetic experience
Bamana Kote-Tlon Theater
Bamana Kote-Tlon Theater
Time Consciousness and Growing up in Bamana Folk Drama
LOCAL VILLAGE CELEBRATIONS among the Bamana (Bambara) of Mali are often marked by performances that selectively merge verbal and nonverbal expression with action and mimicry to create conventional representational forms, which may be called folk dramas.1 The most versatile and widely performed of these dramas is produced by the village's youth association, the kamalen ton.2 The young people's drama utilizes the combined talents of persons drawn f…
Bamana Kote-Tlon Theater
Invocation of the Theatrical Frame in Bamana Drama Performance
This article argues that an anthropology of art can only be valid as it integrates the art form and the socio‐cultural context, using data from Bamana (peoples from the region of Bamako in Mali) drama performances. It is shown how cultural knowledge and social activity is situationally used to contextualize aesthetic experience
Time Consciousness and Growing up in Bamana Folk Drama
LOCAL VILLAGE CELEBRATIONS among the Bamana (Bambara) of Mali are often marked by performances that selectively merge verbal and nonverbal expression with action and mimicry to create conventional representational forms, which may be called folk dramas.1 The most versatile and widely performed of these dramas is produced by the village's youth association, the kamalen ton.2 The young people's drama utilizes the combined talents of persons drawn f…
Art (3 works) · Aesthetics (2 works) · Drama (2 works) · History (2 works) · Literary Analysis and Cultural Studies (2 works) · Visual arts (2 works) · African history and culture analysis (1 works) · Anthropology (1 works) · Archaeology (1 works) · Computer Science (1 works)