Invocation of the Theatrical Frame in Bamana Drama Performance
Bibliographic Data
| ID | 6013079 |
|---|---|
| Authors | James T Brink (Brooklyn College, corresponding author) |
| Year | 1979 |
| Volume | 1 |
| Issue | 1 |
| Pages | 1-13 |
| Publication date | 1979-03-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Central Issues in Anthropology (JOURNAL) |
| Journal identifiers | ISSN: 0739-7917 • E-ISSN: 1937-6227 |
| Publisher | Wiley (PUBLISHER • GB) |
| DOI | 10.1525/cia.1979.1.1.1 |
| OpenAlex | W2034205585 |
| Language | EN |
| Citations received | 1 |
| References cited | 6 |
This article argues that an anthropology of art can only be valid as it integrates the art form and the socio‐cultural context, using data from Bamana (peoples from the region of Bamako in Mali) drama performances. It is shown how cultural knowledge and social activity is situationally used to contextualize aesthetic experience
Aesthetics · Archaeology · Art · Context (archaeology · Drama · Frame (networking · Invocation · Sociology · Visual arts · Anthropology · Computer Science · History · Literary Analysis and Cultural Studies
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,02 |
| Citation span | 1982 - 1982 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |