Lukas Nickel
Biographic Data
| ID | 715452 |
|---|---|
| NAME | Lukas Nickel |
| GIVEN NAMES | Lukas |
| FAMILY NAME | Nickel |
| SIGNATURE | NICKEL L |
| AFFILIATIONS | University of London |
| ORCID | 0000-0001-5351-6535 |
| VERIFIED | Yes |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 11 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2000 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
Éliane Radigue at 90
For over 60 years, the prolific French composer Éliane Radigue has crafted her own unique artistic voice, operating largely outside of official and institutional channels. Her extensive creative o
Queer Perspectives in New Music
This collection of texts investigates how queerness manifests in contemporary new music practices. Six contributions by queer artists (Annette Brosin, Anthony R. Green, Luke Nickel, Emily Doolittle, Symon Henry and Teiya Kasahara 笠原 貞野) are framed by an introduction and conclusion by Gabriel Dharmoo. Dharmoo’s definition of queerness expands beyond sexual orientation and gender identity; it entertains the notion of queerness as an anti-assimilati…
China and Bactria during the reign of Emperor Wu in written tradition and in archaeology
The chapters included in the Shiji and in the Hanshu give an account of the travels of Zhang Qian, an emissary sent by the Han Wu (165–87 BC) to the West in search of allies against the Xiongnu, the archenemy of the Chinese at the time, and describe subsequent attempts by the Han court to gain access to the regions beyond the Pamir. This chapter outlines the character of the Shiji Chapter 123 and draw a sketch of the events during the last decade…
Reconstruction Methods in THz Single-Pixel Imaging
Memory Piece: Memory as a Compositional Process
The author describes the use of memory as a compositional process in his recent orally and digitally transmitted compositions
Bricks in Ancient China and the Question of Early Cross-Asian Interaction
Although ceramic building materials had been known in East Asia from about 3000, it was only from the late 3rd century BCE onwards that Chinese builders began using fired bricks for building walls and ceilings. Mass-produced fired bricks were introduced during the construction of the tomb of the First Emperor, Qin Shi Huangdi, and craftsmen discovered the technologies necessary to erect bonded walls, barrel vaults and domes over the following cen…
The First Emperor and sculpture in China
Sculpture as an artistic medium was widely employed in the arts of Greece and the Hellenistic East, but played only a minor role in ancient East Asia. This changed dramatically with the First Emperor of China who marked his ascent to the throne in 221bcwith the erection of giant bronze sculptures outside his palace and the installation of thousands of terracotta figures in his tomb. The current text sets out to investigate the sudden and short-li…
The Prehistory of Religion in China
Imperfect Symmetry: Re-Thinking Bronze Casting Technology in Ancient China
L’evolution du decor des vases de bronze des epoques Shang et Zhou a induit l’hypothese longtemps admise d’une evolution corolaire en trois etapes des techniques de fonte du bronze. Par une etude attentive des bronzes et de leur decor, qui n’est jamais parfaitement symetrique, et un reexamen des hypotheses concernant les techniques de fonte de la Chine antique, l’A. demontre, qu’en fait cette technique est restee la meme tout au long de cette per…
Return of the Buddha: The Qingzhou Discoveries
Some Han Dynasty Paintings in the British Museum
Cet article est consacre aux peintures murales sur briques de la dynastie Han conservees au British Museum. L'A evoque, tout d'abord, la datation et la tentative de restauration des peintures endommagees. Il s'attache ensuite a replacer ces oeuvres dans le contexte archeologique de la region d'origine afin de dresser des conclusions sur les croyances locales relatives aux tombes et a l'au-dela
The First Emperor and sculpture in China
Sculpture as an artistic medium was widely employed in the arts of Greece and the Hellenistic East, but played only a minor role in ancient East Asia. This changed dramatically with the First Emperor of China who marked his ascent to the throne in 221bcwith the erection of giant bronze sculptures outside his palace and the installation of thousands of terracotta figures in his tomb. The current text sets out to investigate the sudden and short-li…
Some Han Dynasty Paintings in the British Museum
Cet article est consacre aux peintures murales sur briques de la dynastie Han conservees au British Museum. L'A evoque, tout d'abord, la datation et la tentative de restauration des peintures endommagees. Il s'attache ensuite a replacer ces oeuvres dans le contexte archeologique de la region d'origine afin de dresser des conclusions sur les croyances locales relatives aux tombes et a l'au-dela
Return of the Buddha: The Qingzhou Discoveries
Imperfect Symmetry: Re-Thinking Bronze Casting Technology in Ancient China
L’evolution du decor des vases de bronze des epoques Shang et Zhou a induit l’hypothese longtemps admise d’une evolution corolaire en trois etapes des techniques de fonte du bronze. Par une etude attentive des bronzes et de leur decor, qui n’est jamais parfaitement symetrique, et un reexamen des hypotheses concernant les techniques de fonte de la Chine antique, l’A. demontre, qu’en fait cette technique est restee la meme tout au long de cette per…
The Prehistory of Religion in China
The First Emperor and sculpture in China
Sculpture as an artistic medium was widely employed in the arts of Greece and the Hellenistic East, but played only a minor role in ancient East Asia. This changed dramatically with the First Emperor of China who marked his ascent to the throne in 221bcwith the erection of giant bronze sculptures outside his palace and the installation of thousands of terracotta figures in his tomb. The current text sets out to investigate the sudden and short-li…
Bricks in Ancient China and the Question of Early Cross-Asian Interaction
Although ceramic building materials had been known in East Asia from about 3000, it was only from the late 3rd century BCE onwards that Chinese builders began using fired bricks for building walls and ceilings. Mass-produced fired bricks were introduced during the construction of the tomb of the First Emperor, Qin Shi Huangdi, and craftsmen discovered the technologies necessary to erect bonded walls, barrel vaults and domes over the following cen…
Memory Piece: Memory as a Compositional Process
The author describes the use of memory as a compositional process in his recent orally and digitally transmitted compositions
Reconstruction Methods in THz Single-Pixel Imaging
China and Bactria during the reign of Emperor Wu in written tradition and in archaeology
The chapters included in the Shiji and in the Hanshu give an account of the travels of Zhang Qian, an emissary sent by the Han Wu (165–87 BC) to the West in search of allies against the Xiongnu, the archenemy of the Chinese at the time, and describe subsequent attempts by the Han court to gain access to the regions beyond the Pamir. This chapter outlines the character of the Shiji Chapter 123 and draw a sketch of the events during the last decade…
Queer Perspectives in New Music
This collection of texts investigates how queerness manifests in contemporary new music practices. Six contributions by queer artists (Annette Brosin, Anthony R. Green, Luke Nickel, Emily Doolittle, Symon Henry and Teiya Kasahara 笠原 貞野) are framed by an introduction and conclusion by Gabriel Dharmoo. Dharmoo’s definition of queerness expands beyond sexual orientation and gender identity; it entertains the notion of queerness as an anti-assimilati…
Éliane Radigue at 90
For over 60 years, the prolific French composer Éliane Radigue has crafted her own unique artistic voice, operating largely outside of official and institutional channels. Her extensive creative o
History (7 works) · Ancient history (6 works) · Archaeology (6 works) · Art (6 works) · Chinese history and philosophy (6 works) · China (5 works) · Eurasian Exchange Networks (4 works) · History (4 works) · Visual arts (4 works) · Computer Science (3 works)