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Sonja Arntzen

Biographic Data

ID729290
NAMESonja Arntzen
GIVEN NAMESSonja
FAMILY NAMEArntzen
SIGNATUREARNTZEN S
AFFILIATIONSUniversity of Alberta
ORCID0000-0002-7309-1017
VERIFIEDYes
TOTAL WORKS22
TOTAL CITATIONS4
AUTHOR COUNT22
EDITOR COUNT0
FIRST PUBLICATION YEAR1987
LATEST PUBLICATION YEAR2017
H-INDEX1
  • The Father-Daughter Plot: Japanese Literary Women and the Law of the Father

    Tomoko Aoyama, Sonja Arntzen et al.•BOOK•Father-Daughter Plot•2017

    This provocative collection of essays is a comprehensive study of the "father-daughter dynamic" in Japanese female literary experience. Its contributors examine the ways in which women have been placed politically, ideologically, and symbolically as "daughters" in a culture that venerates "the father." They weigh the impact that this daughterly position has had on both the performance and production of women's writing from the classical period to…

  • The Cambridge History of Japanese Literature

    Open Access•David B Lurie, Torquil Duthie et al.•BOOK•Cambridge History of Japanese…•2015

    The Cambridge History of Japanese Literature provides, for the first time, a history of Japanese literature with comprehensive coverage of the premodern and modern eras in a single volume. The book is arranged topically in a series of short, accessible chapters for easy access and reference, giving insight into both canonical texts and many lesser known, popular genres, from centuries-old folk literature to the detective fiction of modern times. …

  • Sacred Rites in Moonlight: Ben no Naishi Nikki

    Open Access•Sonja Arntzen, S Yumiko Hulvey•ARTICLE•Japanese Language and Literature•2006

    Ben no Naishi (1228-1270), a descendant of a literary branch of the Fujiwara family, created an innovative poetic account focusing on her public personae as a naishi serving at the court of Go-Fukakusa (r. 1246-1259). Traditional scholarship regards Ben no Naishi Nikki as a naive record of court minutiae written without any literary purpose, but Ben no Naishi's text is constructed consciously by her devotion to sacred and secular duties as naishi…

  • Crossing the Bridge: Comparative Essays on Medieval European and Heian Japanese Women Writers

    Sonja Arntzen, Barbara Stevenson et al.•ARTICLE•Journal of Japanese Studies•2002

  • A Woman's Weapon: Spirit Possession in the Tale of Genji . Doris G. Bargen

    Sonja Arntzen•ARTICLE•History of Religions•2001

  • Fictions of Femininity: Literary Inventions of Gender in Japanese Court Women's Memoirs

    Sonja Arntzen, Edith Sarra•ARTICLE•Harvard Journal of Asiatic Studies•2000

  • Zen Buddhist Landscape Arts in Early Muromachi Japan (1336-1573)

    Sonja Arntzen, Joseph D Parker et al.•ARTICLE•Monumenta Nipponica•2000•Cited by: 1

  • KanaCLASSIC: An Electronic Guide to Classical Kana Writing

    Adam L Kern, Adam Kern et al.•ARTICLE•Journal of Japanese Studies•2000

  • Traces of Dreams: Landscape, Cultural Memory, and the Poetry of Basho

    Sonja Arntzen, Haruo Shirane•ARTICLE•Pacific Affairs•2000

  • The Kagero Diary: A Woman's Autobiographical Text from Tenth-Century Japan

    John S Brownlee, Sonja Arntzen•ARTICLE•Asian Folklore Studies•1999

  • Mastering Hentaigana

    Aileen Gatten, X Jie Yang et al.•ARTICLE•Monumenta Nipponica•1999

  • The Kagero Diary: A Woman's Autobiographical Text from Tenth-Century Japan

    Linda H Chance, Sonja Arntzen•ARTICLE•Journal of Japanese Studies•1999

  • Formless in Form: Kenko, Tsurezuregusa and the Rhetoric of Japanese Fragmentary Prose

    Sonja Arntzen, Linda H Chance•ARTICLE•Pacific Affairs•1999

  • The Kagero Diary: A Woman's Autobiographical Text from Tenth-Century Japan

    Lynne Miyake, Sonja Arntzen•ARTICLE•Monumenta Nipponica•1998

  • The Kagero Diary: A Woman’s Autobiographical Text from Tenth-Century Japan

    Open Access•Sonja Arntzen, Michitsuna no Haha•BOOK•The Kagerō diary•1998•Cited by: 2

    Japan is the only country in the world where women writers laid the foundations of classical literature. The Kagerō Diary commands our attention as the first extant work of that rich and brilliant tradition. The author, known to posterity as Michitsuna's Mother, a member of the middle-ranking aristocracy of the Heian period (794–1185), wrote an account of 20 years of her life (from 954–74), and this autobiographical text now gives readers access …

  • Great Fool: Zen Master Ryokan: Poems, Letters, and Other Writings

    Sonja Arntzen, Ryuichi Abe et al.•ARTICLE•Journal of Japanese Studies•1998

  • Le Kabuki Devant la Modernite (1870-1930)

    Sonja Arntzen, Jean-Jacques Tschudin et al.•ARTICLE•Monumenta Nipponica•1997

  • La Cour du Japon a l'Epoque de Heian aux X et XI Siecles

    Sonja Arntzen, Francine Herail•ARTICLE•Monumenta Nipponica•1996

  • Seeds in the Heart: Japanese Literature from Earliest Times to the Late Sixteenth Century

    Sonja Arntzen, Donald Keene•ARTICLE•Monumenta Nipponica•1994•Cited by: 1

  • The Buddhist Poetry of the Great Kamo Priestess: Daisaiin Senshi and Hosshin Wakashu

    Sonja Arntzen, Edward Kamens•ARTICLE•Monumenta Nipponica•1991

  • Ikkyu and the Crazy Cloud Anthology: A Zen Poet of Medieval Japan

    James W Heisig, Sonja Arntzen•ARTICLE•Philosophy East and West•1991

  • Ikkyu and the Crazy Cloud Anthology: A Zen Poet of Medieval Japan

    James H Sanford, Sonja Arntzen•ARTICLE•Monumenta Nipponica•1987

  • The Kagero Diary: A Woman’s Autobiographical Text from Tenth-Century Japan

    Open Access•Sonja Arntzen, Michitsuna no Haha•BOOK•The Kagerō diary•1998•Cited by: 2

    Japan is the only country in the world where women writers laid the foundations of classical literature. The Kagerō Diary commands our attention as the first extant work of that rich and brilliant tradition. The author, known to posterity as Michitsuna's Mother, a member of the middle-ranking aristocracy of the Heian period (794–1185), wrote an account of 20 years of her life (from 954–74), and this autobiographical text now gives readers access …

  • Zen Buddhist Landscape Arts in Early Muromachi Japan (1336-1573)

    Sonja Arntzen, Joseph D Parker et al.•ARTICLE•Monumenta Nipponica•2000•Cited by: 1

  • Seeds in the Heart: Japanese Literature from Earliest Times to the Late Sixteenth Century

    Sonja Arntzen, Donald Keene•ARTICLE•Monumenta Nipponica•1994•Cited by: 1

  • Ikkyu and the Crazy Cloud Anthology: A Zen Poet of Medieval Japan

    James H Sanford, Sonja Arntzen•ARTICLE•Monumenta Nipponica•1987

  • The Buddhist Poetry of the Great Kamo Priestess: Daisaiin Senshi and Hosshin Wakashu

    Sonja Arntzen, Edward Kamens•ARTICLE•Monumenta Nipponica•1991

  • Ikkyu and the Crazy Cloud Anthology: A Zen Poet of Medieval Japan

    James W Heisig, Sonja Arntzen•ARTICLE•Philosophy East and West•1991

  • Seeds in the Heart: Japanese Literature from Earliest Times to the Late Sixteenth Century

    Sonja Arntzen, Donald Keene•ARTICLE•Monumenta Nipponica•1994•Cited by: 1

  • La Cour du Japon a l'Epoque de Heian aux X et XI Siecles

    Sonja Arntzen, Francine Herail•ARTICLE•Monumenta Nipponica•1996

  • Le Kabuki Devant la Modernite (1870-1930)

    Sonja Arntzen, Jean-Jacques Tschudin et al.•ARTICLE•Monumenta Nipponica•1997

  • The Kagero Diary: A Woman's Autobiographical Text from Tenth-Century Japan

    Lynne Miyake, Sonja Arntzen•ARTICLE•Monumenta Nipponica•1998

  • The Kagero Diary: A Woman’s Autobiographical Text from Tenth-Century Japan

    Open Access•Sonja Arntzen, Michitsuna no Haha•BOOK•The Kagerō diary•1998•Cited by: 2

    Japan is the only country in the world where women writers laid the foundations of classical literature. The Kagerō Diary commands our attention as the first extant work of that rich and brilliant tradition. The author, known to posterity as Michitsuna's Mother, a member of the middle-ranking aristocracy of the Heian period (794–1185), wrote an account of 20 years of her life (from 954–74), and this autobiographical text now gives readers access …

  • Great Fool: Zen Master Ryokan: Poems, Letters, and Other Writings

    Sonja Arntzen, Ryuichi Abe et al.•ARTICLE•Journal of Japanese Studies•1998

  • The Kagero Diary: A Woman's Autobiographical Text from Tenth-Century Japan

    John S Brownlee, Sonja Arntzen•ARTICLE•Asian Folklore Studies•1999

  • Mastering Hentaigana

    Aileen Gatten, X Jie Yang et al.•ARTICLE•Monumenta Nipponica•1999

  • The Kagero Diary: A Woman's Autobiographical Text from Tenth-Century Japan

    Linda H Chance, Sonja Arntzen•ARTICLE•Journal of Japanese Studies•1999

  • Formless in Form: Kenko, Tsurezuregusa and the Rhetoric of Japanese Fragmentary Prose

    Sonja Arntzen, Linda H Chance•ARTICLE•Pacific Affairs•1999

  • Fictions of Femininity: Literary Inventions of Gender in Japanese Court Women's Memoirs

    Sonja Arntzen, Edith Sarra•ARTICLE•Harvard Journal of Asiatic Studies•2000

  • Zen Buddhist Landscape Arts in Early Muromachi Japan (1336-1573)

    Sonja Arntzen, Joseph D Parker et al.•ARTICLE•Monumenta Nipponica•2000•Cited by: 1

  • KanaCLASSIC: An Electronic Guide to Classical Kana Writing

    Adam L Kern, Adam Kern et al.•ARTICLE•Journal of Japanese Studies•2000

  • Traces of Dreams: Landscape, Cultural Memory, and the Poetry of Basho

    Sonja Arntzen, Haruo Shirane•ARTICLE•Pacific Affairs•2000

  • A Woman's Weapon: Spirit Possession in the Tale of Genji . Doris G. Bargen

    Sonja Arntzen•ARTICLE•History of Religions•2001

  • Crossing the Bridge: Comparative Essays on Medieval European and Heian Japanese Women Writers

    Sonja Arntzen, Barbara Stevenson et al.•ARTICLE•Journal of Japanese Studies•2002

  • Sacred Rites in Moonlight: Ben no Naishi Nikki

    Open Access•Sonja Arntzen, S Yumiko Hulvey•ARTICLE•Japanese Language and Literature•2006

    Ben no Naishi (1228-1270), a descendant of a literary branch of the Fujiwara family, created an innovative poetic account focusing on her public personae as a naishi serving at the court of Go-Fukakusa (r. 1246-1259). Traditional scholarship regards Ben no Naishi Nikki as a naive record of court minutiae written without any literary purpose, but Ben no Naishi's text is constructed consciously by her devotion to sacred and secular duties as naishi…

  • The Cambridge History of Japanese Literature

    Open Access•David B Lurie, Torquil Duthie et al.•BOOK•Cambridge History of Japanese…•2015

    The Cambridge History of Japanese Literature provides, for the first time, a history of Japanese literature with comprehensive coverage of the premodern and modern eras in a single volume. The book is arranged topically in a series of short, accessible chapters for easy access and reference, giving insight into both canonical texts and many lesser known, popular genres, from centuries-old folk literature to the detective fiction of modern times. …

  • The Father-Daughter Plot: Japanese Literary Women and the Law of the Father

    Tomoko Aoyama, Sonja Arntzen et al.•BOOK•Father-Daughter Plot•2017

    This provocative collection of essays is a comprehensive study of the "father-daughter dynamic" in Japanese female literary experience. Its contributors examine the ways in which women have been placed politically, ideologically, and symbolically as "daughters" in a culture that venerates "the father." They weigh the impact that this daughterly position has had on both the performance and production of women's writing from the classical period to…

Art (17 works) · History (16 works) · Japanese History and Culture (16 works) · Literature (11 works) · History (10 works) · Philosophy (5 works) · Ancient history (4 works) · Linguistics (4 works) · Poetry (4 works) · Aesthetics (3 works)

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