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Katarina Šter

Biographic Data

ID7340588
NAMEKatarina Šter
GIVEN NAMESKatarina
FAMILY NAMEŠter
SIGNATUREŠTER K
AFFILIATIONSSlovenian Academy of Sciences and Arts
ORCID0000-0002-7923-5261
VERIFIEDYes
TOTAL WORKS12
TOTAL CITATIONS0
AUTHOR COUNT12
EDITOR COUNT0
FIRST PUBLICATION YEAR2011
LATEST PUBLICATION YEAR2026
H-INDEX0
  • Technological choice & social change: A multi-analytical study of late roman and early medieval coarseware ceramics from the southeastern alpine region

    Open Access•K Patrick Fazioli, Matej Dolenec et al.•ARTICLE•Journal of Archaeological Science…•2026

  • Predgovor

    Open Access•Katarina Šter, Nejc Sukljan•ARTICLE•Musicological Annual•2023

  • Discubuit Iesus: Škof Tomaž Hren, Gornji Grad in slovenski koral

    Open Access•Katarina Šter•ARTICLE•Musicological Annual•2023

    Responzorij Discubuit Iesus je edini koralni spev, za katerega se je v rokopisu SI-Lnr 232 iz časa katoliške obnove ohranil zapis z besedilom v slovenščini – Sedil ie k’misi Iesus. Razprava predstavlja glasbene in besedilne značilnosti latinskega speva, njegov liturgični in siceršnji pomen ter zgodovino tako v katoliškem kakor protestantskem kontekstu, v čemer išče izhodišča za nastanek in možno uporabo slovenske različice speva. Več specifičnih …

  • Historični seminar 14

    Open Access•Mojca Žagar Karer, Katarina Šter et al.•BOOK•Historični seminar 14•2021

    The volume Historični seminar 14 ('Historical Seminar 14'), issued in the time of transformed reality of what we knew and took for granted, draws attention to the fact that the image we cultivate of ourselves and our history may sometimes be too simplified to be entirely real. At first, the volume both revises already known chapters of Church history and introduces hitherto unknown ones. Simon Malmenvall’s analysis of the characters of the noble …

  • A Chant Treatise in the Service of Two Monastic Traditions of the Modern Era: The Case of the Musices Choralis Medulla

    Open Access•Katarina Šter•ARTICLE•Musicological Annual•2020

    The present study discusses a chant theory treatise preserved in the Carthusian compilation manuscript (CZ-Pu I F 17) and based on the Franciscan Hermann Mott’s Musices Choralis Medulla (1670). It sheds new light on the background of the Carthusian arrangement and its connection to the Franciscan original by comparing both versions and trying to discover why the Franciscan treatise was chosen as an exemplar, who the author of the Carthusian treat…

  • Predgovor

    Open Access•Katarina Šter•ARTICLE•Musicological Annual•2020

    Kakor vsaka številka Muzikološkega zbornika tudi ta predstavlja majhen nov košček v sestavljanki evropske glasbene kulture, a iz manjših delcev je sestavljen tudi sam. Sestavili so ga (in ga bodo) ljudje, ki ga pišejo, pripravljajo za knjižno obliko, študirajo in berejo ter si vsak iz svojega zornega kota ter na podlagi svojih subjektivnih in objektivnih danosti prizadevajo za nove poglede na vse glasbeno. Morda se zdi, da pretežno muzikološka do…

  • Historični seminar 13

    Open Access•Katarina Šter, Mojca Žagar Karer•BOOK•Historični seminar 13•2018

    The volume Historični seminar 13 ('Historical Seminar 13') offers a selection of articles that have been “filtered” through the cycle of lectures over the past two years. These articles were written by ten researchers from Slovenia, Austria, Croatia, and Germany. Historični seminar 13 continues to examine its origin in the humanities by looking at history and describing the past, with perspectives that are also directed toward other disciplines: …

  • Who is The Refugee by the Cradle? Some Thoughts about the Song by Anton Lajovic

    Open Access•Katarina Šter•ARTICLE•Musicological Annual•2018

    The present article opens some new questions about Begunka pri zibeli [The Refugee by the Cradle], one of Anton Lajovic’s best and most expressive songs for voice and piano, which was also connected with the historical events by the Soča/Isonzo front in the First World War. Special attention is given to the original literary text by Oton Župančič. His allusions to the painting of the Virgin Mary from the place of pilgrimage Sveta gora near Gorica…

  • Mary Magdalene, the Apostola of the Easter Morning: Changes in the Late Medieval Carthusian Office of St Mary Magdalene

    Open Access•Katarina Šter•ARTICLE•Musicological Annual•2017

    The Office of Mary Magdalene is one of the rare offices of the Carthusian liturgy that was changed after it had been established as a solemn feast with twelve lessons. In Matins, several chants changed their position or were even replaced by new ones. This article examines the relationship between the earlier and the later Office of St Mary Magdalene. Later corrections in the Lauds first antiphon, Maria stabat ad monumentum receive some special a…

  • Resacralization of the sacred: Carthusian liturgical plainchant and (re)biblicization of its texts

    Open Access•Katarina Šter•ARTICLE•Musicological Annual•2015

    The Carthusians selected and emended the traditional liturgical chant texts of the liturgy in order to bring them closer to the biblical texts. The comparison of the selected responsories from various traditions (Carthusian, Benedictine, Cistercian, Cluniac, Aquitanian) shows that it was respect for tradition of the texts as well as the melodies that led the Carthusians in their successful re-sacralization of the repertoire

  • Poznosrednjeveška monastična recepcija koralnega enoglasja na primeru antifonarjev iz žičke kartuzije

    Open Access•Katarina Šter•ARTICLE•Musicological Annual•2012

    Kartuzija ie (ustanovljena ok. 1160 in ukinjena 1782), ki je bila pomemben samostan tako v dananjem slovenskem kot irem evropskem porostoru, je v obdobju srednjega veka do konca 15. stoletja doivljala skoraj neprekinjen razcvet. Zanjo je bilo najpomembneje zgodovinsko obdobje as velike zahodne shizme

  • Mojster ima veliko mujo, inu poterpeshlivost: Rokopisni učbenik o osnovah glasbene teorije in koralnem petju iz Pokrajinskega arhiva Koper

    Open Access•Katarina Šter•ARTICLE•Musicological Annual•2011

    Pokrajinski arhiv Koper hrani nedokončan italijanski rokopisni učbenik o osnovah glasbene teorije in koralnem petju s konca 18. ali začetka 19. stoletja. Vsebinsko in terminološko je podoben sorodnim besedilom severne Italije tega časa. Raziskava je potrdila eno od predlog besedila; teh je bilo verjetno še več, a številni sprotni popravki in dodatki v besedilu kažejo tudi na piščevo samostojno razumevanje glasbe, tehten razmislek o njej ter izraz…

No prominent works on this page.

  • Mojster ima veliko mujo, inu poterpeshlivost: Rokopisni učbenik o osnovah glasbene teorije in koralnem petju iz Pokrajinskega arhiva Koper

    Open Access•Katarina Šter•ARTICLE•Musicological Annual•2011

    Pokrajinski arhiv Koper hrani nedokončan italijanski rokopisni učbenik o osnovah glasbene teorije in koralnem petju s konca 18. ali začetka 19. stoletja. Vsebinsko in terminološko je podoben sorodnim besedilom severne Italije tega časa. Raziskava je potrdila eno od predlog besedila; teh je bilo verjetno še več, a številni sprotni popravki in dodatki v besedilu kažejo tudi na piščevo samostojno razumevanje glasbe, tehten razmislek o njej ter izraz…

  • Poznosrednjeveška monastična recepcija koralnega enoglasja na primeru antifonarjev iz žičke kartuzije

    Open Access•Katarina Šter•ARTICLE•Musicological Annual•2012

    Kartuzija ie (ustanovljena ok. 1160 in ukinjena 1782), ki je bila pomemben samostan tako v dananjem slovenskem kot irem evropskem porostoru, je v obdobju srednjega veka do konca 15. stoletja doivljala skoraj neprekinjen razcvet. Zanjo je bilo najpomembneje zgodovinsko obdobje as velike zahodne shizme

  • Resacralization of the sacred: Carthusian liturgical plainchant and (re)biblicization of its texts

    Open Access•Katarina Šter•ARTICLE•Musicological Annual•2015

    The Carthusians selected and emended the traditional liturgical chant texts of the liturgy in order to bring them closer to the biblical texts. The comparison of the selected responsories from various traditions (Carthusian, Benedictine, Cistercian, Cluniac, Aquitanian) shows that it was respect for tradition of the texts as well as the melodies that led the Carthusians in their successful re-sacralization of the repertoire

  • Mary Magdalene, the Apostola of the Easter Morning: Changes in the Late Medieval Carthusian Office of St Mary Magdalene

    Open Access•Katarina Šter•ARTICLE•Musicological Annual•2017

    The Office of Mary Magdalene is one of the rare offices of the Carthusian liturgy that was changed after it had been established as a solemn feast with twelve lessons. In Matins, several chants changed their position or were even replaced by new ones. This article examines the relationship between the earlier and the later Office of St Mary Magdalene. Later corrections in the Lauds first antiphon, Maria stabat ad monumentum receive some special a…

  • Historični seminar 13

    Open Access•Katarina Šter, Mojca Žagar Karer•BOOK•Historični seminar 13•2018

    The volume Historični seminar 13 ('Historical Seminar 13') offers a selection of articles that have been “filtered” through the cycle of lectures over the past two years. These articles were written by ten researchers from Slovenia, Austria, Croatia, and Germany. Historični seminar 13 continues to examine its origin in the humanities by looking at history and describing the past, with perspectives that are also directed toward other disciplines: …

  • Who is The Refugee by the Cradle? Some Thoughts about the Song by Anton Lajovic

    Open Access•Katarina Šter•ARTICLE•Musicological Annual•2018

    The present article opens some new questions about Begunka pri zibeli [The Refugee by the Cradle], one of Anton Lajovic’s best and most expressive songs for voice and piano, which was also connected with the historical events by the Soča/Isonzo front in the First World War. Special attention is given to the original literary text by Oton Župančič. His allusions to the painting of the Virgin Mary from the place of pilgrimage Sveta gora near Gorica…

  • A Chant Treatise in the Service of Two Monastic Traditions of the Modern Era: The Case of the Musices Choralis Medulla

    Open Access•Katarina Šter•ARTICLE•Musicological Annual•2020

    The present study discusses a chant theory treatise preserved in the Carthusian compilation manuscript (CZ-Pu I F 17) and based on the Franciscan Hermann Mott’s Musices Choralis Medulla (1670). It sheds new light on the background of the Carthusian arrangement and its connection to the Franciscan original by comparing both versions and trying to discover why the Franciscan treatise was chosen as an exemplar, who the author of the Carthusian treat…

  • Predgovor

    Open Access•Katarina Šter•ARTICLE•Musicological Annual•2020

    Kakor vsaka številka Muzikološkega zbornika tudi ta predstavlja majhen nov košček v sestavljanki evropske glasbene kulture, a iz manjših delcev je sestavljen tudi sam. Sestavili so ga (in ga bodo) ljudje, ki ga pišejo, pripravljajo za knjižno obliko, študirajo in berejo ter si vsak iz svojega zornega kota ter na podlagi svojih subjektivnih in objektivnih danosti prizadevajo za nove poglede na vse glasbeno. Morda se zdi, da pretežno muzikološka do…

  • Historični seminar 14

    Open Access•Mojca Žagar Karer, Katarina Šter et al.•BOOK•Historični seminar 14•2021

    The volume Historični seminar 14 ('Historical Seminar 14'), issued in the time of transformed reality of what we knew and took for granted, draws attention to the fact that the image we cultivate of ourselves and our history may sometimes be too simplified to be entirely real. At first, the volume both revises already known chapters of Church history and introduces hitherto unknown ones. Simon Malmenvall’s analysis of the characters of the noble …

  • Predgovor

    Open Access•Katarina Šter, Nejc Sukljan•ARTICLE•Musicological Annual•2023

  • Discubuit Iesus: Škof Tomaž Hren, Gornji Grad in slovenski koral

    Open Access•Katarina Šter•ARTICLE•Musicological Annual•2023

    Responzorij Discubuit Iesus je edini koralni spev, za katerega se je v rokopisu SI-Lnr 232 iz časa katoliške obnove ohranil zapis z besedilom v slovenščini – Sedil ie k’misi Iesus. Razprava predstavlja glasbene in besedilne značilnosti latinskega speva, njegov liturgični in siceršnji pomen ter zgodovino tako v katoliškem kakor protestantskem kontekstu, v čemer išče izhodišča za nastanek in možno uporabo slovenske različice speva. Več specifičnih …

  • Technological choice & social change: A multi-analytical study of late roman and early medieval coarseware ceramics from the southeastern alpine region

    Open Access•K Patrick Fazioli, Matej Dolenec et al.•ARTICLE•Journal of Archaeological Science…•2026

Art (10 works) · Philosophy (7 works) · Religious, Philosophical, and Educational Studies (6 works) · History (5 works) · Theology (5 works) · Archaeology (4 works) · Humanities (4 works) · Art history (3 works) · Linguistics and language evolution (3 works) · Literature (3 works)

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