A Chant Treatise in the Service of Two Monastic Traditions of the Modern Era
The Case of the Musices Choralis Medulla
Bibliographic Data
| ID | 14780873 |
|---|---|
| Authors | Katarina Šter (0000-0002-7923-5261, Research Centre of the Slovenian Academy of Sciences and Arts, corresponding author) |
| Year | 2020 |
| Volume | 56 |
| Issue | 2 |
| Pages | 153-181 |
| Publication date | 2020-12-30 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Musicological Annual (JOURNAL) |
| Journal identifiers | ISSN: 0580-373X • E-ISSN: 2350-4242 |
| Publisher | University of Ljubljana (PUBLISHER • SI) |
| DOI | 10.4312/mz.56.2.153-181 |
| OpenAlex | W3117511766 |
| Language | EN |
| References cited | 4 |
The present study discusses a chant theory treatise preserved in the Carthusian compilation manuscript (CZ-Pu I F 17) and based on the Franciscan Hermann Mott’s Musices Choralis Medulla (1670). It sheds new light on the background of the Carthusian arrangement and its connection to the Franciscan original by comparing both versions and trying to discover why the Franciscan treatise was chosen as an exemplar, who the author of the Carthusian treatise was, when and where the Carthusian version was written and used, and finally, through a study of its context and the information given in its manuscript source, how it could be transmitted and what it meant for the Carthusian order
Archaeology · Art · Literature · Diverse Musicological Studies · European Cultural and National Identity · Historical and Archaeological Studies · History · Philosophy
| Citation velocity | historical |
|---|---|
| Highly cited | No |