Adrian Hazzard
Biographic Data
| ID | 7398020 |
|---|---|
| NAME | Adrian Hazzard |
| GIVEN NAMES | Adrian |
| FAMILY NAME | Hazzard |
| SIGNATURE | HAZZARD A |
| AFFILIATIONS | University of Nottingham |
| ORCID | 0000-0003-0286-960X |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
The Stretchy Strap
Guitarists struggle to play their instruments while simultaneously using additional computing devices (i.e., encumbered interaction). We explored designs with guitarists through co-design and somaesthetic design workshops, learning that they (unsurprisingly) preferred to focus on playing their guitars and keeping their instruments’ material integrity intact. Subsequently, we devised an interactive guitar strap controller, which guitarists found p…
Augmenting musical instruments with digital identities
We explore how augmenting musical instruments with digital identities can enhance their provenance, utility during creative practice, and personal meaning. A literature review reveals the importance of object identities in general and instrument identities in particular, how the identities of things can be digitally augmented, but also that this idea has not been widely applied to musical instruments. A first case study draws on interviews to ill…
Contesting control
As Human-Computer Interaction (HCI) engages with technologies that sense and actuate the body, there is a need to reconsider the human bodily experience. We present three case studies that each involve different forms of bodily experience: a breath-controlled amusement ride, a brain-controlled film, and an interactive musical duet with a physically actuated piano. We introduce a conceptual framework to describe how control becomes contested betwe…
Demo hour
forum Share on Demo hour Authors: Dougie Mann Royal College of Art & Imperial College London Royal College of Art & Imperial College LondonView Profile , Steve Benford The University of Nottingham The University of NottinghamView Profile , Adrian Hazzard The University of Nottingham The University of NottinghamView Profile , Alan Chamberlain The University of Nottingham The University of NottinghamView Profile , Dimitri Darzentas The University o…
The Carolan guitar
We live in a world where everyday objects, digital services, and human beings are increasingly interconnected. This forum aims to offer and promote a rich discussion on the challenges of designing for a broader ecology of materials, artifacts, and practices. --- Elisa Giaccardi, Editor
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The Carolan guitar
We live in a world where everyday objects, digital services, and human beings are increasingly interconnected. This forum aims to offer and promote a rich discussion on the challenges of designing for a broader ecology of materials, artifacts, and practices. --- Elisa Giaccardi, Editor
Demo hour
forum Share on Demo hour Authors: Dougie Mann Royal College of Art & Imperial College London Royal College of Art & Imperial College LondonView Profile , Steve Benford The University of Nottingham The University of NottinghamView Profile , Adrian Hazzard The University of Nottingham The University of NottinghamView Profile , Alan Chamberlain The University of Nottingham The University of NottinghamView Profile , Dimitri Darzentas The University o…
Contesting control
As Human-Computer Interaction (HCI) engages with technologies that sense and actuate the body, there is a need to reconsider the human bodily experience. We present three case studies that each involve different forms of bodily experience: a breath-controlled amusement ride, a brain-controlled film, and an interactive musical duet with a physically actuated piano. We introduce a conceptual framework to describe how control becomes contested betwe…
The Stretchy Strap
Guitarists struggle to play their instruments while simultaneously using additional computing devices (i.e., encumbered interaction). We explored designs with guitarists through co-design and somaesthetic design workshops, learning that they (unsurprisingly) preferred to focus on playing their guitars and keeping their instruments’ material integrity intact. Subsequently, we devised an interactive guitar strap controller, which guitarists found p…
Augmenting musical instruments with digital identities
We explore how augmenting musical instruments with digital identities can enhance their provenance, utility during creative practice, and personal meaning. A literature review reveals the importance of object identities in general and instrument identities in particular, how the identities of things can be digitally augmented, but also that this idea has not been widely applied to musical instruments. A first case study draws on interviews to ill…
Computer Science (5 works) · Human–computer interaction (4 works) · Interactive and Immersive Displays (4 works) · Innovative Human-Technology Interaction (3 works) · Guitar (2 works) · Music Technology and Sound Studies (2 works) · Tactile and Sensory Interactions (2 works) · Acoustics (1 work) · Art (1 work) · Artificial Intelligence (1 work)