Juan Parra Cancino
Biographic Data
| ID | 7398184 |
|---|---|
| NAME | Juan Parra Cancino |
| GIVEN NAMES | Juan Parra |
| FAMILY NAME | Cancino |
| SIGNATURE | CANCINO J P |
| AFFILIATIONS | Orpheus Institute, Ghent, Belgium |
| ORCID | 0000-0002-9793-6539 |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
The Rebel Crank
This paper redefines the performance practice of street barrel organs by transcending their conventional physical gestures beyond their role as mere music reproduction machines. We propose a new understanding of these instruments by establishing a parallel with how turntables started to be considered musical instruments through hand manipulation. Collaborating with Chilean organilleros, we experimented with the notion of ‘physical gesture transgr…
Sonic Commentary Audio Series Volume 28
On Stockhausen’s Solo(s)
Using Karlheinz Stockhausen’s Solo für Melodieinstrument und Rückkopplung (1965–1966) as a starting point, the authors investigate the affect and effect of technological transference when reproducing historical repertoire with live electronics. A suggestion of technical transparency often accompanies digital sound technologies; we aim to challenge this notion. We argue that the coloring that emerges with digital media can (and perhaps should be) …
No prominent works on this page.
Sonic Commentary Audio Series Volume 28
On Stockhausen’s Solo(s)
Using Karlheinz Stockhausen’s Solo für Melodieinstrument und Rückkopplung (1965–1966) as a starting point, the authors investigate the affect and effect of technological transference when reproducing historical repertoire with live electronics. A suggestion of technical transparency often accompanies digital sound technologies; we aim to challenge this notion. We argue that the coloring that emerges with digital media can (and perhaps should be) …
The Rebel Crank
This paper redefines the performance practice of street barrel organs by transcending their conventional physical gestures beyond their role as mere music reproduction machines. We propose a new understanding of these instruments by establishing a parallel with how turntables started to be considered musical instruments through hand manipulation. Collaborating with Chilean organilleros, we experimented with the notion of ‘physical gesture transgr…
Art (3 works) · Computer Science (3 works) · Music Technology and Sound Studies (3 works) · Visual arts (2 works) · Aesthetics (1 work) · Art history (1 work) · Art, Technology, and Culture (1 work) · Artificial Intelligence (1 work) · Computer security (1 work) · Counterpoint (1 work)