On Stockhausen’s Solo(s)
Beyond Interpretation
Bibliographic Data
| ID | 20486786 |
|---|---|
| Authors | Juan Parra Cancino (0000-0002-9793-6539, Juan Parra Cancino (researcher, media producer), Orpheus Institute, Ghent, Belgium.., corresponding author), Johannes Mulder (0000-0002-0258-624X, Johannes Mulder (researcher, educator), Murdoch University, Perth, Australia.., corresponding author) |
| Year | 2018 |
| Volume | 28 |
| Pages | 13-18 |
| Publication date | 2018-12-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Leonardo Music Journal (JOURNAL) |
| Journal identifiers | ISSN: 0961-1215 • E-ISSN: 1531-4812 |
| Publisher | MIT Press - Journals (PUBLISHER) |
| DOI | 10.1162/lmj_a_01036 |
| OpenAlex | W2891586306 |
| Language | EN |
| References cited | 1 |
Using Karlheinz Stockhausen’s Solo für Melodieinstrument und Rückkopplung (1965–1966) as a starting point, the authors investigate the affect and effect of technological transference when reproducing historical repertoire with live electronics. A suggestion of technical transparency often accompanies digital sound technologies; we aim to challenge this notion. We argue that the coloring that emerges with digital media can (and perhaps should be) used to inject new life into, and ask new questions of, the works that are being preserved
Aesthetics · Art · Art history · Computer security · Epistemology · Literature · Repertoire · Visual arts · Art, Technology, and Culture · Computer Science · Cybernetics and Technology in Society · Music Technology and Sound Studies · Philosophy
| Highly cited | No |
|---|