Johannes Mulder
Biographic Data
| ID | 9331418 |
|---|---|
| NAME | Johannes Mulder |
| GIVEN NAMES | Johannes |
| FAMILY NAME | Mulder |
| SIGNATURE | MULDER J |
| AFFILIATIONS | Murdoch University |
| ORCID | 0000-0002-0258-624X |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2018 |
| H-INDEX | 0 |
On Stockhausen’s Solo(s)
Using Karlheinz Stockhausen’s Solo für Melodieinstrument und Rückkopplung (1965–1966) as a starting point, the authors investigate the affect and effect of technological transference when reproducing historical repertoire with live electronics. A suggestion of technical transparency often accompanies digital sound technologies; we aim to challenge this notion. We argue that the coloring that emerges with digital media can (and perhaps should be) …
Average Is the New Loudest
This article discusses new sound pressure level (SPL) measurement strategies in the context of live music. A brief overview of the introduction of loudness normalization in broadcast audio engineering precedes a discussion of using average sound levels in measurements at concerts. The article closes with a short analysis of the implications of these developments for the notion of agency in the sociotechnical domain of audio production
Sound Resources
The author describes a recent sound installation that addresses an environmental issue as well as an issue with our sonic ecology
No prominent works on this page.
Sound Resources
The author describes a recent sound installation that addresses an environmental issue as well as an issue with our sonic ecology
Average Is the New Loudest
This article discusses new sound pressure level (SPL) measurement strategies in the context of live music. A brief overview of the introduction of loudness normalization in broadcast audio engineering precedes a discussion of using average sound levels in measurements at concerts. The article closes with a short analysis of the implications of these developments for the notion of agency in the sociotechnical domain of audio production
On Stockhausen’s Solo(s)
Using Karlheinz Stockhausen’s Solo für Melodieinstrument und Rückkopplung (1965–1966) as a starting point, the authors investigate the affect and effect of technological transference when reproducing historical repertoire with live electronics. A suggestion of technical transparency often accompanies digital sound technologies; we aim to challenge this notion. We argue that the coloring that emerges with digital media can (and perhaps should be) …
Computer Science (3 works) · Music Technology and Sound Studies (3 works) · Acoustics (2 works) · Aesthetics (1 work) · Architectural engineering (1 work) · Art (1 work) · Art history (1 work) · Art, Technology, and Culture (1 work) · Artificial Intelligence (1 work) · Biology (1 work)