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Bernard Carey

Biographic Data

ID747210
NAMEBernard Carey
GIVEN NAMESBernard
FAMILY NAMECarey
SIGNATURECAREY B
AFFILIATIONSUniversity of Technology Sydney
ORCID0000-0001-7145-4630
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS1
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR1980
LATEST PUBLICATION YEAR2023
H-INDEX1
  • Ergodynamics of the Open Machine

    Open Access•Bernard Carey•ARTICLE•Contemporary Music Review•2023

    This paper analyses some theoretical and philosophical concerns related to modular synthesis performance practice. Taking an interdisciplinary approach drawing upon concepts from cognitive archaeology, anthropology and the philosophy of technology, the paper seeks to frame modular synthesis practice as a dance of agencies in the context of human–machine performance. In this paper, I explore how musical ideas, technical objects and performances co…

  • Artefact 'Scripts' and the Performer-Developer

    Bernard Carey, Benjamin Carey•ARTICLE•Leonardo•2016•Cited by: 1•References: 1

    This paper outlines the methodological and theoretical considerations encountered in the practice-based research of a performer-developer. Considering the relevance of self-reflective and autoethnographic methods for practice-based, creative-production research projects, the relationship between development and use of technological artefacts for musical performance is discussed with reference to relevant theory

  • Labor's Unknown Experiment

    Open Access•Bernard Carey•ARTICLE•Australian Journal of Public…•1983

    The Department of Urban and Regional Development's (DURD's) Moreton Regional Coordination Exercise was a bold experiment. It aimed to coordinate, at a regional level, the activities of all levels of government, an objective close to DURD's heart. The proposal emerged from DURD's struggles with other commonwealth departments, conflicts with the Queensland government over administrative arrangements for the Area Improvement Program and the Australi…

  • Politics Between Departments

    Garth Stevenson, Martin Painter et al.•ARTICLE•Pacific Affairs•1980

  • Artefact 'Scripts' and the Performer-Developer

    Bernard Carey, Benjamin Carey•ARTICLE•Leonardo•2016•Cited by: 1•References: 1

    This paper outlines the methodological and theoretical considerations encountered in the practice-based research of a performer-developer. Considering the relevance of self-reflective and autoethnographic methods for practice-based, creative-production research projects, the relationship between development and use of technological artefacts for musical performance is discussed with reference to relevant theory

  • Politics Between Departments

    Garth Stevenson, Martin Painter et al.•ARTICLE•Pacific Affairs•1980

  • Labor's Unknown Experiment

    Open Access•Bernard Carey•ARTICLE•Australian Journal of Public…•1983

    The Department of Urban and Regional Development's (DURD's) Moreton Regional Coordination Exercise was a bold experiment. It aimed to coordinate, at a regional level, the activities of all levels of government, an objective close to DURD's heart. The proposal emerged from DURD's struggles with other commonwealth departments, conflicts with the Queensland government over administrative arrangements for the Area Improvement Program and the Australi…

  • Artefact 'Scripts' and the Performer-Developer

    Bernard Carey, Benjamin Carey•ARTICLE•Leonardo•2016•Cited by: 1•References: 1

    This paper outlines the methodological and theoretical considerations encountered in the practice-based research of a performer-developer. Considering the relevance of self-reflective and autoethnographic methods for practice-based, creative-production research projects, the relationship between development and use of technological artefacts for musical performance is discussed with reference to relevant theory

  • Ergodynamics of the Open Machine

    Open Access•Bernard Carey•ARTICLE•Contemporary Music Review•2023

    This paper analyses some theoretical and philosophical concerns related to modular synthesis performance practice. Taking an interdisciplinary approach drawing upon concepts from cognitive archaeology, anthropology and the philosophy of technology, the paper seeks to frame modular synthesis practice as a dance of agencies in the context of human–machine performance. In this paper, I explore how musical ideas, technical objects and performances co…

Art (2 works) · Computer Science (2 works) · Law (2 works) · Music Technology and Sound Studies (2 works) · Political science (2 works) · Politics (2 works) · Visual arts (2 works) · Architecture and Computational Design (1 works) · Australian History and Society (1 works) · Bureaucracy (1 works)

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