Artefact 'Scripts' and the Performer-Developer
Bibliographic Data
| ID | 3406087 |
|---|---|
| Authors | Bernard Carey (0000-0001-7145-4630, University of Technology Sydney, corresponding author), Benjamin Carey (University of Technology) |
| Year | 2016 |
| Volume | 49 |
| Issue | 1 |
| Pages | 74-75 |
| Publication date | 2016-02-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Leonardo (JOURNAL) |
| Journal identifiers | ISSN: 0024-094X • E-ISSN: 1530-9282 |
| Publisher | MIT Press - Journals (PUBLISHER) |
| DOI | 10.1162/leon_a_01117 |
| OpenAlex | W2177992799 |
| Language | EN |
| Citations received | 3 |
| References cited | 2 |
This paper outlines the methodological and theoretical considerations encountered in the practice-based research of a performer-developer. Considering the relevance of self-reflective and autoethnographic methods for practice-based, creative-production research projects, the relationship between development and use of technological artefacts for musical performance is discussed with reference to relevant theory
Art · Human–computer interaction · Musical · Performing arts · Relevance (law) · Scripting language · Visual arts · Computer Science · Embodied and Extended Cognition · Music Technology and Sound Studies · Neuroscience and Music Perception
| Unique citing works | 3 |
|---|---|
| Citations per year | 1 |
| Citation span | 2023 - 2024 (2) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 3 |