Victoria Pérez Royo
Biographic Data
| ID | 7523677 |
|---|---|
| NAME | Victoria Pérez Royo |
| GIVEN NAMES | Victoria Pérez |
| FAMILY NAME | Royo |
| SIGNATURE | ROYO V P |
| AFFILIATIONS | Victoria Pérez Royo is Codirector of the MA in Performing Arts Practice and Visual Culture of the University of Castilla—La Mancha (Madrid) and Assistant Professor in Aesthetics and Theory of the Arts at the Faculty of Philosophy of the Zaragoza University. She is a member of ARTEA (), in which she has coordinated and coorganized such projects as Artistic Migrations, Autonomy and Complexity, the independent study program Expanded Theatricalities, the series of talks on Rethinking Spectatorship, and the... |
| ORCID | 0000-0002-0518-975X |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
La Ensoñación de la materia. Fuerzas que mueven las películas The Boogie Woogie Ghost y Puebla de María Jerez y Silvia Zayas
In this text I study the films The Boogie Woogie Ghost and Puebla by María Jerez and Silvia Zayas from the perspective of some tensions and forces that cross them and that link them with other films, performance pieces, exhibitions, conferences, and doctoral theses by them and related artists. Some of these forces are: seduction and enchantment of the gaze, attention to the dimensions of the invisible; desire for uncertainty, complex vision of th…
Invisibility and Oscillation: The Processes of Looking in Eszter Salamon’s Nvsbl
The question of the body’s role in the creation of images poses a problem central to visual studies. Eszter Salamon’s 2006 dance Nvsbl displays the complex process of looking at images with singular clarity. This process, here called “oscillating gaze,” features a movement of attention which, in the case of Nvsbl, favors a productive understanding of invisibility, conceived not as the negative limit of vision, but rather as an element capable of …
El giro performativo de la imagen
En el camino desde la imagen cinematográfica convencional hasta la autónoma e interactiva de los escenarios sensibles, el cine se ha integrado con las artes escénicas dando lugar a una serie de híbridos como el expanded cinema o el cine interactivo. Se trata de un desarrollo en el que la imagen adquiere propiedades de sujeto, mientras que el cuerpo del espectador entra en diálogo con ella. En este texto se esboza una evolución del arte interactiv…
I, Myself and Me Again
This text presents a study of the piece I, Myself and Me Again and aims to reflect on the possibility of displaying on stage an image of the contemporary subject based on the use of interactive technologies. The strategies devised by the dancers in this interactive environment consist mainly of generating a range of alterities. This gives way to a notion of the subject as a multiple rather than indivisible concept, one who is in the process of co…
No prominent works on this page.
I, Myself and Me Again
This text presents a study of the piece I, Myself and Me Again and aims to reflect on the possibility of displaying on stage an image of the contemporary subject based on the use of interactive technologies. The strategies devised by the dancers in this interactive environment consist mainly of generating a range of alterities. This gives way to a notion of the subject as a multiple rather than indivisible concept, one who is in the process of co…
El giro performativo de la imagen
En el camino desde la imagen cinematográfica convencional hasta la autónoma e interactiva de los escenarios sensibles, el cine se ha integrado con las artes escénicas dando lugar a una serie de híbridos como el expanded cinema o el cine interactivo. Se trata de un desarrollo en el que la imagen adquiere propiedades de sujeto, mientras que el cuerpo del espectador entra en diálogo con ella. En este texto se esboza una evolución del arte interactiv…
Invisibility and Oscillation: The Processes of Looking in Eszter Salamon’s Nvsbl
The question of the body’s role in the creation of images poses a problem central to visual studies. Eszter Salamon’s 2006 dance Nvsbl displays the complex process of looking at images with singular clarity. This process, here called “oscillating gaze,” features a movement of attention which, in the case of Nvsbl, favors a productive understanding of invisibility, conceived not as the negative limit of vision, but rather as an element capable of …
La Ensoñación de la materia. Fuerzas que mueven las películas The Boogie Woogie Ghost y Puebla de María Jerez y Silvia Zayas
In this text I study the films The Boogie Woogie Ghost and Puebla by María Jerez and Silvia Zayas from the perspective of some tensions and forces that cross them and that link them with other films, performance pieces, exhibitions, conferences, and doctoral theses by them and related artists. Some of these forces are: seduction and enchantment of the gaze, attention to the dimensions of the invisible; desire for uncertainty, complex vision of th…
Art (4 works) · Aesthetics (2 works) · Cinema History and Criticism (2 works) · Computer Science (2 works) · Humanities (2 works) · Physics (2 works) · Advertising and Communication Studies (1 works) · Art, Aesthetics, and Perception (1 works) · Art, Politics, and Modernism (1 works) · CLARITY (1 works)