Hope Mohr
Biographic Data
| ID | 7523834 |
|---|---|
| NAME | Hope Mohr |
| GIVEN NAMES | Hope |
| FAMILY NAME | Mohr |
| SIGNATURE | MOHR H |
| AFFILIATIONS | Independent Dance |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2007 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Liberation Study
Performance offers the chance to break through dead ways of being. Only by harnessing our longing can we unshackle from forms that no longer nourish us. Making performance means creating conditions where we can sense new possibilities for how we show up for our lives. Let the old structures shatter. Hope Mohr is a choreographer, writer, and advocate. She performed with Lucinda Childs and Trisha Brown. In 2007, she founded Hope Mohr Dance. In 2010…
Choreographic Transmission in an Expanded Field
The Locus project commissioned 10 Bay Area artists from multiple disciplines to learn Trisha Brown’s Locus and respond by creating their own pieces. It was the first time that the Trisha Brown Dance Company (TBDC) had allowed one of Brown’s dances to be transmitted beyond the company for the explicit purpose of inspiring new works
Listening and moving in the urban environment
This article discusses The Language of the Listening Body, a collaborative creative project between choreographer Hope Mohr and composer Michelle Nagai exploring an active listening and moving practice in the urban environment of New York City. Mohr discusses listening and moving practices in the studio and in ‘soundwalks’—walking meditations where participants are encouraged to maintain a high level of sonic awareness. The article discusses disc…
No prominent works on this page.
Listening and moving in the urban environment
This article discusses The Language of the Listening Body, a collaborative creative project between choreographer Hope Mohr and composer Michelle Nagai exploring an active listening and moving practice in the urban environment of New York City. Mohr discusses listening and moving practices in the studio and in ‘soundwalks’—walking meditations where participants are encouraged to maintain a high level of sonic awareness. The article discusses disc…
Choreographic Transmission in an Expanded Field
The Locus project commissioned 10 Bay Area artists from multiple disciplines to learn Trisha Brown’s Locus and respond by creating their own pieces. It was the first time that the Trisha Brown Dance Company (TBDC) had allowed one of Brown’s dances to be transmitted beyond the company for the explicit purpose of inspiring new works
Liberation Study
Performance offers the chance to break through dead ways of being. Only by harnessing our longing can we unshackle from forms that no longer nourish us. Making performance means creating conditions where we can sense new possibilities for how we show up for our lives. Let the old structures shatter. Hope Mohr is a choreographer, writer, and advocate. She performed with Lucinda Childs and Trisha Brown. In 2007, she founded Hope Mohr Dance. In 2010…
Art (3 works) · Visual arts (3 works) · Aesthetics (2 works) · Art history (2 works) · Dance (2 works) · Diversity and Impact of Dance (2 works) · Sociology (2 works) · Active listening (1 work) · Appreciative listening (1 work) · Bridge (graph theory (1 work)