Choreographic Transmission in an Expanded Field
Reflections on “Ten Artists Respond to Trisha Brown’s Locus ”
Bibliographic Data
| ID | 14999232 |
|---|---|
| Authors | Hope Mohr (Independent Dance, corresponding author), Larry Arrington, Gerald Casel, Gregory S Dawson (0000-0002-0716-7802), Gregory Dawson, Peiling Kao, Pei-Ling Kao, Xandra Ibarra, Margo Moritz |
| Year | 2018 |
| Volume | 62 |
| Issue | 2 |
| Pages | 143-150 |
| Publication date | 2018-06-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | TDR/The Drama Review (JOURNAL) |
| Journal identifiers | ISSN: 1054-2043 • E-ISSN: 1531-4715 |
| Publisher | MIT Press - Journals (PUBLISHER) |
| DOI | 10.1162/dram_a_00754 |
| OpenAlex | W2803885973 |
| Language | EN |
| Citations received | 4 |
| References cited | 7 |
The Locus project commissioned 10 Bay Area artists from multiple disciplines to learn Trisha Brown’s Locus and respond by creating their own pieces. It was the first time that the Trisha Brown Dance Company (TBDC) had allowed one of Brown’s dances to be transmitted beyond the company for the explicit purpose of inspiring new works
Art · Art history · Dance · Locus (genetics · Visual arts · Diversity and Impact of Dance · Music History and Culture · Theatre and Performance Studies
| Citations per year | 0.5 |
|---|---|
| Citation span | 2018 - 2018 (1) |
| Highly cited | No |