Curating Dialogue
The Bridge Project’s Radical Movements
Bibliographic Data
| ID | 14997272 |
|---|---|
| Authors | Michelle Lavigne (Independent Dance, corresponding author), Megan V Nicely (Independent Dance) |
| Year | 2018 |
| Volume | 62 |
| Issue | 4 |
| Pages | 145-153 |
| Publication date | 2018-12-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | TDR/The Drama Review (JOURNAL) |
| Journal identifiers | ISSN: 1054-2043 • E-ISSN: 1531-4715 |
| Publisher | MIT Press - Journals (PUBLISHER) |
| DOI | 10.1162/dram_a_00799 |
| OpenAlex | W2902595777 |
| Language | EN |
| References cited | 2 |
A renowned gender theorist and a female drag performer move language and gestures as they trade stories and share bodywork. A gender-ambiguous performer and a trans and queer scholar volley moments of physical intensity and textual analysis in a lecture-demonstration format. These were just some of the ways that the fall 2017 Bridge Project’s Radical Movements festival challenged performance models for dialogic exchange and what constitutes a radical body in motion
Aesthetics · Art · Bodywork · Bridge (graph theory · Dialogic · Gesture · Linguistics · Literature · Movement (music · Performing arts · Queer · Sociology · Visual arts · Diversity and Impact of Dance · Gender Studies · Philosophy · Posthumanist Ethics and Activism · Theatre and Performance Studies
| Highly cited | No |
|---|