Message Send Failure
Site-Unspecificity in Plant Theater’s Dreams of Riley’s Friends ; or, Why Won’t Riley Respond to My Texts
Bibliographic Data
| ID | 14997654 |
|---|---|
| Authors | T Nikki Cesare Schotzko (T. Nikki Cesare Schotzko is Associate Professor at the Centre for Drama, Theatre, and Performance Studies, University of Toronto. She is author of Learning How to Fall: Art and Culture after September 11 (Routledge, 2014) and is currently working on a project that terms “#nihilism,” engaging the hashtag as a cultural form in an era of literal and metaphoric climate change., corresponding author) |
| Year | 2016 |
| Volume | 60 |
| Issue | 3 |
| Pages | 160-165 |
| Publication date | 2016-09-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | TDR/The Drama Review (JOURNAL) |
| Journal identifiers | ISSN: 1054-2043 • E-ISSN: 1531-4715 |
| Publisher | MIT Press - Journals (PUBLISHER) |
| DOI | 10.1162/dram_a_00576 |
| OpenAlex | W2515807739 |
| Language | EN |
| Citations received | 8 |
| References cited | 4 |
The choices audiences make in “self-scheduled” smartphone plays inevitably inform their experiences. How does the lack of site-specificity in these works that take place exclusively through mobile technologies enable a greater sense of intimacy between dis-placed actor and audience? And how do these plays challenge the self-surveillance mechanisms embedded within social media technologies, even as they exploit them
Advertising · Aesthetics · Art · Audience participation · Business · Computer security · Exploit · Internet privacy · Media studies · Social media · Sociology · World Wide Web · Cinema and Media Studies · Computer Science · Music History and Culture · Theatre and Performance Studies
| Citations per year | 0.89 |
|---|---|
| Citation span | 2017 - 2018 (2) |
| Highly cited | No |