Stephanie Lind
Biographic Data
| ID | 7526003 |
|---|---|
| NAME | Stephanie Lind |
| GIVEN NAMES | Stephanie |
| FAMILY NAME | Lind |
| SIGNATURE | LIND S |
| AFFILIATIONS | Queen's University |
| ORCID | 0000-0002-3670-7265 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Authenticity in the Music of Video Games
From historical games to hyperrealism to retro gaming, Authenticity in the Music of Video Games explores, the shifting understanding of authenticity among players. What do gamers believe authenticity to be? How are their expectations structured by the soundtrack? And how do their actions impact the overall interaction of sound with narrative? Ranging from harmonic analysis to more multimedia approaches, the book links musical analysis to the prac…
Developing Variation in Gilles Tremblay’s Croissant: Transformation and Identity
Gilles Tremblay, considered one of the forefathers of contemporary music in Quebec, is primarily known for a focus on rhythm, sonority, and aleatoric processes. This article explores another unexplored aspect of Tremblay’s composition: motivic development through developing variation. Beginning with a discussion of the historical antecedents of this style in the work of Schoenberg, d’Indy, and Dutilleux, the article analyzes Tremblay’s use of dev…
Music Video Games: Performance, Politics, and Play
Music Video Games takes a look (and listen) at the popular genre of music games – video games in which music is at the forefront of player interaction and gameplay. With chapters on a wide variety of music games, ranging from well-known console games such as Guitar Hero and Rock Band to new, emerging games for smartphones and tablets, scholars from diverse disciplines and backgrounds discuss the history, development, and cultural impact of music …
Transformational Distance and Form in Berg’s “Schlafend trägt man mich”
Berg’s “Schlafend trägt man mich,” the second song of his Vier Lieder Op. 2, is often understood to reflect the transition between the composer’s tonal and free atonal periods. This paper summarizes previous analyses that treat voice leading, transpositional invariance, and the behavior of the “French 6th” chords in the piece. It then shows how to unify those observations in the context of a particular transformational space that provides additio…
An Interactive Trichord Space Based on Measures 18–23 of Clermont Pépin’s Toccate no. 3
Clermont Pépin’s Toccate no. 3 , a work for piano composed in 1961, features extensive repetition and sequencing through the development of smaller atonal intervallic motives. Measures 18–23, in particular, manifest several elements that return repeatedly in the course of the work, and consequently a space defined by the objects and transformations characteristic of this passage can provide a framework for interpreting transformational relations …
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Transformational Distance and Form in Berg’s “Schlafend trägt man mich”
Berg’s “Schlafend trägt man mich,” the second song of his Vier Lieder Op. 2, is often understood to reflect the transition between the composer’s tonal and free atonal periods. This paper summarizes previous analyses that treat voice leading, transpositional invariance, and the behavior of the “French 6th” chords in the piece. It then shows how to unify those observations in the context of a particular transformational space that provides additio…
An Interactive Trichord Space Based on Measures 18–23 of Clermont Pépin’s Toccate no. 3
Clermont Pépin’s Toccate no. 3 , a work for piano composed in 1961, features extensive repetition and sequencing through the development of smaller atonal intervallic motives. Measures 18–23, in particular, manifest several elements that return repeatedly in the course of the work, and consequently a space defined by the objects and transformations characteristic of this passage can provide a framework for interpreting transformational relations …
Music Video Games: Performance, Politics, and Play
Music Video Games takes a look (and listen) at the popular genre of music games – video games in which music is at the forefront of player interaction and gameplay. With chapters on a wide variety of music games, ranging from well-known console games such as Guitar Hero and Rock Band to new, emerging games for smartphones and tablets, scholars from diverse disciplines and backgrounds discuss the history, development, and cultural impact of music …
Developing Variation in Gilles Tremblay’s Croissant: Transformation and Identity
Gilles Tremblay, considered one of the forefathers of contemporary music in Quebec, is primarily known for a focus on rhythm, sonority, and aleatoric processes. This article explores another unexplored aspect of Tremblay’s composition: motivic development through developing variation. Beginning with a discussion of the historical antecedents of this style in the work of Schoenberg, d’Indy, and Dutilleux, the article analyzes Tremblay’s use of dev…
Authenticity in the Music of Video Games
From historical games to hyperrealism to retro gaming, Authenticity in the Music of Video Games explores, the shifting understanding of authenticity among players. What do gamers believe authenticity to be? How are their expectations structured by the soundtrack? And how do their actions impact the overall interaction of sound with narrative? Ranging from harmonic analysis to more multimedia approaches, the book links musical analysis to the prac…
Art (5 works) · Computer Science (4 works) · Linguistics (3 works) · Music Technology and Sound Studies (3 works) · Musicology and Musical Analysis (3 works) · Philosophy (3 works) · Psychology (3 works) · Transformational leadership (3 works) · Digital Games and Media (2 works) · Literature (2 works)