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Isabelle Hervouët

Biographic Data

ID7540088
NAMEIsabelle Hervouët
GIVEN NAMESIsabelle
FAMILY NAMEHervouët
SIGNATUREHERVOUËT I
AFFILIATIONSHernia Center
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS0
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2009
LATEST PUBLICATION YEAR2023
H-INDEX0
  • Gothic Fault-Lines in Anne Brontë’s Social Fiction

    Open Access•Isabelle Hervouët•ARTICLE•Cahiers victoriens et édouardiens•2023

    The Tenant of Wildfell Hall (1848), Anne Brontë’s second novel, has always been the object of much scholarly attention, particularly as regards what was originally thought to be a structural flaw: the use of a frame narrative within which the story of Helen Huntingdon’s flight from a disastrous marriage is embedded. The frame narrator, Gilbert Markham, tells a traditional courtship tale which abruptly turns into Helen’s metanarrative of domestic …

  • Expérience d’écriture créative, entre lecture critique du roman britannique contemporain et vieilles histoires de famille

    Open Access•Isabelle Hervouët•ARTICLE•E-rea•2022

    Based on an experience of creative writing (the turning into a narrative of family history reconstructed by means of birth registers and other public records), this article shows how academic methodologies facilitated every stage of creative writing. More specifically, the critical reading of contemporary British literature made it possible to adequately problematize key issues and formulate responses to questions that arose during the writing pr…

  • ‘A queer combination of a child’s mind with a grown-up joke’

    Open Access•Isabelle Hervouët•ARTICLE•Cahiers victoriens et édouardiens•2020

    Peu connu, Holiday Romance (1868) est un recueil de quatre histoires pour enfants, dans lesquelles Dickens donne libre cours à sa passion pour les contes de fées et le jeu avec les mots. Quatre très jeunes enfants racontent tour à tour une histoire destinée à montrer aux adultes que l’imaginaire doit réenchanter le monde. Holiday Romance témoigne ainsi de ce que, quinze ans après « Fraud on the Fairies » (Household Words, 1853), Dickens continue …

  • Agrippés au réel

    Isabelle Hervouët•ARTICLE•Spirale•2014

  • De l'intérêt de créer des événements pour les enfants petits et les adultes qui les accompagnent

    Isabelle Hervouët•ARTICLE•Spirale•2009

No prominent works on this page.

  • De l'intérêt de créer des événements pour les enfants petits et les adultes qui les accompagnent

    Isabelle Hervouët•ARTICLE•Spirale•2009

  • Agrippés au réel

    Isabelle Hervouët•ARTICLE•Spirale•2014

  • ‘A queer combination of a child’s mind with a grown-up joke’

    Open Access•Isabelle Hervouët•ARTICLE•Cahiers victoriens et édouardiens•2020

    Peu connu, Holiday Romance (1868) est un recueil de quatre histoires pour enfants, dans lesquelles Dickens donne libre cours à sa passion pour les contes de fées et le jeu avec les mots. Quatre très jeunes enfants racontent tour à tour une histoire destinée à montrer aux adultes que l’imaginaire doit réenchanter le monde. Holiday Romance témoigne ainsi de ce que, quinze ans après « Fraud on the Fairies » (Household Words, 1853), Dickens continue …

  • Expérience d’écriture créative, entre lecture critique du roman britannique contemporain et vieilles histoires de famille

    Open Access•Isabelle Hervouët•ARTICLE•E-rea•2022

    Based on an experience of creative writing (the turning into a narrative of family history reconstructed by means of birth registers and other public records), this article shows how academic methodologies facilitated every stage of creative writing. More specifically, the critical reading of contemporary British literature made it possible to adequately problematize key issues and formulate responses to questions that arose during the writing pr…

  • Gothic Fault-Lines in Anne Brontë’s Social Fiction

    Open Access•Isabelle Hervouët•ARTICLE•Cahiers victoriens et édouardiens•2023

    The Tenant of Wildfell Hall (1848), Anne Brontë’s second novel, has always been the object of much scholarly attention, particularly as regards what was originally thought to be a structural flaw: the use of a frame narrative within which the story of Helen Huntingdon’s flight from a disastrous marriage is embedded. The frame narrator, Gilbert Markham, tells a traditional courtship tale which abruptly turns into Helen’s metanarrative of domestic …

Art (4 works) · History (3 works) · Humanities (3 works) · Literature (3 works) · Computer Science (2 works) · Sociology (2 works) · Art history (1 work) · Artistic and Creative Research (1 work) · Biography (1 work) · Creative writing (1 work)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae