Gustavo Fischer
Biographic Data
| ID | 7580317 |
|---|---|
| NAME | Gustavo Fischer |
| GIVEN NAMES | Gustavo |
| FAMILY NAME | Fischer |
| SIGNATURE | FISCHER G |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Excavating Television Memory Images Through Generative Ai
By searching for the term “ television ” on the Playground and Artbreeder artificial intelligence platforms , a set of resulting technical images is used to analyze how certain televisualities emerge in the technical-aesthetic memory that results from the imbrications of the user- promptist with the technocultural dimensions of the platforms. As a theoretical basis, the work of Manovich and Arielli (2023) and Kilpp (2018) is called upon . Methodo…
Digital Culture between Distribution and Remix
In digital culture, we recognize new delivery options for media (audio, films, games, texts) – not only a new storage paradigm, but a transition to interactivity with proliferating screens of all sizes. These networks of transmission and circulation (including but not limited to UseNet or BitTorrent, iTunes or Tidal, Napster or Pandora, YouTube or Vimeo, SnapChat or Vine, Hulu or Netflix, Aereo or FilmOn, Steam or GOG.com, Twitch or TikTok, to na…
Escavações de audiovisualidades em narrativas site-specific
Propõe uma discussão a respeito das audiovisualidades – tomadas enquanto qualidades audiovisuais que se atualizam em formatos diversos em nossa tecnocultura – presentes em duas narrativas as quais foram projetadas para serem acessadas e acionadas em conexão com determinadas localidades (site-specific): os projetos artísticos 34N118W (2003) e A Machine to See With (2010). Metodologicamente, apoia-se na perspectiva da arqueologia da mídia enquanto …
No prominent works on this page.
Digital Culture between Distribution and Remix
In digital culture, we recognize new delivery options for media (audio, films, games, texts) – not only a new storage paradigm, but a transition to interactivity with proliferating screens of all sizes. These networks of transmission and circulation (including but not limited to UseNet or BitTorrent, iTunes or Tidal, Napster or Pandora, YouTube or Vimeo, SnapChat or Vine, Hulu or Netflix, Aereo or FilmOn, Steam or GOG.com, Twitch or TikTok, to na…
Escavações de audiovisualidades em narrativas site-specific
Propõe uma discussão a respeito das audiovisualidades – tomadas enquanto qualidades audiovisuais que se atualizam em formatos diversos em nossa tecnocultura – presentes em duas narrativas as quais foram projetadas para serem acessadas e acionadas em conexão com determinadas localidades (site-specific): os projetos artísticos 34N118W (2003) e A Machine to See With (2010). Metodologicamente, apoia-se na perspectiva da arqueologia da mídia enquanto …
Excavating Television Memory Images Through Generative Ai
By searching for the term “ television ” on the Playground and Artbreeder artificial intelligence platforms , a set of resulting technical images is used to analyze how certain televisualities emerge in the technical-aesthetic memory that results from the imbrications of the user- promptist with the technocultural dimensions of the platforms. As a theoretical basis, the work of Manovich and Arielli (2023) and Kilpp (2018) is called upon . Methodo…
Art (2 works) · Digital Games and Media (2 works) · Advertising (1 work) · Amateur (1 work) · BitTorrent (1 work) · Business (1 work) · Casual (1 work) · Cinema and Media Studies (1 work) · Computer Science (1 work) · Cybernetics and Technology in Society (1 work)