Excavating Television Memory Images Through Generative Ai
Bibliographic Data
| ID | 22009487 |
|---|---|
| Authors | Gustavo Daudt Fischer (0000-0001-5794-7033, Universidade do Vale do Rio dos Sinos, corresponding author), Gustavo Fischer |
| Year | 2026 |
| Publication date | 2026-01-02 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | AoIR Selected Papers of Internet Research (JOURNAL) |
| Journal identifiers | ISSN: 2162-3317 • E-ISSN: 2162-3317 |
| Publisher | University of Illinois Libraries (PUBLISHER) |
| DOI | 10.5210/spir.v2024i0.15142 |
| OpenAlex | W7133565521 |
| Language | EN |
By searching for the term “ television ” on the Playground and Artbreeder artificial intelligence platforms , a set of resulting technical images is used to analyze how certain televisualities emerge in the technical-aesthetic memory that results from the imbrications of the user- promptist with the technocultural dimensions of the platforms. As a theoretical basis, the work of Manovich and Arielli (2023) and Kilpp (2018) is called upon . Methodologically, we use the printscreen and data scraping as excavatory attitudes , focused on the perspective of media archaeology that values the problematization of the memory of media objects. It is tentatively concluded that televisualities emerge in a valorization of the television set as equipment/hardware as a TV basic-image, situated in diverse scenarios and, in a complementary way, in relation to the Hollywood Star System and other minority references to the generic content content of television programs
Hollywood · Photography · Problematization · Situated · Cybernetics and Technology in Society · Digital Media and Philosophy · Media, Communication, and Education
| Highly cited | No |
|---|