Zvezdana Ostojic
Biographic Data
| ID | 762719 |
|---|---|
| NAME | Zvezdana Ostojic |
| GIVEN NAMES | Zvezdana |
| FAMILY NAME | Ostojic |
| SIGNATURE | OSTOJIC Z |
| AFFILIATIONS | St John’s College (University of Oxford), Trinity University, and Scripps College |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
The frame as prison
This article examines how ethical decisions involved in filming confined subjects shape the aesthetic strategies of Raymond Depardon's documentary cinema. Focusing on San Clemente (1982), Délits flagrants (1994), 10e chambre, instants d'audience (2004), and 12 Jours (2017), the analysis reveals a fundamental paradox at the heart of Depardon's practice: the cinematic frame operates simultaneously as a prison and as a potential site of resistance. …
From author films to operational images
Le verso de la p(l)age de Camus
Cet article s'intéresse à la spécificité de l’affrontement intertextuel qu’entretient « Meursault, contre-enquête » de Kamel Daoud avec « L’Étranger » d’Albert Camus. En fournissant « l’autre côté » de l’histoire et en élucidant la partie de celle-ci que L’Étranger a laissée dans l’ombre, la contre- enquête de Daoud décompose et recompose l’œuvre de Camus. Ce faisant, Daoud déstabilise la position du lecteur qui ne parvient jamais à une solution …
La Mère belliqueuse contre la mer pacifique
Representations of the hostile, uninhabitable, and threatening land haunt all of the novels of Marguerite Duras' Indochina cycle. The literal and symbolic importance of natural disasters is already noticeable in The Sea Wall (Un barrage contre le Pacifique), the first novel of the cycle.This article argues that the diegetic space in The Sea Wall is inscribed on a land where various forces intertwine to create a turbulent and uninhabitable territo…
Legacies of the Rue Morgue
Reviewed by: Legacies of the Rue Morgue: Science, Space, and Crime Fiction in France by Andrea Goulet Zvezdana Ostojic (bio) Andrea Goulet. Legacies of the Rue Morgue: Science, Space, and Crime Fiction in France. U of Pennsylvania P, 2016. 304 pages. In her 2016 book Legacies of the Rue Morgue: Science, Space and Crime Fiction in France, Andrea Goulet explores shifting extradiegetic scientific and philosophical paradigms through an extensive corp…
Legacies of the Rue Morgue
Reviewed by: Legacies of the Rue Morgue: Science, Space, and Crime Fiction in France by Andrea Goulet Zvezdana Ostojic (bio) Andrea Goulet. Legacies of the Rue Morgue: Science, Space, and Crime Fiction in France. U of Pennsylvania P, 2016. 304 pages. In her 2016 book Legacies of the Rue Morgue: Science, Space and Crime Fiction in France, Andrea Goulet explores shifting extradiegetic scientific and philosophical paradigms through an extensive corp…
La Mère belliqueuse contre la mer pacifique
Representations of the hostile, uninhabitable, and threatening land haunt all of the novels of Marguerite Duras' Indochina cycle. The literal and symbolic importance of natural disasters is already noticeable in The Sea Wall (Un barrage contre le Pacifique), the first novel of the cycle.This article argues that the diegetic space in The Sea Wall is inscribed on a land where various forces intertwine to create a turbulent and uninhabitable territo…
Le verso de la p(l)age de Camus
Cet article s'intéresse à la spécificité de l’affrontement intertextuel qu’entretient « Meursault, contre-enquête » de Kamel Daoud avec « L’Étranger » d’Albert Camus. En fournissant « l’autre côté » de l’histoire et en élucidant la partie de celle-ci que L’Étranger a laissée dans l’ombre, la contre- enquête de Daoud décompose et recompose l’œuvre de Camus. Ce faisant, Daoud déstabilise la position du lecteur qui ne parvient jamais à une solution …
The frame as prison
This article examines how ethical decisions involved in filming confined subjects shape the aesthetic strategies of Raymond Depardon's documentary cinema. Focusing on San Clemente (1982), Délits flagrants (1994), 10e chambre, instants d'audience (2004), and 12 Jours (2017), the analysis reveals a fundamental paradox at the heart of Depardon's practice: the cinematic frame operates simultaneously as a prison and as a potential site of resistance. …
From author films to operational images
Art (4 works) · Art history (4 works) · History (3 works) · Philosophy (3 works) · Archaeology (2 works) · Documentary film (2 works) · Humanities (2 works) · Literature (2 works) · Sociology (2 works) · Aesthetics (1 work)