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Dominique Desanti

Biographic Data

ID771450
NAMEDominique Desanti
GIVEN NAMESDominique
FAMILY NAMEDesanti
SIGNATUREDESANTI D
AFFILIATIONSUniversité de Paris-TV
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS2
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1968
LATEST PUBLICATION YEAR2008
H-INDEX1
  • Un jeune Castor

    Dominique Desanti•ARTICLE•Les Temps Modernes•2008

  • La Liberte nous aime encore

    Ludivine Bantigny, Dominique Desanti et al.•ARTICLE•Vingtième Siècle Revue d histoire•2002

  • Tribulations d'UNE Communicatrice

    Dominique Desanti•ARTICLE•Contemporary French Civilization•1989

  • Farid Belkahia

    Dominique Desanti, Jean Decock•ARTICLE•African Arts•1969•Cited by: 1

    “The true artist is someone who exists within his society.” Farid Belkahia, artist and director of the School of Fine Arts in Casablanca, rejects the stereotype of the superiority of the artist. “No one is more exceptional than the man in the street. I only help him discover himself.” The interview printed here affords an insight into one of Morocco's leading artists. He tries to break from restrictions both academic and artistic. In his art he h…

  • "Le Conflit des Cultures et "L'Aventure Ambiguë

    Dominique Desanti•ARTICLE•African Arts•1968•Cited by: 1

    Political conflict between Africa and the Occident loses force with the end of the colonial period but the conflict of culture becomes a sudden and acute discovery. The African has adopted a language and a civilization that had been thrust upon him but he continues to claim the traditions and the heritage of his ancestors. He possesses the science, techniques, and means of expression of another culture but refuses to deny his own uniqueness. Haun…

  • Jean Rouch

    Dominique Desanti, Jean Decock et al.•ARTICLE•African Arts•1968

    In April of this year, under the sponsorship of the African Studies Center, the Latin American Center and the Department of Theater Arts, the University of California at Los Angeles organized a Colloquium on Ethnographic Film. The purpose was quite simple – to bring together the leading exponents of this genre, both from anthropology and from cinema, and to confront them with their ambitions. Cinema, considered by many as an objective tool, was a…

  • Farid Belkahia

    Dominique Desanti, Jean Decock•ARTICLE•African Arts•1969•Cited by: 1

    “The true artist is someone who exists within his society.” Farid Belkahia, artist and director of the School of Fine Arts in Casablanca, rejects the stereotype of the superiority of the artist. “No one is more exceptional than the man in the street. I only help him discover himself.” The interview printed here affords an insight into one of Morocco's leading artists. He tries to break from restrictions both academic and artistic. In his art he h…

  • "Le Conflit des Cultures et "L'Aventure Ambiguë

    Dominique Desanti•ARTICLE•African Arts•1968•Cited by: 1

    Political conflict between Africa and the Occident loses force with the end of the colonial period but the conflict of culture becomes a sudden and acute discovery. The African has adopted a language and a civilization that had been thrust upon him but he continues to claim the traditions and the heritage of his ancestors. He possesses the science, techniques, and means of expression of another culture but refuses to deny his own uniqueness. Haun…

  • "Le Conflit des Cultures et "L'Aventure Ambiguë

    Dominique Desanti•ARTICLE•African Arts•1968•Cited by: 1

    Political conflict between Africa and the Occident loses force with the end of the colonial period but the conflict of culture becomes a sudden and acute discovery. The African has adopted a language and a civilization that had been thrust upon him but he continues to claim the traditions and the heritage of his ancestors. He possesses the science, techniques, and means of expression of another culture but refuses to deny his own uniqueness. Haun…

  • Jean Rouch

    Dominique Desanti, Jean Decock et al.•ARTICLE•African Arts•1968

    In April of this year, under the sponsorship of the African Studies Center, the Latin American Center and the Department of Theater Arts, the University of California at Los Angeles organized a Colloquium on Ethnographic Film. The purpose was quite simple – to bring together the leading exponents of this genre, both from anthropology and from cinema, and to confront them with their ambitions. Cinema, considered by many as an objective tool, was a…

  • Farid Belkahia

    Dominique Desanti, Jean Decock•ARTICLE•African Arts•1969•Cited by: 1

    “The true artist is someone who exists within his society.” Farid Belkahia, artist and director of the School of Fine Arts in Casablanca, rejects the stereotype of the superiority of the artist. “No one is more exceptional than the man in the street. I only help him discover himself.” The interview printed here affords an insight into one of Morocco's leading artists. He tries to break from restrictions both academic and artistic. In his art he h…

  • Tribulations d'UNE Communicatrice

    Dominique Desanti•ARTICLE•Contemporary French Civilization•1989

  • La Liberte nous aime encore

    Ludivine Bantigny, Dominique Desanti et al.•ARTICLE•Vingtième Siècle Revue d histoire•2002

  • Un jeune Castor

    Dominique Desanti•ARTICLE•Les Temps Modernes•2008

Art (4 works) · African history and culture studies (2 works) · Humanities (2 works) · Philosophy (2 works) · African Studies and Ethnography (1 work) · Agriculture and Rural Development Research (1 work) · Caribbean and African Literature and Culture (1 work) · Cultural Identity and Heritage (1 work) · French Language Learning Methods (1 work) · French Literature and Critical Theory (1 work)

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