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Janos Marothy

Biographic Data

ID77891
NAMEJanos Marothy
GIVEN NAMESJanos
FAMILY NAMEMarothy
SIGNATUREMAROTHY J
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS3
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR1975
LATEST PUBLICATION YEAR1991
H-INDEX1
  • Studying Popular Music

    Janos Marothy•REVIEW•Studia musicologica•1991

  • Kojak, 50 Seconds of Television Music. Toward the Analysis of Affect in Popular Music

    Janos Marothy•ARTICLE•Studia musicologica•1982

  • A music of your own

    Open Access•Janos Marothy•ARTICLE•Popular Music•1981•Cited by: 3•References: 2

    Folklore is the only recognised field of musical creativity on a mass scale. Here, ‘every new variant is an archetype, for there is no authoritative original’, even the same folk musician will not repeat the same melodic line unchanged; what folk singers ‘carried in their memories was not a fixed, memorised series of words and notes, but the fluid idea of a song which so far as they were concerned had never had any other existence than in the fre…

  • Music and the Bourgeois, Music and the Proletarian

    K Peter Etzkorn, Janos Marothy•ARTICLE•Ethnomusicology•1975

  • A music of your own

    Open Access•Janos Marothy•ARTICLE•Popular Music•1981•Cited by: 3•References: 2

    Folklore is the only recognised field of musical creativity on a mass scale. Here, ‘every new variant is an archetype, for there is no authoritative original’, even the same folk musician will not repeat the same melodic line unchanged; what folk singers ‘carried in their memories was not a fixed, memorised series of words and notes, but the fluid idea of a song which so far as they were concerned had never had any other existence than in the fre…

  • Music and the Bourgeois, Music and the Proletarian

    K Peter Etzkorn, Janos Marothy•ARTICLE•Ethnomusicology•1975

  • A music of your own

    Open Access•Janos Marothy•ARTICLE•Popular Music•1981•Cited by: 3•References: 2

    Folklore is the only recognised field of musical creativity on a mass scale. Here, ‘every new variant is an archetype, for there is no authoritative original’, even the same folk musician will not repeat the same melodic line unchanged; what folk singers ‘carried in their memories was not a fixed, memorised series of words and notes, but the fluid idea of a song which so far as they were concerned had never had any other existence than in the fre…

  • Kojak, 50 Seconds of Television Music. Toward the Analysis of Affect in Popular Music

    Janos Marothy•ARTICLE•Studia musicologica•1982

  • Studying Popular Music

    Janos Marothy•REVIEW•Studia musicologica•1991

Art (3 works) · Literature (2 works) · Psychology (2 works) · Visual arts (2 works) · Advertising (1 works) · Aesthetics (1 works) · Archetype (1 works) · Asian Culture and Media Studies (1 works) · Bourgeoisie (1 works) · Business (1 works)

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