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A music of your own

Bibliographic Data

ID7356155
AuthorsJanos Marothy (corresponding author)
Year1981
Volume1
Pages15-25
Publication date1981-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenuePopular Music (JOURNAL)
Journal identifiersISSN: 0261-1430 • E-ISSN: 1474-0095
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0261143000000891
OpenAlexW2100275147
LanguageEN
Citations received3
References cited5

Folklore is the only recognised field of musical creativity on a mass scale. Here, ‘every new variant is an archetype, for there is no authoritative original’, even the same folk musician will not repeat the same melodic line unchanged; what folk singers ‘carried in their memories was not a fixed, memorised series of words and notes, but the fluid idea of a song which so far as they were concerned had never had any other existence than in the fresh evocations it received from singers like themselves’ (Bronson 1969, pp. 102–6

Archetype · Art · Creativity · Folklore · Literature · Melody · Musical · Visual arts · Diverse Musicological Studies · History · Psychology

  • On the outside looking in

    Stephen B Groce•Popular Music & Society•1991

  • Popular music studies behind the Iron Curtain

    Open Access•Peter Wicke•Popular Music•2024

  • Popular dance music elements in the folk music of Gypsies in Hungary

    Open Access•Katalin Kovalcsik, Kovalcsik Katalin•Popular Music•1987

  • How musical is man?

    John Blacking•How musical is man?•1974

  • Charles Ives and His America

    John Adams, Frank R Rossiter•The New England Quarterly•1976

  • The Ballad as Song

    Bertrand Harris Bronson•Ballad As Song•1969

  • Music and the Bourgeois, Music and the Proletarian

    K Peter Etzkorn, Janos Marothy•Ethnomusicology•1975

Unique citing works3
Citations per year0,08
Citation span1987 - 2024 (38)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 3

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