Piotr Woycicki
Biographic Data
| ID | 7830148 |
|---|---|
| NAME | Piotr Woycicki |
| GIVEN NAMES | Piotr |
| FAMILY NAME | Woycicki |
| SIGNATURE | WOYCICKI P |
| AFFILIATIONS | Aberystwyth University |
| ORCID | 0000-0003-2247-3143 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Artificial Intelligence (AI) and contemporary performance
Diffractive Dramaturgies in Our Lady of Shadows
In this article we will look at a practice-as-research collaboration between us Author A, Author B, Eddie Ladd and formerly Karoline Gritzner which explored the aesthetics of neo-medievalism through an intermedial dramaturgy and digital scenography. Currently the project has two forms, an intermedial theatrical version of Author A's radio play Our Lady of Shadows (broadcast on BBC Radio 3), which is a radical adaptation of Alfred Tennyson's famou…
Interoceptive Dramaturgies of ‘Surrogate-selves’ in Performative VR Experiences
TEST 02 - Elsevier's Scopus, the largest abstract and citation database of peer-reviewed literature. Search and access research from the science, technology, medicine, social sciences and arts and humanities fields
Synaesthetic Resonances in the Intermedial Soundtrack of Imitating the Dog’s Tales from The Bar of Lost Souls
As with most hybrid performances the experience of spectating Imitating the Dog’s Tales from the Bar of Lost Souls (2010) (reworked to become 6 Degrees Below the Horizon (2011) ) is a multifaceted one, consisting of an encounter with intermedial bodies, spaces, and technologies. Focusing mainly on the role of the soundtrack, composed by Hope and Social and myself, I will explore the ways in which it elicits synaesthetic experiences turning this i…
A critical study of physical participation in Blast Theory's Can You See Me Now
This article will explore how avant-garde artistic practices in the field of mixed reality performance, namely pervasive games such as Blast Theory's 2003 Can You See Me Now?, critically engage with the proliferation and implementation of virtual technologies in everyday life. I will argue that there is a cultural shift resulting from the global, massive implementation of these technologies towards a virtualisation of everyday life performance an…
Temporality and string theory in Imitating the Dog's Kellerman
In this article I will address issues of temporality in intermedial theatre, with reference to Kellerman (2009), a recent intermedial piece by the UK-based company Imitating the Dog and Pete Brooks, which was inspired by string theory. I will take a rather experimental approach to theorizing temporality in performance and address it from the perspective of science philosophy, namely string theory. Through this theoretical frame I will negotiate h…
No prominent works on this page.
Temporality and string theory in Imitating the Dog's Kellerman
In this article I will address issues of temporality in intermedial theatre, with reference to Kellerman (2009), a recent intermedial piece by the UK-based company Imitating the Dog and Pete Brooks, which was inspired by string theory. I will take a rather experimental approach to theorizing temporality in performance and address it from the perspective of science philosophy, namely string theory. Through this theoretical frame I will negotiate h…
A critical study of physical participation in Blast Theory's Can You See Me Now
This article will explore how avant-garde artistic practices in the field of mixed reality performance, namely pervasive games such as Blast Theory's 2003 Can You See Me Now?, critically engage with the proliferation and implementation of virtual technologies in everyday life. I will argue that there is a cultural shift resulting from the global, massive implementation of these technologies towards a virtualisation of everyday life performance an…
Synaesthetic Resonances in the Intermedial Soundtrack of Imitating the Dog’s Tales from The Bar of Lost Souls
As with most hybrid performances the experience of spectating Imitating the Dog’s Tales from the Bar of Lost Souls (2010) (reworked to become 6 Degrees Below the Horizon (2011) ) is a multifaceted one, consisting of an encounter with intermedial bodies, spaces, and technologies. Focusing mainly on the role of the soundtrack, composed by Hope and Social and myself, I will explore the ways in which it elicits synaesthetic experiences turning this i…
Interoceptive Dramaturgies of ‘Surrogate-selves’ in Performative VR Experiences
TEST 02 - Elsevier's Scopus, the largest abstract and citation database of peer-reviewed literature. Search and access research from the science, technology, medicine, social sciences and arts and humanities fields
Diffractive Dramaturgies in Our Lady of Shadows
In this article we will look at a practice-as-research collaboration between us Author A, Author B, Eddie Ladd and formerly Karoline Gritzner which explored the aesthetics of neo-medievalism through an intermedial dramaturgy and digital scenography. Currently the project has two forms, an intermedial theatrical version of Author A's radio play Our Lady of Shadows (broadcast on BBC Radio 3), which is a radical adaptation of Alfred Tennyson's famou…
Artificial Intelligence (AI) and contemporary performance
Aesthetics (5 works) · Art (5 works) · Sociology (5 works) · Computer Science (4 works) · Epistemology (3 works) · Human–computer interaction (3 works) · Psychology (3 works) · Visual arts (3 works) · Aesthetic Perception and Analysis (2 works) · Literature (2 works)