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Jane Dusselier

Biographic Data

ID793764
NAMEJane Dusselier
GIVEN NAMESJane
FAMILY NAMEDusselier
SIGNATUREDUSSELIER J
AFFILIATIONSUniversity of Maryland, College Park
VERIFIEDNo
TOTAL WORKS7
TOTAL CITATIONS7
WORKS AS AUTHOR7
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2002
LATEST PUBLICATION YEAR2020
H-INDEX2
  • Connie Y. Chiang. Nature behind Barbed Wire

    Open Access•Jane Dusselier•ARTICLE•The American Historical Review•2020

    Nature behind Barbed Wire is an important monograph that attempts to create an environmental history of Japanese American incarceration during World War II. Connie Y. Chiang argues the confinement of 120,000 internees is an environmental story as much as a social, legal, or political one. Focusing exclusively on Gila River, Manzanar, Minidoka, and Topaz, Chiang details the influence of the environment on Japanese Americans. Camp-wide and individu…

  • Having Our Cake and Eating it Too

    Nicolaas Mink, Robert N Chester et al.•ARTICLE•Environmental History•2009•Cited by: 4•References: 12

  • A Reviews of

    Jane Dusselier•ARTICLE•Food and Foodways•2006

  • Embodied Identity? The Life and Art of Estelle Ishigo

    Jane Dusselier•ARTICLE•Feminist Studies•2006

    This art essay represents the very beginnings of a biographical project on the life and art of Estelle Ishigo, a white woman imprisoned with her Nisei husband in a Japanese American concentration camp at Heart Mountain, Wyoming

  • Gendering Resistance and Remaking Place

    Open Access•Jane Dusselier•ARTICLE•Peace & Change•2005•References: 4

    Paying close attention to how sexual difference structured craft activities and how this process shaped identities, “Gendering Resistance and Remaking Place” attempts to join the aesthetic with the political by suggesting that art created in Japanese American concentration camps allowed internees to re-territorialize the camps and become anchored in hostile and unfamiliar settings. Fighting against being de-territorialized from places, internees …

  • Compositional Subjects

    Jane Dusselier, Seung-Kyung Kim•ARTICLE•Journal of Asian American Studies•2003

    Compositional Subjects: Enfiguring Asian/American Women is an ambitious monograph that urges readers to think more critically about the usefulness of identity as a theoretical framework and the methodological limitations of disciplinarity. Laura Hyun Yi Kang applies her critique to knowledge produced by, about, and for Asian/American women, using the slash as a shorthand reminder of continental (Asian), national (American), and racial-ethnic (Asi…

  • Does Food Make Place? Food Protests in Japanese American Concentration Camps

    Jane Dusselier•ARTICLE•Food and Foodways•2002•Cited by: 3•References: 4

  • Having Our Cake and Eating it Too

    Nicolaas Mink, Robert N Chester et al.•ARTICLE•Environmental History•2009•Cited by: 4•References: 12

  • Does Food Make Place? Food Protests in Japanese American Concentration Camps

    Jane Dusselier•ARTICLE•Food and Foodways•2002•Cited by: 3•References: 4

  • Does Food Make Place? Food Protests in Japanese American Concentration Camps

    Jane Dusselier•ARTICLE•Food and Foodways•2002•Cited by: 3•References: 4

  • Compositional Subjects

    Jane Dusselier, Seung-Kyung Kim•ARTICLE•Journal of Asian American Studies•2003

    Compositional Subjects: Enfiguring Asian/American Women is an ambitious monograph that urges readers to think more critically about the usefulness of identity as a theoretical framework and the methodological limitations of disciplinarity. Laura Hyun Yi Kang applies her critique to knowledge produced by, about, and for Asian/American women, using the slash as a shorthand reminder of continental (Asian), national (American), and racial-ethnic (Asi…

  • Gendering Resistance and Remaking Place

    Open Access•Jane Dusselier•ARTICLE•Peace & Change•2005•References: 4

    Paying close attention to how sexual difference structured craft activities and how this process shaped identities, “Gendering Resistance and Remaking Place” attempts to join the aesthetic with the political by suggesting that art created in Japanese American concentration camps allowed internees to re-territorialize the camps and become anchored in hostile and unfamiliar settings. Fighting against being de-territorialized from places, internees …

  • A Reviews of

    Jane Dusselier•ARTICLE•Food and Foodways•2006

  • Embodied Identity? The Life and Art of Estelle Ishigo

    Jane Dusselier•ARTICLE•Feminist Studies•2006

    This art essay represents the very beginnings of a biographical project on the life and art of Estelle Ishigo, a white woman imprisoned with her Nisei husband in a Japanese American concentration camp at Heart Mountain, Wyoming

  • Having Our Cake and Eating it Too

    Nicolaas Mink, Robert N Chester et al.•ARTICLE•Environmental History•2009•Cited by: 4•References: 12

  • Connie Y. Chiang. Nature behind Barbed Wire

    Open Access•Jane Dusselier•ARTICLE•The American Historical Review•2020

    Nature behind Barbed Wire is an important monograph that attempts to create an environmental history of Japanese American incarceration during World War II. Connie Y. Chiang argues the confinement of 120,000 internees is an environmental story as much as a social, legal, or political one. Focusing exclusively on Gila River, Manzanar, Minidoka, and Topaz, Chiang details the influence of the environment on Japanese Americans. Camp-wide and individu…

Political science (6 works) · Sociology (6 works) · Art (4 works) · Law (4 works) · Law (4 works) · Politics (4 works) · Anthropology (3 works) · History (3 works) · Aesthetics (2 works) · Environmentalism (2 works)

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