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Svetlana V Mezentseva

Biographic Data

ID804015
NAMESvetlana V Mezentseva
GIVEN NAMESSvetlana V
FAMILY NAMEMezentseva
SIGNATUREMEZENTSEVA S V
AFFILIATIONSKhabarovsk State Institute of Arts and Culture
ORCID0000-0002-4258-5436
VERIFIEDYes
TOTAL WORKS7
TOTAL CITATIONS0
AUTHOR COUNT7
EDITOR COUNT0
FIRST PUBLICATION YEAR2016
LATEST PUBLICATION YEAR2021
H-INDEX0
  • Musical and performing terminology in the perspective of the dialogue of cultures (on the example of teaching foreign students from China at Russian universities)

    Open Access•Irina B Gorbunova, Svetlana V Mezentseva•ARTICLE•Общество философия история культура•2021

  • Creation of a Russian Electronic Music Synthesizer with Timbres of Traditional Musical Instruments of the Peoples of Russia and the World

    Open Access•Irina B Gorbunova, Svetlana V Mezentseva•ARTICLE•Общество философия история культура•2021

  • (Music computer technologies and a new concept of sound space on the problem of synesthesia of the arts)

    Open Access•Irina B Gorbunova, Svetlana V Mezentseva•ARTICLE•Общество философия история культура•2021

  • The Far-Eastern Ritual “Bear Holiday” in the Space of Computer Musical Technologies

    Open Access•Irina B Gorbunova, Svetlana V Mezentseva•ARTICLE•Music Scholarship / Problemy…•2021

    In the present article music computer technologies are examined as an instrument of preservation, modeling, and construction of lost timbres, intonational models and sound spaces. The musical sequencer, which is one of the basic elements of contemporary music computer technologies, is perceived within the frameworks of comprehension of the theory of the “complex model of the semantical space of music.” The possibility of reconstruction (or, simpl…

  • About Instruments for Extending the Informational Space of the Artistic Higher Educational Institution

    Open Access•Svetlana V Mezentseva•ARTICLE•Music Scholarship / Problemy…•2020

    The article examines the issue of extending the informational space within the framework of international cooperation by means of musical computer technologies (MCT) with the aim of improving the quality of education during the process of teaching foreign students. The author acknowledges the necessity of developing a methodology for applying the MCT in musical education system of an artistic higher education institute. Description is made of aut…

  • Musical Computer Technologies as an Instrument of Transmission and Preservation of Musical Folklore (by the Example of the Russian Far East)

    Open Access•Imina G Aliyeva, Irina B Gorbunova et al.•ARTICLE•Music Scholarship / Problemy…•2019

    The article analyzes the issues of gathering and arrangement of folk musical materials, examines contemporary informational resources and technologies as a means of preservation and transmission of musical folklore. The Far East is a unique ethnic region inhabited by bearers of various cultures on its region, however, traditional folk music is rapidly disappearing, as the bearers of these languages are gradually dying out. Musical computer techno…

  • Structural Components of the Shamanic Rite of Tungusic Peoples in the Far East of Russia (on the Problem of Musical and Stylistic Specifi city)

    Open Access•Svetlana V Mezentseva•ARTICLE•Journal of Siberian Federal…•2016

    The subject of the work is a shamanic rite of the Tungusic peoples of the Far East of Russia. The \npurpose of the work is to highlight the main structural components of the shamanic rite in terms of \nmusical and stylistic content, and provide a number of unique materials collected by the author during \nthe field work. The paper analyzes the structure and musical and stylistic features of the elements of \nNanai, Udege, Oroch, Ulch shamanistic …

No prominent works on this page.

  • Structural Components of the Shamanic Rite of Tungusic Peoples in the Far East of Russia (on the Problem of Musical and Stylistic Specifi city)

    Open Access•Svetlana V Mezentseva•ARTICLE•Journal of Siberian Federal…•2016

    The subject of the work is a shamanic rite of the Tungusic peoples of the Far East of Russia. The \npurpose of the work is to highlight the main structural components of the shamanic rite in terms of \nmusical and stylistic content, and provide a number of unique materials collected by the author during \nthe field work. The paper analyzes the structure and musical and stylistic features of the elements of \nNanai, Udege, Oroch, Ulch shamanistic …

  • Musical Computer Technologies as an Instrument of Transmission and Preservation of Musical Folklore (by the Example of the Russian Far East)

    Open Access•Imina G Aliyeva, Irina B Gorbunova et al.•ARTICLE•Music Scholarship / Problemy…•2019

    The article analyzes the issues of gathering and arrangement of folk musical materials, examines contemporary informational resources and technologies as a means of preservation and transmission of musical folklore. The Far East is a unique ethnic region inhabited by bearers of various cultures on its region, however, traditional folk music is rapidly disappearing, as the bearers of these languages are gradually dying out. Musical computer techno…

  • About Instruments for Extending the Informational Space of the Artistic Higher Educational Institution

    Open Access•Svetlana V Mezentseva•ARTICLE•Music Scholarship / Problemy…•2020

    The article examines the issue of extending the informational space within the framework of international cooperation by means of musical computer technologies (MCT) with the aim of improving the quality of education during the process of teaching foreign students. The author acknowledges the necessity of developing a methodology for applying the MCT in musical education system of an artistic higher education institute. Description is made of aut…

  • Musical and performing terminology in the perspective of the dialogue of cultures (on the example of teaching foreign students from China at Russian universities)

    Open Access•Irina B Gorbunova, Svetlana V Mezentseva•ARTICLE•Общество философия история культура•2021

  • Creation of a Russian Electronic Music Synthesizer with Timbres of Traditional Musical Instruments of the Peoples of Russia and the World

    Open Access•Irina B Gorbunova, Svetlana V Mezentseva•ARTICLE•Общество философия история культура•2021

  • (Music computer technologies and a new concept of sound space on the problem of synesthesia of the arts)

    Open Access•Irina B Gorbunova, Svetlana V Mezentseva•ARTICLE•Общество философия история культура•2021

  • The Far-Eastern Ritual “Bear Holiday” in the Space of Computer Musical Technologies

    Open Access•Irina B Gorbunova, Svetlana V Mezentseva•ARTICLE•Music Scholarship / Problemy…•2021

    In the present article music computer technologies are examined as an instrument of preservation, modeling, and construction of lost timbres, intonational models and sound spaces. The musical sequencer, which is one of the basic elements of contemporary music computer technologies, is perceived within the frameworks of comprehension of the theory of the “complex model of the semantical space of music.” The possibility of reconstruction (or, simpl…

Art (6 works) · Musical (5 works) · Visual arts (5 works) · Acoustics (3 works) · Computer Science (3 works) · Diverse Musicological Studies (3 works) · Literature (3 works) · Physics (3 works) · Folklore, Mythology, and Literature Studies (2 works) · History (2 works)

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