Khabarovsk State Institute of Arts and Culture
Institution data
| Type | EDUCATION (active) |
|---|---|
| Country | Khabarovsk, RU |
| Works | 27 |
| Researchers | 26 |
| Citations | 1 |
| h-index | 1 |
| Coverage | 2016 - 2021 |
| ROR | 0091wgk69 |
| GRID | grid.445374.5 |
| OpenAlex | I4210088561 |
| Website | http://www.hgiik.ru |
| Also known as | Khabarovsk State Institute of Arts and Culture; Хабаровский государственный институт искусств и культуры |
Musical and performing terminology in the perspective of the dialogue of cultures (on the example of teaching foreign students from China at Russian universities)
Creation of a Russian Electronic Music Synthesizer with Timbres of Traditional Musical Instruments of the Peoples of Russia and the World
Specifics of Cultural Space of the Khabarovsk Territory
Valery Uspensky’s Contribution to the Formation and Development of the Art of Choral Music in the Russian Far East
Hadji Murad by Decker-Schenk on Khabarovsk Stage
Conversion of Traditional Mythologemes in the Symphonic Music by Nikolai Mentser
Spiritual and Moral Education of Student Youth at University of Culture
The Phenomenon of the Skull Masks of the Lower Amur Petroglyphs
Myth and Education in the Development of Human Existence
Δράκων Greek Mythology
Art Nouveau Traditions and New Art-Technologies in Modern Dance
Game as a Means to Fulfi ll the Creative Potential of Children and Young People
Coloristic Properties of Piano Music Texture in Nikolai Medtner's Works
Development Peculiarities of Ethnocultural Environment of the Jewish Autonomous Oblast in the 1920-1950-s
Pedagogical Conditions for Professional Qualities Formation of the Conductor of the Russian Folk Orchestra
Energetics of Music and Performing Art as a Subject of Musicology
Canadian Multicultural Paradigm
The Problem of the Body and Corporality of the Modern Man in Cinematography
Choreographic Art in the Far Eastern Federal District
Modern Forms of Folk Festival and Folk Cultural Traditions
Structural Components of the Shamanic Rite of Tungusic Peoples in the Far East of Russia (on the Problem of Musical and Stylistic Specifi city)
Myth-Making as a Phenomenon of Aboriginal Culture in the Lower Amur Region and Sakhalin in the 19th-21st Centuries
Taoism Traditions in the Artistic Culture of China
To Hear Ergo To See, or On the Acoustic Specifi city of the Ceremonial Performances of Amur Peoples
Social Functions of Modern Libraries as Cultural Institution
Myth and Education in the Development of Human Existence
Musical and performing terminology in the perspective of the dialogue of cultures (on the example of teaching foreign students from China at Russian universities)
Creation of a Russian Electronic Music Synthesizer with Timbres of Traditional Musical Instruments of the Peoples of Russia and the World
Specifics of Cultural Space of the Khabarovsk Territory
Valery Uspensky’s Contribution to the Formation and Development of the Art of Choral Music in the Russian Far East
Hadji Murad by Decker-Schenk on Khabarovsk Stage
Conversion of Traditional Mythologemes in the Symphonic Music by Nikolai Mentser
Spiritual and Moral Education of Student Youth at University of Culture
The Phenomenon of the Skull Masks of the Lower Amur Petroglyphs
Δράκων Greek Mythology
Art Nouveau Traditions and New Art-Technologies in Modern Dance
Game as a Means to Fulfi ll the Creative Potential of Children and Young People
Coloristic Properties of Piano Music Texture in Nikolai Medtner's Works
Development Peculiarities of Ethnocultural Environment of the Jewish Autonomous Oblast in the 1920-1950-s
Pedagogical Conditions for Professional Qualities Formation of the Conductor of the Russian Folk Orchestra
Energetics of Music and Performing Art as a Subject of Musicology
Canadian Multicultural Paradigm
The Problem of the Body and Corporality of the Modern Man in Cinematography
Choreographic Art in the Far Eastern Federal District
Modern Forms of Folk Festival and Folk Cultural Traditions
Structural Components of the Shamanic Rite of Tungusic Peoples in the Far East of Russia (on the Problem of Musical and Stylistic Specifi city)
Myth-Making as a Phenomenon of Aboriginal Culture in the Lower Amur Region and Sakhalin in the 19th-21st Centuries
Taoism Traditions in the Artistic Culture of China
To Hear Ergo To See, or On the Acoustic Specifi city of the Ceremonial Performances of Amur Peoples
Social Functions of Modern Libraries as Cultural Institution
Hadji Murad by Decker-Schenk on Khabarovsk Stage
Conversion of Traditional Mythologemes in the Symphonic Music by Nikolai Mentser
Spiritual and Moral Education of Student Youth at University of Culture
The Phenomenon of the Skull Masks of the Lower Amur Petroglyphs
Myth and Education in the Development of Human Existence
Δράκων Greek Mythology
Art Nouveau Traditions and New Art-Technologies in Modern Dance
Game as a Means to Fulfi ll the Creative Potential of Children and Young People
Coloristic Properties of Piano Music Texture in Nikolai Medtner's Works
Development Peculiarities of Ethnocultural Environment of the Jewish Autonomous Oblast in the 1920-1950-s
Pedagogical Conditions for Professional Qualities Formation of the Conductor of the Russian Folk Orchestra
Energetics of Music and Performing Art as a Subject of Musicology
Canadian Multicultural Paradigm
The Problem of the Body and Corporality of the Modern Man in Cinematography
Choreographic Art in the Far Eastern Federal District
Modern Forms of Folk Festival and Folk Cultural Traditions
Structural Components of the Shamanic Rite of Tungusic Peoples in the Far East of Russia (on the Problem of Musical and Stylistic Specifi city)
Myth-Making as a Phenomenon of Aboriginal Culture in the Lower Amur Region and Sakhalin in the 19th-21st Centuries
Taoism Traditions in the Artistic Culture of China
To Hear Ergo To See, or On the Acoustic Specifi city of the Ceremonial Performances of Amur Peoples
Social Functions of Modern Libraries as Cultural Institution
Provincial Theatre
Theoretical Approaches to the Study of Life Activity of the Ethnic Group
Valery Uspensky’s Contribution to the Formation and Development of the Art of Choral Music in the Russian Far East
Musical and performing terminology in the perspective of the dialogue of cultures (on the example of teaching foreign students from China at Russian universities)
| ARTICLE | 27 |
|---|
| 2021 | 3 |
|---|---|
| 2020 | 1 |
| 2016 | 23 |