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Coloristic Properties of Piano Music Texture in Nikolai Medtner's Works

Bibliographic Data

ID3014460
AuthorsVladimir Budnikov (Khabarovsk State Institute of Arts and Culture, corresponding author), Vladimir V Budnikov
Year2016
Volume9
Issue6
Pages1443-1450
Publication date2016-06-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueJournal of Siberian Federal University Humanities & Social Sciences (JOURNAL)
Journal identifiersISSN: 1997-1370 • E-ISSN: 2313-6014
PublisherSiberian Federal University (PUBLISHER • RU)
DOI10.17516/1997-1370-2016-9-6-1443-1450
OpenAlexW2464316448
LanguageEN

This article focuses on the research of colour as applied to N. Medtner's piano works.It discusses the composer's views on brilliance of colour, "sonority" (звучность) of music and texture as one of its most important means of expression.It is proved that colour interpretation of piano music texture in Medtner's works differs from the views on the colour embodied in the impressionists' music.Thus, that formed an opinion about "scarce colours", colour insufficiency of Medtner's musical compositions.Basing on the analysis of Medtner's works, the author changes the existing point of view by showing the dependence of specific colour of Medtner's works' texture on this original composer's rich, artistic and figurative system of music, thus actualizing the need for in-depth research of semantic contexts of his artistic images for the formation of the tradition of Medtner's music performance

Art · Art history · Piano · Texture (cosmology · Computer Science · Digital Media and Visual Art · Medical and Biological Sciences · Technology and Human Factors in Education and Health · Artificial Intelligence

Citation velocityhistorical
Highly citedNo

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