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Daniel Sheehy

Biographic Data

ID81843
NAMEDaniel Sheehy
GIVEN NAMESDaniel
FAMILY NAMESheehy
SIGNATURESHEEHY D
VERIFIEDNo
TOTAL WORKS15
TOTAL CITATIONS31
AUTHOR COUNT14
EDITOR COUNT1
FIRST PUBLICATION YEAR1977
LATEST PUBLICATION YEAR2011
H-INDEX2
  • Obituaries: Beth Lomax Hawes (1921-2009)

    Daniel Sheehy, Daniel E Sheehy•ARTICLE•Journal of American Folklore•2011

    Research Article| January 01 2011 Obituaries: Beth Lomax Hawes (1921-2009) Daniel Sheehy Daniel Sheehy Search for other works by this author on: This Site Google Journal of American Folklore (2011) 124 (491): 85–88. https://doi.org/10.5406/jamerfolk.124.491.0085 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite …

  • La “invención” de la música indígena de México: Antropología e historia de las políticas culturales del siglo XX (review)

    Daniel Sheehy, Daniel Sheehy Daniel Sheehy•ARTICLE•Latin American Music Review•2010•Cited by: 1

    Piazzolla's "operita," María de Buenos Aires, a dense and semiotically complex work in its own right, has proven perhaps the composer's work that is most amenable to traditional musicological methods of score analysis.Several examples of this approach appear in this volume, including an analysis of harmony and form by Ulrich Kramer, a section of Sonia Alejandra Lopez's dissertation (originally in German) on the use of fugue techniques in María, a…

  • The Garland Handbook of Latin American Music

    Dale A Olsen, Dale A Olson et al.•BOOK•The Garland handbook of Latin…•2007•Cited by: 2

    PART ONE Introduction to the Music Cultures of the Region A Profile of the Lands and People of Latin America Approaches to Musical Scholarship PART TWO Issues and Processes in the Music of Latin America The Distribution, Symbolism and Use of Musical Instruments Musical Genres and Contexts, Social Structure, Musicians and Behaviour Musical Dynamics Native American Musical Cultures Music of Immigrant Groups PART THREE Nations and Musical Traditions…

  • En Sinaloa nací: Historia de la música de banda (review)

    Daniel Sheehy•ARTICLE•Latin American Music Review•2006

    Reviewed by: En Sinaloa nací: Historia de la música de banda Daniel Sheehy Helena Simonett. En Sinaloa nací: Historia de la música de banda. Mazatlán: Asociación de Gestores del Patrimonio Histórico y Cultural de Mazatlán, A.C., 2004. Translated by Marisela G. Ricciuti F. and José Luis Franco Rodríguez. Xiii, 361 pp., notes, bibliography, discography, index, illustrations. Paper. ISBN: 9709389408. En Sinaloa nací: Historia de la música de banda i…

  • The Garland Encyclopedia of World Music: Africa

    H Myers, Ruth M Stone et al.•ARTICLE•Ethnomusicology•2003

  • Raíces Latinas: Smithsonian Folkways Latino Roots Collection

    Katherine J Hagedorn, Katherine Hagedorn et al.•ARTICLE•Yearbook for Traditional Music•2002

  • Poetry and Violence: The Ballad Tradition of Mexico's Costa Chica

    Daniel Sheehy, Daniel E Sheehy et al.•ARTICLE•Ethnomusicology•2002

  • Conjunto! Texas-Mexican Border Music

    Daniel Sheehy, Daniel E Sheehy et al.•ARTICLE•Ethnomusicology•1992

  • A Few Notions about Philosophy and Strategy in Applied Ethnomusicology

    Daniel Sheehy, Daniel E Sheehy•ARTICLE•Ethnomusicology•1992•Cited by: 28•References: 1

    n recent years, applied ethnomusicology has been promoted as a career option (though usually from an if you've got the job, I've got the point of view). It has been praised as an avenue to benefit humanity in ways that the academy has not. It has been talked about in terms of an ethical responsibility to pay back those whose music and lives we study and make our livings from. It has been defined by the kinds of activities that often result from i…

  • The Bracero Experience: Elitelore versus Folklore

    Daniel Sheehy, Daniel E Sheehy et al.•ARTICLE•Ethnomusicology•1984

  • Serie de Discos

    Daniel Sheehy•ARTICLE•Ethnomusicology•1982

  • A Texas-Mexican Cancionero: Folksongs of the Lower Border

    Daniel Sheehy•REVIEW•Ethnomusicology•1981

    Preface * Introduction * Foreword by Manuel Pena * Part I. Old Songs from Colonial Days * La pastora * La ciudad de Jauja * El borrego gordo * El marrano gordo * Delgadina * Elena * Part II. Songs of Border Conflict *Los inditos * El general Cortina * Los franceses * A Zaragoza * A Grant * Kiansis I Kiansis II * La Pensilvania * Rito Garcia * Los pronunciados * El capitan Hall * Jose Mosqueda * Gregorio Cortez * Ignacio Trevino * Jacinto Trevino …

  • Bats'i Son. Musica Indigena de Chiapas

    Daniel Sheehy•ARTICLE•Ethnomusicology•1980

  • Indian Music of Northwest Mexico: Tarahumara, Warihio, Mayo (Musica indigena del noroeste de Mexico)

    Daniel Sheehy, Daniel E Sheehy•ARTICLE•Ethnomusicology•1979

  • Music of Guatemala: The San Lucas Band

    Daniel Sheehy, Daniel E Sheehy et al.•ARTICLE•Ethnomusicology•1977

  • A Few Notions about Philosophy and Strategy in Applied Ethnomusicology

    Daniel Sheehy, Daniel E Sheehy•ARTICLE•Ethnomusicology•1992•Cited by: 28•References: 1

    n recent years, applied ethnomusicology has been promoted as a career option (though usually from an if you've got the job, I've got the point of view). It has been praised as an avenue to benefit humanity in ways that the academy has not. It has been talked about in terms of an ethical responsibility to pay back those whose music and lives we study and make our livings from. It has been defined by the kinds of activities that often result from i…

  • The Garland Handbook of Latin American Music

    Dale A Olsen, Dale A Olson et al.•BOOK•The Garland handbook of Latin…•2007•Cited by: 2

    PART ONE Introduction to the Music Cultures of the Region A Profile of the Lands and People of Latin America Approaches to Musical Scholarship PART TWO Issues and Processes in the Music of Latin America The Distribution, Symbolism and Use of Musical Instruments Musical Genres and Contexts, Social Structure, Musicians and Behaviour Musical Dynamics Native American Musical Cultures Music of Immigrant Groups PART THREE Nations and Musical Traditions…

  • La “invención” de la música indígena de México: Antropología e historia de las políticas culturales del siglo XX (review)

    Daniel Sheehy, Daniel Sheehy Daniel Sheehy•ARTICLE•Latin American Music Review•2010•Cited by: 1

    Piazzolla's "operita," María de Buenos Aires, a dense and semiotically complex work in its own right, has proven perhaps the composer's work that is most amenable to traditional musicological methods of score analysis.Several examples of this approach appear in this volume, including an analysis of harmony and form by Ulrich Kramer, a section of Sonia Alejandra Lopez's dissertation (originally in German) on the use of fugue techniques in María, a…

  • Music of Guatemala: The San Lucas Band

    Daniel Sheehy, Daniel E Sheehy et al.•ARTICLE•Ethnomusicology•1977

  • Indian Music of Northwest Mexico: Tarahumara, Warihio, Mayo (Musica indigena del noroeste de Mexico)

    Daniel Sheehy, Daniel E Sheehy•ARTICLE•Ethnomusicology•1979

  • Bats'i Son. Musica Indigena de Chiapas

    Daniel Sheehy•ARTICLE•Ethnomusicology•1980

  • A Texas-Mexican Cancionero: Folksongs of the Lower Border

    Daniel Sheehy•REVIEW•Ethnomusicology•1981

    Preface * Introduction * Foreword by Manuel Pena * Part I. Old Songs from Colonial Days * La pastora * La ciudad de Jauja * El borrego gordo * El marrano gordo * Delgadina * Elena * Part II. Songs of Border Conflict *Los inditos * El general Cortina * Los franceses * A Zaragoza * A Grant * Kiansis I Kiansis II * La Pensilvania * Rito Garcia * Los pronunciados * El capitan Hall * Jose Mosqueda * Gregorio Cortez * Ignacio Trevino * Jacinto Trevino …

  • Serie de Discos

    Daniel Sheehy•ARTICLE•Ethnomusicology•1982

  • The Bracero Experience: Elitelore versus Folklore

    Daniel Sheehy, Daniel E Sheehy et al.•ARTICLE•Ethnomusicology•1984

  • Conjunto! Texas-Mexican Border Music

    Daniel Sheehy, Daniel E Sheehy et al.•ARTICLE•Ethnomusicology•1992

  • A Few Notions about Philosophy and Strategy in Applied Ethnomusicology

    Daniel Sheehy, Daniel E Sheehy•ARTICLE•Ethnomusicology•1992•Cited by: 28•References: 1

    n recent years, applied ethnomusicology has been promoted as a career option (though usually from an if you've got the job, I've got the point of view). It has been praised as an avenue to benefit humanity in ways that the academy has not. It has been talked about in terms of an ethical responsibility to pay back those whose music and lives we study and make our livings from. It has been defined by the kinds of activities that often result from i…

  • Raíces Latinas: Smithsonian Folkways Latino Roots Collection

    Katherine J Hagedorn, Katherine Hagedorn et al.•ARTICLE•Yearbook for Traditional Music•2002

  • Poetry and Violence: The Ballad Tradition of Mexico's Costa Chica

    Daniel Sheehy, Daniel E Sheehy et al.•ARTICLE•Ethnomusicology•2002

  • The Garland Encyclopedia of World Music: Africa

    H Myers, Ruth M Stone et al.•ARTICLE•Ethnomusicology•2003

  • En Sinaloa nací: Historia de la música de banda (review)

    Daniel Sheehy•ARTICLE•Latin American Music Review•2006

    Reviewed by: En Sinaloa nací: Historia de la música de banda Daniel Sheehy Helena Simonett. En Sinaloa nací: Historia de la música de banda. Mazatlán: Asociación de Gestores del Patrimonio Histórico y Cultural de Mazatlán, A.C., 2004. Translated by Marisela G. Ricciuti F. and José Luis Franco Rodríguez. Xiii, 361 pp., notes, bibliography, discography, index, illustrations. Paper. ISBN: 9709389408. En Sinaloa nací: Historia de la música de banda i…

  • The Garland Handbook of Latin American Music

    Dale A Olsen, Dale A Olson et al.•BOOK•The Garland handbook of Latin…•2007•Cited by: 2

    PART ONE Introduction to the Music Cultures of the Region A Profile of the Lands and People of Latin America Approaches to Musical Scholarship PART TWO Issues and Processes in the Music of Latin America The Distribution, Symbolism and Use of Musical Instruments Musical Genres and Contexts, Social Structure, Musicians and Behaviour Musical Dynamics Native American Musical Cultures Music of Immigrant Groups PART THREE Nations and Musical Traditions…

  • La “invención” de la música indígena de México: Antropología e historia de las políticas culturales del siglo XX (review)

    Daniel Sheehy, Daniel Sheehy Daniel Sheehy•ARTICLE•Latin American Music Review•2010•Cited by: 1

    Piazzolla's "operita," María de Buenos Aires, a dense and semiotically complex work in its own right, has proven perhaps the composer's work that is most amenable to traditional musicological methods of score analysis.Several examples of this approach appear in this volume, including an analysis of harmony and form by Ulrich Kramer, a section of Sonia Alejandra Lopez's dissertation (originally in German) on the use of fugue techniques in María, a…

  • Obituaries: Beth Lomax Hawes (1921-2009)

    Daniel Sheehy, Daniel E Sheehy•ARTICLE•Journal of American Folklore•2011

    Research Article| January 01 2011 Obituaries: Beth Lomax Hawes (1921-2009) Daniel Sheehy Daniel Sheehy Search for other works by this author on: This Site Google Journal of American Folklore (2011) 124 (491): 85–88. https://doi.org/10.5406/jamerfolk.124.491.0085 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite …

Art (9 works) · Geography (5 works) · Latin American and Latino Studies (5 works) · Latin American history and culture (4 works) · Literature (4 works) · Humanities (3 works) · Music History and Culture (3 works) · Sociology (3 works) · Anthropology (2 works) · Computer Science (2 works)

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