La “invención” de la música indígena de México
Antropología e historia de las políticas culturales del siglo XX (review)
Bibliographic Data
| ID | 11638501 |
|---|---|
| Authors | Daniel Sheehy (corresponding author), Daniel Sheehy Daniel Sheehy |
| Year | 2010 |
| Volume | 31 |
| Issue | 1 |
| Pages | 131-135 |
| Publication date | 2010-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Latin American Music Review (JOURNAL) |
| Journal identifiers | ISSN: 0163-0350 • E-ISSN: 1536-0199 |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/lat.2010.0009 |
| OpenAlex | W1565221876 |
| Language | ES |
| Citations received | 2 |
Piazzolla's "operita," María de Buenos Aires, a dense and semiotically complex work in its own right, has proven perhaps the composer's work that is most amenable to traditional musicological methods of score analysis.Several examples of this approach appear in this volume, including an analysis of harmony and form by Ulrich Kramer, a section of Sonia Alejandra Lopez's dissertation (originally in German) on the use of fugue techniques in María, and Bernardo Illari's multifarious hermeneutic reading of the work as operetta, as ritual, as "carnavalesque inversion," and as a "motor for and symbol of change."Space does not permit a complete examination of all the articles in this volume, but I should also mention that a comprehensive bibliography by Leandro Donozo and a discography by Mitsumasa Saito will be of great utility to future researchers.Overall, I found the diversity of approaches and concerns to be a benefi t rather than a distraction, a necessarily incomplete but broadly reaching important step in fi lling a lacuna in musical analysis of Piazzolla's oeuvre.I do believe that the reader could have benefi ted from a more synthetic introduction to the volume, exploring common themes and concepts-in short, García Brunelli's own article was astute enough that I found myself wishing he had promoted himself from the more modest position of mere "compiler" to full-fl edged editor-but regardless the book represents a mandatory addition to the library of Piazzolla scholars.Furthermore, it amply demonstrates why Piazzolla's music exemplifi es many of the problems inherent in analyzing music and musicians who straddle, cross, and render meaningless boundaries of genre
Indigenous Cultures and Socio-Education · Latin American history and culture · Youth Culture and Social Dynamics
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,33 |
| Citation span | 2020 - 2021 (2) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |