Ela Yulaeliah
Biographic Data
| ID | 8241965 |
|---|---|
| NAME | Ela Yulaeliah |
| GIVEN NAMES | Ela |
| FAMILY NAME | Yulaeliah |
| SIGNATURE | YULAELIAH E |
| AFFILIATIONS | Institut Seni Indonesia Yogyakarta |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Pemaknaan Gerakan Maskulin pada Ibing Pencug
This research has two objectives. First, it analyzes the meaning of pencug dance in relation to the artists’ history, social background, and cultural context. Second, it explores how functional art theory can be applied to study pencug performances. Pencug dance is an improvisational form performed in Karawang-style Jaipongan. It is unique because, although performed by female dancers, it exhibits a masculine character, unlike Bandung-style Jaipo…
Analysis of the Text and Context of the Song Ojo Dibandingke in the 77th Republic of Indonesia Anniversary in 2022
The purpose of this research is to analyze the representation of identity and political image in the song "Ojo Dibandingke" during the 77th Indonesian Independence Day commemoration in 2022 at the State Palace. The song "Ojo Dibandingke" is a popular dangdut koplo song from 2022. The song was created by Abah Lala, an artist from Banyuwangi. Hall's (1977) representation theory, particularly the constructionist approach and the encoding–decoding mo…
Akhir Zaman
The End of Time: Representations of Natural and Social Phenomena through Kacapi Kawih Composition. The objective of this study is to analyze the results of a composition entitled End Times as a representation of natural and social phenomena. The method proposed by Alma W. Hawkins used in the process of creating this work include exploration, improvisation, and formation. The work entitled End Times is inspired by various natural and social phenom…
Tepak Kendang Jaipong dalam Kesenian Campursari
This paper aims to determine the causes of changes in the Jaipong kendang motifs and analyze its motifs in Campursari. This writing uses the method of descriptive analysis. The entry of the Jaipong kendang in Campursari led to various changes from the original kendang. The conclusions obtained were changes in the multiple motifs of Jaipong kendang as a result of adjusting the Jaipong kendang to the Campursari performance. The Campursari players, …
Musik Pengiring dalam Upacara Ngalaksa Masyarakat Rancakalong Sumedang
Accompanying Music in Ngalaksa Ceremony at Rancakalong Community of Sumedang. This researchis intended to study the important role of music accompanying Ngalaksa ceremony held by the society of Rancakalong,Sumedang District, West Java. Although this ceremony is recently oriented to be a tourist destination, butits original function as a thanksgiving ceremony and original form of ceremony is still kept in accordance with thecustom inherited from g…
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Musik Pengiring dalam Upacara Ngalaksa Masyarakat Rancakalong Sumedang
Accompanying Music in Ngalaksa Ceremony at Rancakalong Community of Sumedang. This researchis intended to study the important role of music accompanying Ngalaksa ceremony held by the society of Rancakalong,Sumedang District, West Java. Although this ceremony is recently oriented to be a tourist destination, butits original function as a thanksgiving ceremony and original form of ceremony is still kept in accordance with thecustom inherited from g…
Tepak Kendang Jaipong dalam Kesenian Campursari
This paper aims to determine the causes of changes in the Jaipong kendang motifs and analyze its motifs in Campursari. This writing uses the method of descriptive analysis. The entry of the Jaipong kendang in Campursari led to various changes from the original kendang. The conclusions obtained were changes in the multiple motifs of Jaipong kendang as a result of adjusting the Jaipong kendang to the Campursari performance. The Campursari players, …
Akhir Zaman
The End of Time: Representations of Natural and Social Phenomena through Kacapi Kawih Composition. The objective of this study is to analyze the results of a composition entitled End Times as a representation of natural and social phenomena. The method proposed by Alma W. Hawkins used in the process of creating this work include exploration, improvisation, and formation. The work entitled End Times is inspired by various natural and social phenom…
Analysis of the Text and Context of the Song Ojo Dibandingke in the 77th Republic of Indonesia Anniversary in 2022
The purpose of this research is to analyze the representation of identity and political image in the song "Ojo Dibandingke" during the 77th Indonesian Independence Day commemoration in 2022 at the State Palace. The song "Ojo Dibandingke" is a popular dangdut koplo song from 2022. The song was created by Abah Lala, an artist from Banyuwangi. Hall's (1977) representation theory, particularly the constructionist approach and the encoding–decoding mo…
Pemaknaan Gerakan Maskulin pada Ibing Pencug
This research has two objectives. First, it analyzes the meaning of pencug dance in relation to the artists’ history, social background, and cultural context. Second, it explores how functional art theory can be applied to study pencug performances. Pencug dance is an improvisational form performed in Karawang-style Jaipongan. It is unique because, although performed by female dancers, it exhibits a masculine character, unlike Bandung-style Jaipo…
Cultural and Artistic Studies (4 works) · Art (3 works) · Cultural and Religious Practices in Indonesia (3 works) · Aesthetics (2 works) · History (2 works) · Improvisation (2 works) · Lyrics (2 works) · Semiotics and Cultural Interpretation (2 works) · Visual arts (2 works) · Archaeology (1 work)