Sarah-Mai Dang
Biographic Data
| ID | 8250273 |
|---|---|
| NAME | Sarah-Mai Dang |
| GIVEN NAMES | Sarah-Mai |
| FAMILY NAME | Dang |
| SIGNATURE | DANG S |
| AFFILIATIONS | Philipps University of Marburg |
| ORCID | 0000-0002-1960-247X |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
The Women Film Pioneers Explorer
In view of the increasing production and use of data in the course of digitalization, the goal of feminist film historians to increase the visibility of women’s work has taken on a new urgency. Through the production, processing, and dissemination of data, blind spots in a research field such as feminist film history can be maintained or amplified, but also minimized. Access to data as well as the critical reflection on that data is therefore one…
Unknowable Facts and Digital Databases
Due to the increasing production of digital artifacts, data-driven approaches are gaining more and more importance in the humanities. In order to understand how they affect film and media studies, this article reflects on databases in the context of feminist film historiography. Focusing on the collaborative Women Film Pioneers Project (WFPP) (https://wfpp.cdrs.columbia.edu/), it considers the methodological matters when presenting and accessing …
Navigating history
The article focuses on web documentaries as a form of interactive historiography by presenting a case study on Freedom’s Ring (2013), a multi-media-based animation of Martin Luther King’s speech ‘I have a Dream’ published in Vectors . Taking both the production and the reception side into account, the article addresses the constitution of knowledge – or rather aesthetic experience – through artistic research practices. In doing so, it reflects up…
Collective Collecting
Massive digitization makes histories appear as well as disappear. While digital archives facilitate the access to documents, recordings, films, and other s urces there is the risk that offlin sources get lost. Thus, the question about how digital collections are generated is essential for today’s film and media historians. Which artefacts are getting digitiz d – and which are not? In addition, for what reasons? Who is responsible for preserving h…
Chick Flicks
In Film, Feminismus und Erfahrung. Chick Flicks oder das Genre des gegenwärtige Woman’s Film geht es um die Frage, warum Chick Flicks so erfolgreich sind bzw. waren. Zeitgleich mit dem Postfeminismus Mitte der 1990er Jahre entstanden, hat dieses Genre für heftige Diskussionen unter feministischen Medienwissenschaftler:innen gesorgt. Aufgrund der stereotypen Inszenierung von Frauen – High Heels, Minirock und Bikini – wird Chick Flicks einerseits v…
No prominent works on this page.
Chick Flicks
In Film, Feminismus und Erfahrung. Chick Flicks oder das Genre des gegenwärtige Woman’s Film geht es um die Frage, warum Chick Flicks so erfolgreich sind bzw. waren. Zeitgleich mit dem Postfeminismus Mitte der 1990er Jahre entstanden, hat dieses Genre für heftige Diskussionen unter feministischen Medienwissenschaftler:innen gesorgt. Aufgrund der stereotypen Inszenierung von Frauen – High Heels, Minirock und Bikini – wird Chick Flicks einerseits v…
Collective Collecting
Massive digitization makes histories appear as well as disappear. While digital archives facilitate the access to documents, recordings, films, and other s urces there is the risk that offlin sources get lost. Thus, the question about how digital collections are generated is essential for today’s film and media historians. Which artefacts are getting digitiz d – and which are not? In addition, for what reasons? Who is responsible for preserving h…
Unknowable Facts and Digital Databases
Due to the increasing production of digital artifacts, data-driven approaches are gaining more and more importance in the humanities. In order to understand how they affect film and media studies, this article reflects on databases in the context of feminist film historiography. Focusing on the collaborative Women Film Pioneers Project (WFPP) (https://wfpp.cdrs.columbia.edu/), it considers the methodological matters when presenting and accessing …
Navigating history
The article focuses on web documentaries as a form of interactive historiography by presenting a case study on Freedom’s Ring (2013), a multi-media-based animation of Martin Luther King’s speech ‘I have a Dream’ published in Vectors . Taking both the production and the reception side into account, the article addresses the constitution of knowledge – or rather aesthetic experience – through artistic research practices. In doing so, it reflects up…
The Women Film Pioneers Explorer
In view of the increasing production and use of data in the course of digitalization, the goal of feminist film historians to increase the visibility of women’s work has taken on a new urgency. Through the production, processing, and dissemination of data, blind spots in a research field such as feminist film history can be maintained or amplified, but also minimized. Access to data as well as the critical reflection on that data is therefore one…
Computer Science (4 works) · Cinema and Media Studies (3 works) · Political science (3 works) · Aesthetics (2 works) · Art (2 works) · Historiography (2 works) · Law (2 works) · Media studies (2 works) · Sociology (2 works) · Visual arts (2 works)