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Golnar Nabizadeh

Biographic Data

ID831489
NAMEGolnar Nabizadeh
GIVEN NAMESGolnar
FAMILY NAMENabizadeh
SIGNATURENABIZADEH G
AFFILIATIONSUniversity of Dundee
ORCID0000-0003-2172-8108
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS1
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1970
LATEST PUBLICATION YEAR2023
H-INDEX1
  • Introduction

    Christopher Murray, Chris Murray et al.•ARTICLE•Law and Humanities•2023

    This symposium article brings together distinguished scholars from the field of criminology, graphic arts, creative industries and social policy, and English to reflect on a suite of ‘educational’ or ‘public information’ comics created by the Scottish Centre for Comics Studies (SCCS), based at the University of Dundee. There are now 20-plus titles available to the public for free download and distribution on a range of subject matters relating to…

  • Mourning and Empathy in Graphic Life Narratives

    Golnar Nabizadeh•ARTICLE•a/b Auto/Biography Studies•2020

    TEST 02 - Elsevier's Scopus, the largest abstract and citation database of peer-reviewed literature. Search and access research from the science, technology, medicine, social sciences and arts and humanities fields

  • Fiction in the age of risk

    Tony Hughes-D’aeth, Golnar Nabizadeh•ARTICLE•Textual Practice•2017

    When Ulrich Beck theorised a ‘Risk Society’ (Risikogesellschaft) in 1986, the threat of global annihilation through nuclear war remained uppermost in the minds of his readership. If we skip forward three decades to the contemporary moment, the question we ask in this special issue is whether the sensation of risk has mutated or evolved in the intervening period and whether fiction exhibits evidence of such a change. While the immediate risk of th…

  • Visualising risk in Pat Grant's Blue

    Golnar Nabizadeh•ARTICLE•Textual Practice•2017

    Published in 2012, Pat Grant’s debut graphic novel, Blue, depicts life in Bolton, a fictional Australian town that receives migrants who look noticeably different from the local community. Risk shapes Blue with regard to its aesthetic and formal concerns: the racism in Bolton places the foreigners at risk; Christian’s uneasy nostalgia depicts a community vulnerable to the ravages of time; and the work itself was self-published by Grant as a graph…

  • Vision and Precarity in Marjane Satrapi's Persepolis

    Golnar Nabizadeh•ARTICLE•Women's studies quarterly•2016

    What does it mean to survive, and when, and how, does matter? As the editors of this special issue have suggested, To is messy, elaborate, layered, contingent as it is on biological, political, and material conditions that support life or liveliness. claim for the renewed centrality of in modern times rests on the of widespread threats to human life, social, and physical environments brought about by political violence, social persecution, and ec…

  • Going Places

    Open Access•Rebecca Rey, Golnar Nabizadeh•ARTICLE•Cultural Studies Review•1970•Cited by: 1

    This article considers the pedagogical value of praxis in maintaining the relevance of cultural studies in the Australian academic environment. Following its highly politicised beginnings at the Birmingham Centre for Contemporary Cultural Studies, we consider whether traditional classroom practices are commensurate with the contemporary expectations of students and staff. As a working model of the current Australian university climate, we conside…

  • Going Places

    Open Access•Rebecca Rey, Golnar Nabizadeh•ARTICLE•Cultural Studies Review•1970•Cited by: 1

    This article considers the pedagogical value of praxis in maintaining the relevance of cultural studies in the Australian academic environment. Following its highly politicised beginnings at the Birmingham Centre for Contemporary Cultural Studies, we consider whether traditional classroom practices are commensurate with the contemporary expectations of students and staff. As a working model of the current Australian university climate, we conside…

  • Going Places

    Open Access•Rebecca Rey, Golnar Nabizadeh•ARTICLE•Cultural Studies Review•1970•Cited by: 1

    This article considers the pedagogical value of praxis in maintaining the relevance of cultural studies in the Australian academic environment. Following its highly politicised beginnings at the Birmingham Centre for Contemporary Cultural Studies, we consider whether traditional classroom practices are commensurate with the contemporary expectations of students and staff. As a working model of the current Australian university climate, we conside…

  • Vision and Precarity in Marjane Satrapi's Persepolis

    Golnar Nabizadeh•ARTICLE•Women's studies quarterly•2016

    What does it mean to survive, and when, and how, does matter? As the editors of this special issue have suggested, To is messy, elaborate, layered, contingent as it is on biological, political, and material conditions that support life or liveliness. claim for the renewed centrality of in modern times rests on the of widespread threats to human life, social, and physical environments brought about by political violence, social persecution, and ec…

  • Fiction in the age of risk

    Tony Hughes-D’aeth, Golnar Nabizadeh•ARTICLE•Textual Practice•2017

    When Ulrich Beck theorised a ‘Risk Society’ (Risikogesellschaft) in 1986, the threat of global annihilation through nuclear war remained uppermost in the minds of his readership. If we skip forward three decades to the contemporary moment, the question we ask in this special issue is whether the sensation of risk has mutated or evolved in the intervening period and whether fiction exhibits evidence of such a change. While the immediate risk of th…

  • Visualising risk in Pat Grant's Blue

    Golnar Nabizadeh•ARTICLE•Textual Practice•2017

    Published in 2012, Pat Grant’s debut graphic novel, Blue, depicts life in Bolton, a fictional Australian town that receives migrants who look noticeably different from the local community. Risk shapes Blue with regard to its aesthetic and formal concerns: the racism in Bolton places the foreigners at risk; Christian’s uneasy nostalgia depicts a community vulnerable to the ravages of time; and the work itself was self-published by Grant as a graph…

  • Mourning and Empathy in Graphic Life Narratives

    Golnar Nabizadeh•ARTICLE•a/b Auto/Biography Studies•2020

    TEST 02 - Elsevier's Scopus, the largest abstract and citation database of peer-reviewed literature. Search and access research from the science, technology, medicine, social sciences and arts and humanities fields

  • Introduction

    Christopher Murray, Chris Murray et al.•ARTICLE•Law and Humanities•2023

    This symposium article brings together distinguished scholars from the field of criminology, graphic arts, creative industries and social policy, and English to reflect on a suite of ‘educational’ or ‘public information’ comics created by the Scottish Centre for Comics Studies (SCCS), based at the University of Dundee. There are now 20-plus titles available to the public for free download and distribution on a range of subject matters relating to…

Sociology (6 works) · Comics and Graphic Narratives (4 works) · Political science (4 works) · Art (3 works) · Comics (3 works) · History (3 works) · Media studies (3 works) · Aesthetics (2 works) · Digital Games and Media (2 works) · Gender Studies (2 works)

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